Melville's Thematics of Form
Originally published in 1968. Professor Dryden sees Melville's novels both as metaphysical processes and as technical forms. The novelist is not a reporter but a creator, and what he creates from his experience is his vision of truth. Herman Melville saw the function of the novelist in terms of his...
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| Materiálatiipa: | Online |
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Johns Hopkins University Press
2022
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| Liŋkkat: | ONIX_20220715_9781421429991_567 |
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| _version_ | 1869516439751229440 |
|---|---|
| author | Dryden, Edgar |
| author_browse | Dryden, Edgar |
| author_facet | Dryden, Edgar |
| author_sort | Dryden, Edgar |
| collection | Directory of Open Access Books |
| description | Originally published in 1968. Professor Dryden sees Melville's novels both as metaphysical processes and as technical forms. The novelist is not a reporter but a creator, and what he creates from his experience is his vision of truth. Herman Melville saw the function of the novelist in terms of his ability to expose the reader to truth while simultaneously protecting him from it or, in other words, to enable the reader to experience reality indirectly and, therefore, safely. In Melville's own writing, however, this function became more difficult as his nihilism deepened. He became increasingly sensitive to his own involvement in the world of lies, and when he could no longer protect himself from the truth, he could no longer transform it into fiction. Melville's struggle to maintain the distinction between art and truth was reflected in the changing forms of his novels.Dryden traces Melville's evolving metaphysical views and studies their impact on the craftsmanship of this acutely self-conscious artist from his early novels—Typee, Redburn, and White Jacket—through Moby-Dick, Pierre, Israel Potter, and The Confidence-Man to the posthumously published Billy Budd and the closely related Benito Cereno, and he concludes that "all of Melville's narrators are in some way portraits of the artist at work." Dryden's study is a unique contribution to Melville scholarship and an important journey through the world of the novelist's vision. As such, it has significant implications for the novel as a genre and for understanding its development in America. |
| format | Online |
| id | doab-20.500.12854ir-88820 |
| institution | Directory of Open Access Books |
| language | eng |
| publishDate | 2022 |
| publishDateRange | 2022 |
| publishDateSort | 2022 |
| publisher | Johns Hopkins University Press |
| publisherStr | Johns Hopkins University Press |
| record_format | ojs |
| spelling | doab-20.500.12854ir-888202024-03-26T22:58:19Z Melville's Thematics of Form Dryden, Edgar Literature: history & criticism thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism Originally published in 1968. Professor Dryden sees Melville's novels both as metaphysical processes and as technical forms. The novelist is not a reporter but a creator, and what he creates from his experience is his vision of truth. Herman Melville saw the function of the novelist in terms of his ability to expose the reader to truth while simultaneously protecting him from it or, in other words, to enable the reader to experience reality indirectly and, therefore, safely. In Melville's own writing, however, this function became more difficult as his nihilism deepened. He became increasingly sensitive to his own involvement in the world of lies, and when he could no longer protect himself from the truth, he could no longer transform it into fiction. Melville's struggle to maintain the distinction between art and truth was reflected in the changing forms of his novels.Dryden traces Melville's evolving metaphysical views and studies their impact on the craftsmanship of this acutely self-conscious artist from his early novels—Typee, Redburn, and White Jacket—through Moby-Dick, Pierre, Israel Potter, and The Confidence-Man to the posthumously published Billy Budd and the closely related Benito Cereno, and he concludes that "all of Melville's narrators are in some way portraits of the artist at work." Dryden's study is a unique contribution to Melville scholarship and an important journey through the world of the novelist's vision. As such, it has significant implications for the novel as a genre and for understanding its development in America. 2022-07-15T15:14:36Z 2022-07-15T15:14:36Z 2019 book ONIX_20220715_9781421429991_567 9781421429991 https://directory.doabooks.org/handle/20.500.12854/88820 eng image/jpeg Attribution-NonCommercial-NoDerivatives 4.0 International https://muse.jhu.edu/book/67847 Johns Hopkins University Press 10.1353/book.67847 10.1353/book.67847 1f9b1002-ec35-4fcf-94be-32cfd0a1dfd3 9781421429991 242 open access |
| spellingShingle | Literature: history & criticism thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism Dryden, Edgar Melville's Thematics of Form |
| title | Melville's Thematics of Form |
| title_full | Melville's Thematics of Form |
| title_fullStr | Melville's Thematics of Form |
| title_full_unstemmed | Melville's Thematics of Form |
| title_short | Melville's Thematics of Form |
| title_sort | melville s thematics of form |
| topic | Literature: history & criticism thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism |
| topic_facet | Literature: history & criticism thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism |
| url | ONIX_20220715_9781421429991_567 |
| work_keys_str_mv | AT drydenedgar melvillesthematicsofform |