Louvre
The fourth volume of the “Passage des disciplines” collection looks at how the discipline of art history was established at the Collège de France by forging a special link with the Musée du Louvre. Georges Lafenestre, André Michel, Paul Vitry, and René Huyghe were curators in the Department of Paint...
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| Формат: | Online |
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| Язык: | французский |
| Опубликовано: |
Collège de France
2022
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| Предметы: | |
| Online-ссылка: | ONIX_20220701_9782722605596_123 |
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| _version_ | 1869514684859678720 |
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| collection | Directory of Open Access Books |
| description | The fourth volume of the “Passage des disciplines” collection looks at how the discipline of art history was established at the Collège de France by forging a special link with the Musée du Louvre. Georges Lafenestre, André Michel, Paul Vitry, and René Huyghe were curators in the Department of Paintings and Drawings and the Department of Medieval, Renaissance and Modern Sculptures, before holding the Chair of Aesthetics and Art History, created in 1878 and once renamed “History of French Art” (1920-1925), or the municipal chair, “Psychology of Visual Arts” (1951-1976), financed by the City of Paris. By electing several curators to its chairs in this way, does the Collège de France single itself out among the institutions at which aesthetics and art history are taught? What determines the recruitment of curators? To what extent does their museum experience weigh on their appointment? Once elected, what ties do they maintain with the Louvre? Do they integrate the museum’s debates on aesthetics or historical method into their teaching at the Collège de France? Such are some of the questions that the authors of this volume explore, drawing on the archives of various institutions. This volume ensues from a study day organised by Jessica Desclaux (Sorbonne Université-Musée du Louvre/Centre Dominique-Vivant Denon) on 4 April 2019, as part of the research programme “Passage des disciplines: global history of the Collège de France, 19th-20th century”. The programme focuses on the selection process of chairs and fields of study at the Collège de France, including those that were not admitted to it and which formed a “virtual college”, from the late 18th century to the 1960s. It is directed by Antoine Compagnon, with the collaboration of Céline Surprenant, and has received financial support from PSL (2016-2019) and the République des Savoirs. |
| format | Online |
| id | doab-20.500.12854ir-87264 |
| institution | Directory of Open Access Books |
| language | fre |
| publishDate | 2022 |
| publishDateRange | 2022 |
| publishDateSort | 2022 |
| publisher | Collège de France |
| publisherStr | Collège de France |
| record_format | ojs |
| spelling | doab-20.500.12854ir-872642024-03-23T14:58:12Z Louvre Desclaux, Jessica history of art Collège de France history of research history of high education museum fine arts Louvre museum educational institutions art school esthetics high education thema EDItEUR::A The Arts::AB The arts: general topics::ABA Theory of art thema EDItEUR::A The Arts::AB The arts: general topics::ABC Conservation, restoration and care of artworks thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGC Exhibition catalogues and specific collections thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GL Library and information sciences / Museology::GLZ Museology and heritage studies thema EDItEUR::N History and Archaeology thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day The fourth volume of the “Passage des disciplines” collection looks at how the discipline of art history was established at the Collège de France by forging a special link with the Musée du Louvre. Georges Lafenestre, André Michel, Paul Vitry, and René Huyghe were curators in the Department of Paintings and Drawings and the Department of Medieval, Renaissance and Modern Sculptures, before holding the Chair of Aesthetics and Art History, created in 1878 and once renamed “History of French Art” (1920-1925), or the municipal chair, “Psychology of Visual Arts” (1951-1976), financed by the City of Paris. By electing several curators to its chairs in this way, does the Collège de France single itself out among the institutions at which aesthetics and art history are taught? What determines the recruitment of curators? To what extent does their museum experience weigh on their appointment? Once elected, what ties do they maintain with the Louvre? Do they integrate the museum’s debates on aesthetics or historical method into their teaching at the Collège de France? Such are some of the questions that the authors of this volume explore, drawing on the archives of various institutions. This volume ensues from a study day organised by Jessica Desclaux (Sorbonne Université-Musée du Louvre/Centre Dominique-Vivant Denon) on 4 April 2019, as part of the research programme “Passage des disciplines: global history of the Collège de France, 19th-20th century”. The programme focuses on the selection process of chairs and fields of study at the Collège de France, including those that were not admitted to it and which formed a “virtual college”, from the late 18th century to the 1960s. It is directed by Antoine Compagnon, with the collaboration of Céline Surprenant, and has received financial support from PSL (2016-2019) and the République des Savoirs. 2022-07-01T16:56:19Z 2022-07-01T16:56:19Z 2020 book ONIX_20220701_9782722605596_123 9782722605596 https://directory.doabooks.org/handle/20.500.12854/87264 fre Passage des disciplines image/png n/a https://www.7switch.com/fr/ebook/9782722605596/from/openedition https://books.openedition.org/cdf/10192 Collège de France 10.4000/books.cdf.10192 The fourth volume of the “Passage des disciplines” collection looks at how the discipline of art history was established at the Collège de France by forging a special link with the Musée du Louvre. Georges Lafenestre, André Michel, Paul Vitry, and René Huyghe were curators in the Department of Paintings and Drawings and the Department of Medieval, Renaissance and Modern Sculptures, before holding the Chair of Aesthetics and Art History, created in 1878 and once renamed “History of French Art” (1920-1925), or the municipal chair, “Psychology of Visual Arts” (1951-1976), financed by the City of Paris. By electing several curators to its chairs in this way, does the Collège de France single itself out among the institutions at which aesthetics and art history are taught? What determines the recruitment of curators? To what extent does their museum experience weigh on their appointment? Once elected, what ties do they maintain with the Louvre? Do they integrate the museum’s debates on aesthetics or historical method into their teaching at the Collège de France? Such are some of the questions that the authors of this volume explore, drawing on the archives of various institutions. This volume ensues from a study day organised by Jessica Desclaux (Sorbonne Université-Musée du Louvre/Centre Dominique-Vivant Denon) on 4 April 2019, as part of the research programme “Passage des disciplines: global history of the Collège de France, 19th-20th century”. The programme focuses on the selection process of chairs and fields of study at the Collège de France, including those that were not admitted to it and which formed a “virtual college”, from the late 18th century to the 1960s. It is directed by Antoine Compagnon, with the collaboration of Céline Surprenant, and has received financial support from PSL (2016-2019) and the République des Savoirs. 10.4000/books.cdf.10192 1aaf812f-8953-49d7-becb-c2b3d34938a7 9782722605596 Paris open access |
| spellingShingle | history of art Collège de France history of research history of high education museum fine arts Louvre museum educational institutions art school esthetics high education thema EDItEUR::A The Arts::AB The arts: general topics::ABA Theory of art thema EDItEUR::A The Arts::AB The arts: general topics::ABC Conservation, restoration and care of artworks thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGC Exhibition catalogues and specific collections thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GL Library and information sciences / Museology::GLZ Museology and heritage studies thema EDItEUR::N History and Archaeology thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day Louvre |
| title | Louvre |
| title_full | Louvre |
| title_fullStr | Louvre |
| title_full_unstemmed | Louvre |
| title_short | Louvre |
| title_sort | louvre |
| topic | history of art Collège de France history of research history of high education museum fine arts Louvre museum educational institutions art school esthetics high education thema EDItEUR::A The Arts::AB The arts: general topics::ABA Theory of art thema EDItEUR::A The Arts::AB The arts: general topics::ABC Conservation, restoration and care of artworks thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGC Exhibition catalogues and specific collections thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GL Library and information sciences / Museology::GLZ Museology and heritage studies thema EDItEUR::N History and Archaeology thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day |
| topic_facet | history of art Collège de France history of research history of high education museum fine arts Louvre museum educational institutions art school esthetics high education thema EDItEUR::A The Arts::AB The arts: general topics::ABA Theory of art thema EDItEUR::A The Arts::AB The arts: general topics::ABC Conservation, restoration and care of artworks thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGC Exhibition catalogues and specific collections thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GL Library and information sciences / Museology::GLZ Museology and heritage studies thema EDItEUR::N History and Archaeology thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day |
| url | ONIX_20220701_9782722605596_123 |