Chapter Les tableaux maudits, en France et en Russie
I. Repin’s “Ivan the Terrible and his son”, exhibited in 1885, in a very tense social and political context, sparked off fierce reactions. While the Itinerant painter Kramskoj is enthusiastic, the ge-neral-prosecutor of the Holy Synod, K. Pobedonoscev, finds the painting “simply repulsive”. In Franc...
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| Format: | Online |
| Langue: | français |
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Firenze University Press
2022
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| Accès en ligne: | ONIX_20220601_9788864535074_36 |
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| _version_ | 1869521464150982656 |
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| author | Gonneau, Pierre |
| author_browse | Gonneau, Pierre |
| author_facet | Gonneau, Pierre |
| author_sort | Gonneau, Pierre |
| collection | Directory of Open Access Books |
| description | I. Repin’s “Ivan the Terrible and his son”, exhibited in 1885, in a very tense social and political context, sparked off fierce reactions. While the Itinerant painter Kramskoj is enthusiastic, the ge-neral-prosecutor of the Holy Synod, K. Pobedonoscev, finds the painting “simply repulsive”. In France a similar scandal was caused by Gericault’s “Raft of the Medusa” (1819). It represents the last instants of the martyrdom of the survivors of the Medusa’s shipwreck (1816). Repin’s painting, unlike that of Gericault, keeps on arousing a great hostility nowadays in conservative Russian circles. |
| format | Online |
| id | doab-20.500.12854ir-83198 |
| institution | Directory of Open Access Books |
| language | fre |
| publishDate | 2022 |
| publishDateRange | 2022 |
| publishDateSort | 2022 |
| publisher | Firenze University Press |
| publisherStr | Firenze University Press |
| record_format | ojs |
| spelling | doab-20.500.12854ir-831982022-06-02T04:25:54Z Chapter Les tableaux maudits, en France et en Russie Gonneau, Pierre Il’ja Repin Nikolaj Ge Theodore Gericault Ivan the Terrible Peter the Great I. Repin’s “Ivan the Terrible and his son”, exhibited in 1885, in a very tense social and political context, sparked off fierce reactions. While the Itinerant painter Kramskoj is enthusiastic, the ge-neral-prosecutor of the Holy Synod, K. Pobedonoscev, finds the painting “simply repulsive”. In France a similar scandal was caused by Gericault’s “Raft of the Medusa” (1819). It represents the last instants of the martyrdom of the survivors of the Medusa’s shipwreck (1816). Repin’s painting, unlike that of Gericault, keeps on arousing a great hostility nowadays in conservative Russian circles. 2022-06-02T04:25:53Z 2022-06-02T04:25:53Z 2022-06-01T12:07:20Z 2017 chapter ONIX_20220601_9788864535074_36 2612-7679 https://library.oapen.org/handle/20.500.12657/55853 9788864535074 https://directory.doabooks.org/handle/20.500.12854/83198 fre Biblioteca di Studi Slavistici open access image/jpeg Attribution 4.0 International https://library.oapen.org/bitstream/20.500.12657/55853/1/26500.pdf Firenze University Press 10.36253/978-88-6453-507-4.14 10.36253/978-88-6453-507-4.14 2ec4474d-93b1-4cfa-b313-9c6019b51b1a 9788864535074 16 Florence open access |
| spellingShingle | Il’ja Repin Nikolaj Ge Theodore Gericault Ivan the Terrible Peter the Great Gonneau, Pierre Chapter Les tableaux maudits, en France et en Russie |
| title | Chapter Les tableaux maudits, en France et en Russie |
| title_full | Chapter Les tableaux maudits, en France et en Russie |
| title_fullStr | Chapter Les tableaux maudits, en France et en Russie |
| title_full_unstemmed | Chapter Les tableaux maudits, en France et en Russie |
| title_short | Chapter Les tableaux maudits, en France et en Russie |
| title_sort | chapter les tableaux maudits en france et en russie |
| topic | Il’ja Repin Nikolaj Ge Theodore Gericault Ivan the Terrible Peter the Great |
| topic_facet | Il’ja Repin Nikolaj Ge Theodore Gericault Ivan the Terrible Peter the Great |
| url | ONIX_20220601_9788864535074_36 |
| work_keys_str_mv | AT gonneaupierre chapterlestableauxmauditsenfranceetenrussie |