La création d'une iconographie sivaïte narrative
At the end of the 7th century, the Pallava dynasty began to construct the first temples built entirely of stone in the Tamil-speaking South. For the most part these were dedicated to Śiva and their walls are thus adorned with representations of him in various embodiments, some benign, some fierce an...
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Institut Français de Pondichéry
2022
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| Online Erişim: | ONIX_20220701_9791036544286_880 |
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| _version_ | 1869529894239600640 |
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| author | Gillet, Valérie |
| author_browse | Gillet, Valérie |
| author_facet | Gillet, Valérie |
| author_sort | Gillet, Valérie |
| collection | Directory of Open Access Books |
| description | At the end of the 7th century, the Pallava dynasty began to construct the first temples built entirely of stone in the Tamil-speaking South. For the most part these were dedicated to Śiva and their walls are thus adorned with representations of him in various embodiments, some benign, some fierce and sanguinary, others victorious and regal. A lengthy introduction presents the historical and religious contexts in which this imagery was conceived and flourished. Each chapter of the book is then devoted to one of the principal forms of Śiva, and the concluding chapter attempts to outline the iconographical program of a Śaiva sanctuary in the Pallava period. Because narrative Śaiva art was not widely developed by this time, the illustration of many deeds of Śiva had still to be invented. It is therefore the creation of an iconography that we see in Pallava monuments, an iconography inspired both by pan-Indian mythology and by local traditions, borrowing at the same time elements from various religious movements. If some Pallava representations both appear and disappear with the dynasty, most of them were long to exert influence on subsequent South Indian sculptural art. Thus narrative Pallava sculpture appears to stand at the point of origin of a long and now deeply rooted tradition. |
| format | Online |
| id | doab-20.500.12854ir-85407 |
| institution | Directory of Open Access Books |
| language | fre |
| publishDate | 2022 |
| publishDateRange | 2022 |
| publishDateSort | 2022 |
| publisher | Institut Français de Pondichéry |
| publisherStr | Institut Français de Pondichéry |
| record_format | ojs |
| spelling | doab-20.500.12854ir-854072024-03-23T21:37:44Z La création d'une iconographie sivaïte narrative Gillet, Valérie dynastie Pallava art religieux iconographie temple monument image narrative thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art thema EDItEUR::1 Place qualifiers::1F Asia::1FP East Asia, Far East thema EDItEUR::N History and Archaeology::NH History At the end of the 7th century, the Pallava dynasty began to construct the first temples built entirely of stone in the Tamil-speaking South. For the most part these were dedicated to Śiva and their walls are thus adorned with representations of him in various embodiments, some benign, some fierce and sanguinary, others victorious and regal. A lengthy introduction presents the historical and religious contexts in which this imagery was conceived and flourished. Each chapter of the book is then devoted to one of the principal forms of Śiva, and the concluding chapter attempts to outline the iconographical program of a Śaiva sanctuary in the Pallava period. Because narrative Śaiva art was not widely developed by this time, the illustration of many deeds of Śiva had still to be invented. It is therefore the creation of an iconography that we see in Pallava monuments, an iconography inspired both by pan-Indian mythology and by local traditions, borrowing at the same time elements from various religious movements. If some Pallava representations both appear and disappear with the dynasty, most of them were long to exert influence on subsequent South Indian sculptural art. Thus narrative Pallava sculpture appears to stand at the point of origin of a long and now deeply rooted tradition. 2022-07-01T15:58:10Z 2022-07-01T15:58:10Z 2010 book ONIX_20220701_9791036544286_880 9791036544286 9788184701807 https://directory.doabooks.org/handle/20.500.12854/85407 fre Collection Indologie image/png n/a https://www.7switch.com/fr/ebook/9791036544286/from/openedition https://books.openedition.org/ifp/456 Institut Français de Pondichéry 10.4000/books.ifp.456 At the end of the 7th century, the Pallava dynasty began to construct the first temples built entirely of stone in the Tamil-speaking South. For the most part these were dedicated to Śiva and their walls are thus adorned with representations of him in various embodiments, some benign, some fierce and sanguinary, others victorious and regal. A lengthy introduction presents the historical and religious contexts in which this imagery was conceived and flourished. Each chapter of the book is then devoted to one of the principal forms of Śiva, and the concluding chapter attempts to outline the iconographical program of a Śaiva sanctuary in the Pallava period. Because narrative Śaiva art was not widely developed by this time, the illustration of many deeds of Śiva had still to be invented. It is therefore the creation of an iconography that we see in Pallava monuments, an iconography inspired both by pan-Indian mythology and by local traditions, borrowing at the same time elements from various religious movements. If some Pallava representations both appear and disappear with the dynasty, most of them were long to exert influence on subsequent South Indian sculptural art. Thus narrative Pallava sculpture appears to stand at the point of origin of a long and now deeply rooted tradition. 10.4000/books.ifp.456 01d3c17d-9fb2-437b-ad11-cc60ef18b25a 9791036544286 9788184701807 402 Pondichéry open access |
| spellingShingle | dynastie Pallava art religieux iconographie temple monument image narrative thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art thema EDItEUR::1 Place qualifiers::1F Asia::1FP East Asia, Far East thema EDItEUR::N History and Archaeology::NH History Gillet, Valérie La création d'une iconographie sivaïte narrative |
| title | La création d'une iconographie sivaïte narrative |
| title_full | La création d'une iconographie sivaïte narrative |
| title_fullStr | La création d'une iconographie sivaïte narrative |
| title_full_unstemmed | La création d'une iconographie sivaïte narrative |
| title_short | La création d'une iconographie sivaïte narrative |
| title_sort | la creation d une iconographie sivaite narrative |
| topic | dynastie Pallava art religieux iconographie temple monument image narrative thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art thema EDItEUR::1 Place qualifiers::1F Asia::1FP East Asia, Far East thema EDItEUR::N History and Archaeology::NH History |
| topic_facet | dynastie Pallava art religieux iconographie temple monument image narrative thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art thema EDItEUR::1 Place qualifiers::1F Asia::1FP East Asia, Far East thema EDItEUR::N History and Archaeology::NH History |
| url | ONIX_20220701_9791036544286_880 |
| work_keys_str_mv | AT gilletvalerie lacreationduneiconographiesivaitenarrative |