Chapter 2 Antiphons

This chapter centers on the genre of antiphons, which are concise liturgical melodies that frame the recitation of a psalm or groups of psalms in the offices. It begins by charting their conventional pairing with psalms in the Office of the Virgin and the Office of the Dead. As short texted pieces o...

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Glavni autor: Anderson, Michael Alan
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Jezik:engleski
Izdano: Taylor & Francis 2022
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author Anderson, Michael Alan
author_browse Anderson, Michael Alan
author_facet Anderson, Michael Alan
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description This chapter centers on the genre of antiphons, which are concise liturgical melodies that frame the recitation of a psalm or groups of psalms in the offices. It begins by charting their conventional pairing with psalms in the Office of the Virgin and the Office of the Dead. As short texted pieces of monophony with modest musical contour, antiphons have a peculiar way of unfolding in books of hours, led by an incipit at the outset and provided in full after the completion of the psalm. This customary presentation is explained, along with the performative ritual of interweaving the invitatory antiphon with Psalm 94. The chapter brings attention to the role of the well-known Marian antiphons in books of hours, as well as to antiphons in the Hours of the Cross and Hours of the Holy Spirit, which are repeated with great frequency.
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spelling doab-20.500.12854ir-876762025-03-12T20:06:33Z Chapter 2 Antiphons Anderson, Michael Alan Music, Medieval Studies, Medieval History, Renaissance This chapter centers on the genre of antiphons, which are concise liturgical melodies that frame the recitation of a psalm or groups of psalms in the offices. It begins by charting their conventional pairing with psalms in the Office of the Virgin and the Office of the Dead. As short texted pieces of monophony with modest musical contour, antiphons have a peculiar way of unfolding in books of hours, led by an incipit at the outset and provided in full after the completion of the psalm. This customary presentation is explained, along with the performative ritual of interweaving the invitatory antiphon with Psalm 94. The chapter brings attention to the role of the well-known Marian antiphons in books of hours, as well as to antiphons in the Hours of the Cross and Hours of the Holy Spirit, which are repeated with great frequency. 2022-07-13T04:01:57Z 2022-07-13T04:01:57Z 2022-07-12T08:35:50Z 2022 chapter https://library.oapen.org/handle/20.500.12657/57289 9780367691325 9780367691387 https://directory.doabooks.org/handle/20.500.12854/87676 eng open access image/jpeg image/jpeg image/jpeg Attribution-NonCommercial-NoDerivatives 4.0 International Attribution-NonCommercial-NoDerivatives 4.0 International Attribution-NonCommercial-NoDerivatives 4.0 International https://library.oapen.org/bitstream/20.500.12657/57289/1/9781003140511_10.4324_9781003140511-4.pdf https://library.oapen.org/bitstream/20.500.12657/57289/1/9781003140511_10.4324_9781003140511-4.pdf https://library.oapen.org/bitstream/20.500.12657/57289/1/9781003140511_10.4324_9781003140511-4.pdf Taylor & Francis Routledge 10.4324/9781003140511-4 10.4324/9781003140511-4 fa69b019-f4ee-4979-8d42-c6b6c476b5f0 Music and Performance in the Book of Hours 9780367691325 9780367691387 Routledge 29 open access
spellingShingle Music, Medieval Studies, Medieval History, Renaissance
Anderson, Michael Alan
Chapter 2 Antiphons
title Chapter 2 Antiphons
title_full Chapter 2 Antiphons
title_fullStr Chapter 2 Antiphons
title_full_unstemmed Chapter 2 Antiphons
title_short Chapter 2 Antiphons
title_sort chapter 2 antiphons
topic Music, Medieval Studies, Medieval History, Renaissance
topic_facet Music, Medieval Studies, Medieval History, Renaissance
url https://library.oapen.org/handle/20.500.12657/57289
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