Filles du peuple ?

Songs play a key role in 19th-century literary thinking: Chateaubriand, Lamartine, Stendhal, Hugo, Musset, Michelet, Flaubert, Rimbaud, Verlaine: every famous French author wrote about them. Expressions of daily life as well as political writings, be it familiar or hard to grasp, songs remain a fasc...

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Үндсэн зохиолч: Benini, Romain
Формат: Online
Хэл сонгох:франц
Хэвлэсэн: ENS Éditions 2022
Нөхцлүүд:
Онлайн хандалт:ONIX_20220701_9791036202872_775
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author Benini, Romain
author_browse Benini, Romain
author_facet Benini, Romain
author_sort Benini, Romain
collection Directory of Open Access Books
description Songs play a key role in 19th-century literary thinking: Chateaubriand, Lamartine, Stendhal, Hugo, Musset, Michelet, Flaubert, Rimbaud, Verlaine: every famous French author wrote about them. Expressions of daily life as well as political writings, be it familiar or hard to grasp, songs remain a fascinating yet understudied subject. This is partly due to their commonly acknowledged status as minor artistic productions. Yet, songs were an essential form of expression of both intimate and collective issues. This study, based on a large set of archival documents, focuses on 19th-century “popular” songs, mainly through social and political songs inspired by contemporary events. Apart from the prolific French songwriter Béranger – whose glory has progressively faded into simply a name –, who wrote those songs? Who sang them? What were their goals, forms, and themes? This book’s ambition is threefold. Firstly, it offers a first-ever detailed textual analysis of 19th-century French songs. Secondly, it explains how the now common idea of “popular song” was born in the first half of the century, and how it grew. Finally, this book strives to address a little-known though extremely rich corpus.
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spelling doab-20.500.12854ir-853002024-03-27T16:34:46Z Filles du peuple ? Benini, Romain songs popular stylistics poetry politics metrics thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general Songs play a key role in 19th-century literary thinking: Chateaubriand, Lamartine, Stendhal, Hugo, Musset, Michelet, Flaubert, Rimbaud, Verlaine: every famous French author wrote about them. Expressions of daily life as well as political writings, be it familiar or hard to grasp, songs remain a fascinating yet understudied subject. This is partly due to their commonly acknowledged status as minor artistic productions. Yet, songs were an essential form of expression of both intimate and collective issues. This study, based on a large set of archival documents, focuses on 19th-century “popular” songs, mainly through social and political songs inspired by contemporary events. Apart from the prolific French songwriter Béranger – whose glory has progressively faded into simply a name –, who wrote those songs? Who sang them? What were their goals, forms, and themes? This book’s ambition is threefold. Firstly, it offers a first-ever detailed textual analysis of 19th-century French songs. Secondly, it explains how the now common idea of “popular song” was born in the first half of the century, and how it grew. Finally, this book strives to address a little-known though extremely rich corpus. 2022-07-01T15:55:37Z 2022-07-01T15:55:37Z 2021 book ONIX_20220701_9791036202872_775 2679-0378 9791036202872 9791036202858 https://directory.doabooks.org/handle/20.500.12854/85300 fre Signes image/png n/a https://www.7switch.com/fr/ebook/9791036202872/from/openedition https://books.openedition.org/enseditions/17162 ENS Éditions 10.4000/books.enseditions.17162 Songs play a key role in 19th-century literary thinking: Chateaubriand, Lamartine, Stendhal, Hugo, Musset, Michelet, Flaubert, Rimbaud, Verlaine: every famous French author wrote about them. Expressions of daily life as well as political writings, be it familiar or hard to grasp, songs remain a fascinating yet understudied subject. This is partly due to their commonly acknowledged status as minor artistic productions. Yet, songs were an essential form of expression of both intimate and collective issues. This study, based on a large set of archival documents, focuses on 19th-century “popular” songs, mainly through social and political songs inspired by contemporary events. Apart from the prolific French songwriter Béranger – whose glory has progressively faded into simply a name –, who wrote those songs? Who sang them? What were their goals, forms, and themes? This book’s ambition is threefold. Firstly, it offers a first-ever detailed textual analysis of 19th-century French songs. Secondly, it explains how the now common idea of “popular song” was born in the first half of the century, and how it grew. Finally, this book strives to address a little-known though extremely rich corpus. 10.4000/books.enseditions.17162 2ef10e66-6d3e-4b6d-9799-bf76360dd3e6 9791036202872 9791036202858 435 Lyon open access
spellingShingle songs
popular
stylistics
poetry
politics
metrics
thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general
Benini, Romain
Filles du peuple ?
title Filles du peuple ?
title_full Filles du peuple ?
title_fullStr Filles du peuple ?
title_full_unstemmed Filles du peuple ?
title_short Filles du peuple ?
title_sort filles du peuple
topic songs
popular
stylistics
poetry
politics
metrics
thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general
topic_facet songs
popular
stylistics
poetry
politics
metrics
thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general
url ONIX_20220701_9791036202872_775
work_keys_str_mv AT beniniromain fillesdupeuple