Aliénation et réinvention dans l’œuvre de Jamaica Kincaid

Caribbean literature maintains a dual relationship with the culture of the former colonizers, hesitating between resistance and imitation, deterritorialization and reterritorialization, alienation and reinvention. Jamaica Kincaid’s connection with her literary and historical heritage is a dynamic on...

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Päätekijä: Yassine-Diab, Nadia
Aineistotyyppi: Online
Kieli:ranska
Julkaistu: Presses universitaires de la Méditerranée 2022
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Linkit:ONIX_20220701_9782367813844_1746
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author Yassine-Diab, Nadia
author_browse Yassine-Diab, Nadia
author_facet Yassine-Diab, Nadia
author_sort Yassine-Diab, Nadia
collection Directory of Open Access Books
description Caribbean literature maintains a dual relationship with the culture of the former colonizers, hesitating between resistance and imitation, deterritorialization and reterritorialization, alienation and reinvention. Jamaica Kincaid’s connection with her literary and historical heritage is a dynamic one. Her writing is postcolonial in the political more than the historical sense. Like Kincaid herself, the characters explore the boundaries between filiation and affiliation, adopting strategies of reappropriation to respond to their alienation in their relationships with their mothers. Their reclaiming of their bodies leads to self-reinvention, and to the reappropriation of history and space. Kincaid herself searches for an artistic space in which to reinvent herself. She combines photography, painting, and gardening with writing, adopting different strategies for reappropriating and decolonizing language. She writes in the oppressor’s tongue and subverts it, combining different voices in the space of her texts.
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publisher Presses universitaires de la Méditerranée
publisherStr Presses universitaires de la Méditerranée
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spelling doab-20.500.12854ir-862752024-04-02T22:12:01Z Aliénation et réinvention dans l’œuvre de Jamaica Kincaid Yassine-Diab, Nadia histoire colonisation identité Caraïbe thema EDItEUR::N History and Archaeology::NH History::NHK History of the Americas Caribbean literature maintains a dual relationship with the culture of the former colonizers, hesitating between resistance and imitation, deterritorialization and reterritorialization, alienation and reinvention. Jamaica Kincaid’s connection with her literary and historical heritage is a dynamic one. Her writing is postcolonial in the political more than the historical sense. Like Kincaid herself, the characters explore the boundaries between filiation and affiliation, adopting strategies of reappropriation to respond to their alienation in their relationships with their mothers. Their reclaiming of their bodies leads to self-reinvention, and to the reappropriation of history and space. Kincaid herself searches for an artistic space in which to reinvent herself. She combines photography, painting, and gardening with writing, adopting different strategies for reappropriating and decolonizing language. She writes in the oppressor’s tongue and subverts it, combining different voices in the space of her texts. 2022-07-01T16:22:51Z 2022-07-01T16:22:51Z 2014 book ONIX_20220701_9782367813844_1746 9782367813844 9782367811130 https://directory.doabooks.org/handle/20.500.12854/86275 fre Horizons anglophones image/png n/a https://www.7switch.com/fr/ebook/9782367813844/from/openedition https://books.openedition.org/pulm/8503 Presses universitaires de la Méditerranée 10.4000/books.pulm.8503 Caribbean literature maintains a dual relationship with the culture of the former colonizers, hesitating between resistance and imitation, deterritorialization and reterritorialization, alienation and reinvention. Jamaica Kincaid’s connection with her literary and historical heritage is a dynamic one. Her writing is postcolonial in the political more than the historical sense. Like Kincaid herself, the characters explore the boundaries between filiation and affiliation, adopting strategies of reappropriation to respond to their alienation in their relationships with their mothers. Their reclaiming of their bodies leads to self-reinvention, and to the reappropriation of history and space. Kincaid herself searches for an artistic space in which to reinvent herself. She combines photography, painting, and gardening with writing, adopting different strategies for reappropriating and decolonizing language. She writes in the oppressor’s tongue and subverts it, combining different voices in the space of her texts. 10.4000/books.pulm.8503 17962280-e27b-4c2a-810d-e0321925cbfc 9782367813844 9782367811130 334 Montpellier open access
spellingShingle histoire
colonisation
identité
Caraïbe
thema EDItEUR::N History and Archaeology::NH History::NHK History of the Americas
Yassine-Diab, Nadia
Aliénation et réinvention dans l’œuvre de Jamaica Kincaid
title Aliénation et réinvention dans l’œuvre de Jamaica Kincaid
title_full Aliénation et réinvention dans l’œuvre de Jamaica Kincaid
title_fullStr Aliénation et réinvention dans l’œuvre de Jamaica Kincaid
title_full_unstemmed Aliénation et réinvention dans l’œuvre de Jamaica Kincaid
title_short Aliénation et réinvention dans l’œuvre de Jamaica Kincaid
title_sort alienation et reinvention dans l oeuvre de jamaica kincaid
topic histoire
colonisation
identité
Caraïbe
thema EDItEUR::N History and Archaeology::NH History::NHK History of the Americas
topic_facet histoire
colonisation
identité
Caraïbe
thema EDItEUR::N History and Archaeology::NH History::NHK History of the Americas
url ONIX_20220701_9782367813844_1746
work_keys_str_mv AT yassinediabnadia alienationetreinventiondanslœuvredejamaicakincaid