L'art avant l'art

The paintings, engravings, sculptures and movable objects discovered, particularly since the discovery of Altamira, the famous decorated cave in Spain and a true masterpiece of Paleolithic art, never cease to question researchers, artists and the general public. How can we think about this ‘art befo...

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Formaat: Online
Taal:Frans
Gepubliceerd in: ENS Éditions 2022
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Online toegang:ONIX_20220701_9791036205064_762
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collection Directory of Open Access Books
description The paintings, engravings, sculptures and movable objects discovered, particularly since the discovery of Altamira, the famous decorated cave in Spain and a true masterpiece of Paleolithic art, never cease to question researchers, artists and the general public. How can we think about this ‘art before art’, these works of the origins to which we attribute an aesthetic value but whose realisation is prior and irreducible to the concept of art that we have today? In order to do so, we must identify the fundamental features of this prehistoric paradigm which paradoxically resonates with modern art. The treatment of gesture, figuration, space and movement will be examined as a source of inspiration and renewal for artists from Picasso to Moore. The book argues that the Paleolithic forces us to reconsider our definition of art, its functions and meanings, its beginnings and its history. The original reflections offered by specialists in philosophy, history, art history and literature will appeal to everyone who is passionate about art and its theories.
format Online
id doab-20.500.12854ir-85287
institution Directory of Open Access Books
language fre
publishDate 2022
publishDateRange 2022
publishDateSort 2022
publisher ENS Éditions
publisherStr ENS Éditions
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spelling doab-20.500.12854ir-852872024-03-23T21:37:16Z L'art avant l'art Rieber, Audrey art prehistory aesthetic modernity history thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art thema EDItEUR::6 Style qualifiers::6P Styles (P)::6PJ Prehistoric styles The paintings, engravings, sculptures and movable objects discovered, particularly since the discovery of Altamira, the famous decorated cave in Spain and a true masterpiece of Paleolithic art, never cease to question researchers, artists and the general public. How can we think about this ‘art before art’, these works of the origins to which we attribute an aesthetic value but whose realisation is prior and irreducible to the concept of art that we have today? In order to do so, we must identify the fundamental features of this prehistoric paradigm which paradoxically resonates with modern art. The treatment of gesture, figuration, space and movement will be examined as a source of inspiration and renewal for artists from Picasso to Moore. The book argues that the Paleolithic forces us to reconsider our definition of art, its functions and meanings, its beginnings and its history. The original reflections offered by specialists in philosophy, history, art history and literature will appeal to everyone who is passionate about art and its theories. 2022-07-01T15:55:17Z 2022-07-01T15:55:17Z 2022 book ONIX_20220701_9791036205064_762 9791036205064 9791036205040 https://directory.doabooks.org/handle/20.500.12854/85287 fre Tohu Bohu image/png n/a https://www.7switch.com/fr/ebook/9791036205064/from/openedition https://books.openedition.org/enseditions/40936 ENS Éditions 10.4000/books.enseditions.40936 The paintings, engravings, sculptures and movable objects discovered, particularly since the discovery of Altamira, the famous decorated cave in Spain and a true masterpiece of Paleolithic art, never cease to question researchers, artists and the general public. How can we think about this ‘art before art’, these works of the origins to which we attribute an aesthetic value but whose realisation is prior and irreducible to the concept of art that we have today? In order to do so, we must identify the fundamental features of this prehistoric paradigm which paradoxically resonates with modern art. The treatment of gesture, figuration, space and movement will be examined as a source of inspiration and renewal for artists from Picasso to Moore. The book argues that the Paleolithic forces us to reconsider our definition of art, its functions and meanings, its beginnings and its history. The original reflections offered by specialists in philosophy, history, art history and literature will appeal to everyone who is passionate about art and its theories. 10.4000/books.enseditions.40936 2ef10e66-6d3e-4b6d-9799-bf76360dd3e6 9791036205064 9791036205040 238 Lyon open access
spellingShingle art
prehistory
aesthetic
modernity
history
thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art
thema EDItEUR::6 Style qualifiers::6P Styles (P)::6PJ Prehistoric styles
L'art avant l'art
title L'art avant l'art
title_full L'art avant l'art
title_fullStr L'art avant l'art
title_full_unstemmed L'art avant l'art
title_short L'art avant l'art
title_sort l art avant l art
topic art
prehistory
aesthetic
modernity
history
thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art
thema EDItEUR::6 Style qualifiers::6P Styles (P)::6PJ Prehistoric styles
topic_facet art
prehistory
aesthetic
modernity
history
thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art
thema EDItEUR::6 Style qualifiers::6P Styles (P)::6PJ Prehistoric styles
url ONIX_20220701_9791036205064_762