Chapter El teatro del Siglo de Oro y su paulatina presencia en la cultura y la literatura teatrales en los países de habla alemana durante los siglos XVII y XVIII

The presence of the theatre of the Spanish Siglo de Oro in the theatre and literary culture of Germany (or the German-speaking countries) in the 17th and 18th centuries is a multifaceted one, and was influenced by many factors. We have to take in account that in the second half of the 17th century a...

Повний опис

Збережено в:
Бібліографічні деталі
Автор: Tietz, Manfred
Формат: Online
Мова:Іспанська
Опубліковано: Firenze University Press 2022
Предмети:
Онлайн доступ:ONIX_20220601_9788855181501_442
Теги: Додати тег
Немає тегів, Будьте першим, хто поставить тег для цього запису!
_version_ 1869527949596688384
author Tietz, Manfred
author_browse Tietz, Manfred
author_facet Tietz, Manfred
author_sort Tietz, Manfred
collection Directory of Open Access Books
description The presence of the theatre of the Spanish Siglo de Oro in the theatre and literary culture of Germany (or the German-speaking countries) in the 17th and 18th centuries is a multifaceted one, and was influenced by many factors. We have to take in account that in the second half of the 17th century and in a large part of the 18th century Spain had been a terra incognita for the Germanic world. This long lack of basic knowledge led to a decontextualization of the Golden Age theatre and sometimes to an unconditional enthusiasm that was not based on historical realities. The protagonists of the ‘construction’ of a ‘Spanish national theatre’ included Lessing, Herder, Goethe, the Schlegel brothers and the philosopher Schelling, the most prominent German intellectuals of the time. Within this ‘construction’ Lope de Vega, Rojas Zorrilla and, above all, Calderón de la Barca are the three icons that will guide both the theory and the practice of drama during the ‘two most Spanish decades’ of German literary history (1790-1810), even reaching - in the secularized world of the classics and the first generation of German Romantics - the ‘deification’ of Calderón as perfect poet and author of modern tragedies (without paying much attention to his comedias in a stricter sense and without taking account of his autos sacramentales).
format Online
id doab-20.500.12854ir-83446
institution Directory of Open Access Books
language spa
publishDate 2022
publishDateRange 2022
publishDateSort 2022
publisher Firenze University Press
publisherStr Firenze University Press
record_format ojs
spelling doab-20.500.12854ir-834462022-06-02T04:31:23Z Chapter El teatro del Siglo de Oro y su paulatina presencia en la cultura y la literatura teatrales en los países de habla alemana durante los siglos XVII y XVIII Tietz, Manfred Spanish theatre in German-speaking countries the 17th and 18th centuries the first generation of German Romantics The presence of the theatre of the Spanish Siglo de Oro in the theatre and literary culture of Germany (or the German-speaking countries) in the 17th and 18th centuries is a multifaceted one, and was influenced by many factors. We have to take in account that in the second half of the 17th century and in a large part of the 18th century Spain had been a terra incognita for the Germanic world. This long lack of basic knowledge led to a decontextualization of the Golden Age theatre and sometimes to an unconditional enthusiasm that was not based on historical realities. The protagonists of the ‘construction’ of a ‘Spanish national theatre’ included Lessing, Herder, Goethe, the Schlegel brothers and the philosopher Schelling, the most prominent German intellectuals of the time. Within this ‘construction’ Lope de Vega, Rojas Zorrilla and, above all, Calderón de la Barca are the three icons that will guide both the theory and the practice of drama during the ‘two most Spanish decades’ of German literary history (1790-1810), even reaching - in the secularized world of the classics and the first generation of German Romantics - the ‘deification’ of Calderón as perfect poet and author of modern tragedies (without paying much attention to his comedias in a stricter sense and without taking account of his autos sacramentales). 2022-06-02T04:31:22Z 2022-06-02T04:31:22Z 2022-06-01T12:17:34Z 2020 chapter ONIX_20220601_9788855181501_442 2704-5919 https://library.oapen.org/handle/20.500.12657/56259 9788855181501 https://directory.doabooks.org/handle/20.500.12854/83446 spa Studi e saggi open access image/jpeg Attribution 4.0 International https://library.oapen.org/bitstream/20.500.12657/56259/1/14593.pdf Firenze University Press 10.36253/978-88-5518-150-1.7 10.36253/978-88-5518-150-1.7 2ec4474d-93b1-4cfa-b313-9c6019b51b1a 9788855181501 38 Florence open access
spellingShingle Spanish theatre in German-speaking countries
the 17th and 18th centuries
the first generation of German Romantics
Tietz, Manfred
Chapter El teatro del Siglo de Oro y su paulatina presencia en la cultura y la literatura teatrales en los países de habla alemana durante los siglos XVII y XVIII
title Chapter El teatro del Siglo de Oro y su paulatina presencia en la cultura y la literatura teatrales en los países de habla alemana durante los siglos XVII y XVIII
title_full Chapter El teatro del Siglo de Oro y su paulatina presencia en la cultura y la literatura teatrales en los países de habla alemana durante los siglos XVII y XVIII
title_fullStr Chapter El teatro del Siglo de Oro y su paulatina presencia en la cultura y la literatura teatrales en los países de habla alemana durante los siglos XVII y XVIII
title_full_unstemmed Chapter El teatro del Siglo de Oro y su paulatina presencia en la cultura y la literatura teatrales en los países de habla alemana durante los siglos XVII y XVIII
title_short Chapter El teatro del Siglo de Oro y su paulatina presencia en la cultura y la literatura teatrales en los países de habla alemana durante los siglos XVII y XVIII
title_sort chapter el teatro del siglo de oro y su paulatina presencia en la cultura y la literatura teatrales en los paises de habla alemana durante los siglos xvii y xviii
topic Spanish theatre in German-speaking countries
the 17th and 18th centuries
the first generation of German Romantics
topic_facet Spanish theatre in German-speaking countries
the 17th and 18th centuries
the first generation of German Romantics
url ONIX_20220601_9788855181501_442
work_keys_str_mv AT tietzmanfred chapterelteatrodelsiglodeoroysupaulatinapresenciaenlaculturaylaliteraturateatralesenlospaisesdehablaalemanadurantelossiglosxviiyxviii