Chapter 7 Conclusion
The notion that photographs are the products of biases and hidden agendas is nothing new. Photographs have presented Argentina’s Proceso as a source of peace and stability, Canada’s residential schools as agents of successful assimilation and the Extraordinary Chambers in the Courts of Cambodia as a...
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| Natura: | Online |
| Lingua: | inglese |
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Taylor & Francis
2022
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| Accesso online: | https://library.oapen.org/handle/20.500.12657/57126 |
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| _version_ | 1869528585553838080 |
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| author | Miles, Melissa |
| author_browse | Miles, Melissa |
| author_facet | Miles, Melissa |
| author_sort | Miles, Melissa |
| collection | Directory of Open Access Books |
| description | The notion that photographs are the products of biases and hidden agendas is nothing new. Photographs have presented Argentina’s Proceso as a source of peace and stability, Canada’s residential schools as agents of successful assimilation and the Extraordinary Chambers in the Courts of Cambodia as an unimpeachable force for justice. Photography has proven a valuable partner in these endeavours. Photographs provide evocative visual, temporal and material links to the past that allow them to be used as evidence, affirmations of different types of truth, political critique, and individual and shared historical narratives. Contemporary patterns of international photography education, exhibition, theorization and publication reaffirm the critical necessity of bringing a deterritorialized perspective to national case studies. Contemporary photographers are deterritorializing their responses to human rights abuses by forging connections between different historical events across time and space. |
| format | Online |
| id | doab-20.500.12854ir-84727 |
| institution | Directory of Open Access Books |
| language | eng |
| publishDate | 2022 |
| publishDateRange | 2022 |
| publishDateSort | 2022 |
| publisher | Taylor & Francis |
| publisherStr | Taylor & Francis |
| record_format | ojs |
| spelling | doab-20.500.12854ir-847272025-02-05T14:54:23Z Chapter 7 Conclusion Miles, Melissa history of photography, art history, visual studies The notion that photographs are the products of biases and hidden agendas is nothing new. Photographs have presented Argentina’s Proceso as a source of peace and stability, Canada’s residential schools as agents of successful assimilation and the Extraordinary Chambers in the Courts of Cambodia as an unimpeachable force for justice. Photography has proven a valuable partner in these endeavours. Photographs provide evocative visual, temporal and material links to the past that allow them to be used as evidence, affirmations of different types of truth, political critique, and individual and shared historical narratives. Contemporary patterns of international photography education, exhibition, theorization and publication reaffirm the critical necessity of bringing a deterritorialized perspective to national case studies. Contemporary photographers are deterritorializing their responses to human rights abuses by forging connections between different historical events across time and space. 2022-06-29T04:03:42Z 2022-06-29T04:03:42Z 2022-06-28T08:20:02Z 2020 chapter https://library.oapen.org/handle/20.500.12657/57126 9781032220239 9781474296069 https://directory.doabooks.org/handle/20.500.12854/84727 eng open access image/jpeg image/jpeg Attribution-NonCommercial-NoDerivatives 4.0 International Attribution-NonCommercial-NoDerivatives 4.0 International https://library.oapen.org/bitstream/20.500.12657/57126/1/9781003103820_10.4324_9781003103820-7.pdf https://library.oapen.org/bitstream/20.500.12657/57126/1/9781003103820_10.4324_9781003103820-7.pdf Taylor & Francis Routledge 10.4324/9781003103820-7 10.4324/9781003103820-7 fa69b019-f4ee-4979-8d42-c6b6c476b5f0 Photography, Truth and Reconciliation Monash University fba673a1-ae6a-4dd4-91dd-32bdd6d35a1e 9781032220239 9781474296069 Routledge 9 open access |
| spellingShingle | history of photography, art history, visual studies Miles, Melissa Chapter 7 Conclusion |
| title | Chapter 7 Conclusion |
| title_full | Chapter 7 Conclusion |
| title_fullStr | Chapter 7 Conclusion |
| title_full_unstemmed | Chapter 7 Conclusion |
| title_short | Chapter 7 Conclusion |
| title_sort | chapter 7 conclusion |
| topic | history of photography, art history, visual studies |
| topic_facet | history of photography, art history, visual studies |
| url | https://library.oapen.org/handle/20.500.12657/57126 |
| work_keys_str_mv | AT milesmelissa chapter7conclusion |