Nothing As We Need It

Nothing As We Need It: A Chimera imagines and writes a composite and impure form of criticism that embodies the writing of research as recursive, entangled, and many-voiced. Shaped by encounters with literature not translated in English, by the polyphonies, artifices, and concealments of a biling...

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第一著者: Cascella, Daniela
フォーマット: Online
言語:英語
出版事項: punctum books 2022
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オンライン・アクセス:OCN: 1334944111
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author Cascella, Daniela
author_browse Cascella, Daniela
author_facet Cascella, Daniela
author_sort Cascella, Daniela
collection Directory of Open Access Books
description Nothing As We Need It: A Chimera imagines and writes a composite and impure form of criticism that embodies the writing of research as recursive, entangled, and many-voiced. Shaped by encounters with literature not translated in English, by the polyphonies, artifices, and concealments of a bilingual self, and by the sense of speechlessness and haunting when writing of works that cannot be instantly quoted, this book’s subtitle derives from the mythological Chimera: a monstrous creature made of three different parts, impossible in theory but real in the imagination and in the reading of the myth. Similarly the book is written in different styles, some of which may seem impossible, monstrous, and disturbing. It manifests critical writing as enmeshment and conversation with its subject matters; favours impurity rather than detachment; embraces exaggeration, repetition, laughter, and self-parody as legitimate forms of knowledge. Yet a chimera also designates the object of a yearning deemed unattainable: this book exists in the space of such yearning, in the tension between words and what exceeds them, their overtones. The critic is exhausted by yearning, rather than the owner of exhaustive knowledge. A Menippean satire for critical writing, Nothing As We Need It sustains its argument for composite and impure writing in its form. It demands ways of reading equally varied, and wildly imaginative. Listening to literature beyond the limits of textual analysis, it dismisses the visual implications of reflection, which assumes detachment and polished surfaces, in favour of an aural method of resonance, allowing enmeshment and interference. This book unsettles language, welcomes uninhibited exaggeration and wordplay, and manifests possibilities for working with citation beyond the boundaries of inverted commas.
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spelling doab-20.500.12854ir-847202025-03-15T04:32:13Z Nothing As We Need It Cascella, Daniela composition;disciplinarity;literary criticism;literary theory;Menippean satire;rhetoric Nothing As We Need It: A Chimera imagines and writes a composite and impure form of criticism that embodies the writing of research as recursive, entangled, and many-voiced. Shaped by encounters with literature not translated in English, by the polyphonies, artifices, and concealments of a bilingual self, and by the sense of speechlessness and haunting when writing of works that cannot be instantly quoted, this book’s subtitle derives from the mythological Chimera: a monstrous creature made of three different parts, impossible in theory but real in the imagination and in the reading of the myth. Similarly the book is written in different styles, some of which may seem impossible, monstrous, and disturbing. It manifests critical writing as enmeshment and conversation with its subject matters; favours impurity rather than detachment; embraces exaggeration, repetition, laughter, and self-parody as legitimate forms of knowledge. Yet a chimera also designates the object of a yearning deemed unattainable: this book exists in the space of such yearning, in the tension between words and what exceeds them, their overtones. The critic is exhausted by yearning, rather than the owner of exhaustive knowledge. A Menippean satire for critical writing, Nothing As We Need It sustains its argument for composite and impure writing in its form. It demands ways of reading equally varied, and wildly imaginative. Listening to literature beyond the limits of textual analysis, it dismisses the visual implications of reflection, which assumes detachment and polished surfaces, in favour of an aural method of resonance, allowing enmeshment and interference. This book unsettles language, welcomes uninhibited exaggeration and wordplay, and manifests possibilities for working with citation beyond the boundaries of inverted commas. 2022-06-29T04:01:41Z 2022-06-29T04:01:41Z 2022-06-28T12:14:41Z 2022 book OCN: 1334944111 https://library.oapen.org/handle/20.500.12657/57132 9781685710606 https://directory.doabooks.org/handle/20.500.12854/84720 eng open access image/jpeg image/jpeg image/jpeg image/jpeg Attribution-NonCommercial-ShareAlike 4.0 International Attribution-NonCommercial-ShareAlike 4.0 International Attribution-NonCommercial-ShareAlike 4.0 International Attribution-NonCommercial-ShareAlike 4.0 International https://library.oapen.org/bitstream/20.500.12657/57132/1/0382.1.00.pdf https://library.oapen.org/bitstream/20.500.12657/57132/1/0382.1.00.pdf https://library.oapen.org/bitstream/20.500.12657/57132/1/0382.1.00.pdf https://library.oapen.org/bitstream/20.500.12657/57132/1/0382.1.00.pdf punctum books Risking Education 10.53288/0382.1.00 10.53288/0382.1.00 12970da4-0116-4486-b8be-fc9756703ab1 9781685710606 ScholarLed Risking Education 150 Brooklyn, NY open access
spellingShingle composition;disciplinarity;literary criticism;literary theory;Menippean satire;rhetoric
Cascella, Daniela
Nothing As We Need It
title Nothing As We Need It
title_full Nothing As We Need It
title_fullStr Nothing As We Need It
title_full_unstemmed Nothing As We Need It
title_short Nothing As We Need It
title_sort nothing as we need it
topic composition;disciplinarity;literary criticism;literary theory;Menippean satire;rhetoric
topic_facet composition;disciplinarity;literary criticism;literary theory;Menippean satire;rhetoric
url OCN: 1334944111
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