Indiscretions
Indiscretions follows the path of U.S. avant-garde film and video from the underground of the 1960s to the academy of the 1980s. Patricia Mellencamp traces and charts the intersections of Lacanian psychoanalysis and the desiring male subject, Roland Barthes and texts of pleasure, Michel Foucault and...
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| Format: | Online |
| Idioma: | anglès |
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Indiana University Press
2022
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| Matèries: | |
| Accés en línia: | ONIX_20220715_9780253055798_143 |
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| _version_ | 1869527396505354240 |
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| author | Mellencamp, Patricia |
| author_browse | Mellencamp, Patricia |
| author_facet | Mellencamp, Patricia |
| author_sort | Mellencamp, Patricia |
| collection | Directory of Open Access Books |
| description | Indiscretions follows the path of U.S. avant-garde film and video from the underground of the 1960s to the academy of the 1980s. Patricia Mellencamp traces and charts the intersections of Lacanian psychoanalysis and the desiring male subject, Roland Barthes and texts of pleasure, Michel Foucault and the disciplinary society, the grotesque body and Mikhail Bakhtin, the rhizomatic alogic of Gilles Deleuze and Felix Guattari, and the female subject of feminist film theory. She creates a dialogue among theory and popular culture and politics through inventive readings of the films of Owen Land, Hollis Frampton, Ken Jacobs, Bruce Conner, Robert Nelson, Michael Snow, Yvonne Rainer, and Sally Potter, and videotapes by Ant Farm, TVTV, Michael Smith, William Wegman, and Cecelia Condit. |
| format | Online |
| id | doab-20.500.12854ir-88394 |
| institution | Directory of Open Access Books |
| language | eng |
| publishDate | 2022 |
| publishDateRange | 2022 |
| publishDateSort | 2022 |
| publisher | Indiana University Press |
| publisherStr | Indiana University Press |
| record_format | ojs |
| spelling | doab-20.500.12854ir-883942024-03-23T21:37:14Z Indiscretions Mellencamp, Patricia Film history, theory & criticism thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism Indiscretions follows the path of U.S. avant-garde film and video from the underground of the 1960s to the academy of the 1980s. Patricia Mellencamp traces and charts the intersections of Lacanian psychoanalysis and the desiring male subject, Roland Barthes and texts of pleasure, Michel Foucault and the disciplinary society, the grotesque body and Mikhail Bakhtin, the rhizomatic alogic of Gilles Deleuze and Felix Guattari, and the female subject of feminist film theory. She creates a dialogue among theory and popular culture and politics through inventive readings of the films of Owen Land, Hollis Frampton, Ken Jacobs, Bruce Conner, Robert Nelson, Michael Snow, Yvonne Rainer, and Sally Potter, and videotapes by Ant Farm, TVTV, Michael Smith, William Wegman, and Cecelia Condit. 2022-07-15T14:57:43Z 2022-07-15T14:57:43Z 1990 book ONIX_20220715_9780253055798_143 9780253055798 https://directory.doabooks.org/handle/20.500.12854/88394 eng image/jpeg Attribution-NonCommercial-NoDerivatives 4.0 International https://muse.jhu.edu/book/84781 Indiana University Press c10cc7de-85d3-42a6-b7d9-e6d544abd0d9 9780253055798 open access |
| spellingShingle | Film history, theory & criticism thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism Mellencamp, Patricia Indiscretions |
| title | Indiscretions |
| title_full | Indiscretions |
| title_fullStr | Indiscretions |
| title_full_unstemmed | Indiscretions |
| title_short | Indiscretions |
| title_sort | indiscretions |
| topic | Film history, theory & criticism thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism |
| topic_facet | Film history, theory & criticism thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism |
| url | ONIX_20220715_9780253055798_143 |
| work_keys_str_mv | AT mellencamppatricia indiscretions |