L'écran de nos pensées
Great voice of the twentieth-century American philosophy, Stanley Cavell (1926-2018), heir to Wittgenstein, has devoted his life to broadening the field of philosophy to the arts in the service of a philosophy of "ordinary language". As a young philosopher, appointed professor at Harvard, he explore...
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| Format: | Online |
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| Language: | French |
| Published: |
ENS Éditions
2022
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| Online Access: | ONIX_20220701_9791036204159_761 |
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| _version_ | 1869530666712956928 |
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| collection | Directory of Open Access Books |
| description | Great voice of the twentieth-century American philosophy, Stanley Cavell (1926-2018), heir to Wittgenstein, has devoted his life to broadening the field of philosophy to the arts in the service of a philosophy of "ordinary language". As a young philosopher, appointed professor at Harvard, he explored in a seminar of aesthetics, twenty years before Deleuze, the link between philosophy and cinema. A common thread runs throught Frank Capra to George Cukor, Terrence Malick, Arnaud Desplechin or the Dardenne brothers, amongst others: They are all underpinned by Stanley Cavell’s philosophical readings of films and the films that they inspired. Few philosophical works have proved so influential in cinema and so deeply transformative in the field of film studies as that by the Harvard philosopher. From his 1971 masterpiece, The World Viewed , to his famous book on Hollywood comedy in the ‘40s and his later essays on melodrama, autobiography, and criticism, this book brings to light the entire breadth of Cavell’s philosophy. It gives voice to three filmmakers who knew him and drew inspiration from his writing: Luc Dardenne, Arnaud Desplechin and Claire Simon. It also examines the relation between Cavell and Terrence Malick at Harvard in the ’60s. This is when he laid the foundations for a philosophical approach to film that departs from our collective as well as intimate experience of films, showing how the experience unites us. For Cavell, not only do films bring us closer to each other, they also bring individuals to dive deeply into themselves and learn. |
| format | Online |
| id | doab-20.500.12854ir-85286 |
| institution | Directory of Open Access Books |
| language | fre |
| publishDate | 2022 |
| publishDateRange | 2022 |
| publishDateSort | 2022 |
| publisher | ENS Éditions |
| publisherStr | ENS Éditions |
| record_format | ojs |
| spelling | doab-20.500.12854ir-852862024-03-23T21:37:10Z L'écran de nos pensées Domenach, Élise Bessy, Thierry Bortzmeyer, Gabriel Fournier, Christian Leroy, Alice Viviani, Christian Walon, Sophie film philosophy analytical philosophy thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDT Topics in philosophy::QDTN Philosophy: aesthetics Great voice of the twentieth-century American philosophy, Stanley Cavell (1926-2018), heir to Wittgenstein, has devoted his life to broadening the field of philosophy to the arts in the service of a philosophy of "ordinary language". As a young philosopher, appointed professor at Harvard, he explored in a seminar of aesthetics, twenty years before Deleuze, the link between philosophy and cinema. A common thread runs throught Frank Capra to George Cukor, Terrence Malick, Arnaud Desplechin or the Dardenne brothers, amongst others: They are all underpinned by Stanley Cavell’s philosophical readings of films and the films that they inspired. Few philosophical works have proved so influential in cinema and so deeply transformative in the field of film studies as that by the Harvard philosopher. From his 1971 masterpiece, The World Viewed , to his famous book on Hollywood comedy in the ‘40s and his later essays on melodrama, autobiography, and criticism, this book brings to light the entire breadth of Cavell’s philosophy. It gives voice to three filmmakers who knew him and drew inspiration from his writing: Luc Dardenne, Arnaud Desplechin and Claire Simon. It also examines the relation between Cavell and Terrence Malick at Harvard in the ’60s. This is when he laid the foundations for a philosophical approach to film that departs from our collective as well as intimate experience of films, showing how the experience unites us. For Cavell, not only do films bring us closer to each other, they also bring individuals to dive deeply into themselves and learn. 2022-07-01T15:55:15Z 2022-07-01T15:55:15Z 2021 book ONIX_20220701_9791036204159_761 9791036204159 9791036204135 https://directory.doabooks.org/handle/20.500.12854/85286 fre Tohu Bohu image/png n/a https://www.7switch.com/fr/ebook/9791036204159/from/openedition https://books.openedition.org/enseditions/40431 ENS Éditions 10.4000/books.enseditions.40431 Great voice of the twentieth-century American philosophy, Stanley Cavell (1926-2018), heir to Wittgenstein, has devoted his life to broadening the field of philosophy to the arts in the service of a philosophy of "ordinary language". As a young philosopher, appointed professor at Harvard, he explored in a seminar of aesthetics, twenty years before Deleuze, the link between philosophy and cinema. A common thread runs throught Frank Capra to George Cukor, Terrence Malick, Arnaud Desplechin or the Dardenne brothers, amongst others: They are all underpinned by Stanley Cavell’s philosophical readings of films and the films that they inspired. Few philosophical works have proved so influential in cinema and so deeply transformative in the field of film studies as that by the Harvard philosopher. From his 1971 masterpiece, The World Viewed , to his famous book on Hollywood comedy in the ‘40s and his later essays on melodrama, autobiography, and criticism, this book brings to light the entire breadth of Cavell’s philosophy. It gives voice to three filmmakers who knew him and drew inspiration from his writing: Luc Dardenne, Arnaud Desplechin and Claire Simon. It also examines the relation between Cavell and Terrence Malick at Harvard in the ’60s. This is when he laid the foundations for a philosophical approach to film that departs from our collective as well as intimate experience of films, showing how the experience unites us. For Cavell, not only do films bring us closer to each other, they also bring individuals to dive deeply into themselves and learn. 10.4000/books.enseditions.40431 2ef10e66-6d3e-4b6d-9799-bf76360dd3e6 9791036204159 9791036204135 298 Lyon open access |
| spellingShingle | film philosophy analytical philosophy thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDT Topics in philosophy::QDTN Philosophy: aesthetics L'écran de nos pensées |
| title | L'écran de nos pensées |
| title_full | L'écran de nos pensées |
| title_fullStr | L'écran de nos pensées |
| title_full_unstemmed | L'écran de nos pensées |
| title_short | L'écran de nos pensées |
| title_sort | l ecran de nos pensees |
| topic | film philosophy analytical philosophy thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDT Topics in philosophy::QDTN Philosophy: aesthetics |
| topic_facet | film philosophy analytical philosophy thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDT Topics in philosophy::QDTN Philosophy: aesthetics |
| url | ONIX_20220701_9791036204159_761 |