The Theory of Criticism
Originally published in 1976. Representing years of critical reflection, The Theory of Criticism attempts to construct a poetics of "presence." Within a wide range of critical terminology, Murray Krieger has sought to create a new vision. In language that is passionate and often dramatic, he looks a...
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| Fformat: | Online |
| Iaith: | Saesneg |
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Johns Hopkins University Press
2022
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| Mynediad Ar-lein: | ONIX_20220715_9781421430232_590 |
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Dim Tagiau, Byddwch y cyntaf i dagio'r cofnod hwn!
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| _version_ | 1869521373268803584 |
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| author | Krieger, Murray |
| author_browse | Krieger, Murray |
| author_facet | Krieger, Murray |
| author_sort | Krieger, Murray |
| collection | Directory of Open Access Books |
| description | Originally published in 1976. Representing years of critical reflection, The Theory of Criticism attempts to construct a poetics of "presence." Within a wide range of critical terminology, Murray Krieger has sought to create a new vision. In language that is passionate and often dramatic, he looks at the multidimensionality of the poetic world through the lens of Western poetics. His work clearly addresses itself to post–New Critical questions: how to preserve the literary object as a thing to be perceived, valued, and enjoyed and yet to account for its presence in, and interaction with, our culture as a whole, always in danger of being dissolved into man's language-making and -forming activity in general. Our awareness of the poem as object must be modified by our awareness that it is an "intentional" object. Krieger develops his balanced vision in three parts. Part 1 defines the problem and defends the very activity of theorizing both in its own terms and in terms of the critic's function throughout the history of Western criticism. By asking at the outset whether criticism is vain or valuable, Krieger already confronts the basic tension between system and world and the need to account for both. By creating a heuristic system that examines the possibility of form, the critic serves also the world of history and thought as a whole. Part 2 pursues that history from the classical encounter with mimesis in Greek thought to the Romantic and post-Romantic elevation of consciousness as a main criterion of poetic art. Defining a "humanistic aesthetic" as it has been viewed since Aristotle, the author shows how, during and after the eighteenth century, form was opened up under the impact of a Kantian and post-Kantian view, epitomized finally by Coleridge's imagination and its consequences for recent theorists. Part 3 deals with the image of the world struggling against its enclosure within a poetic context. It expands our view of metaphor as a reflection of the dual nature of poetic language, simultaneously locked into the poem and referring to history and nature outside. Our reading of the poem, Krieger concludes, must be double: we must see the poem as a linear and chronological sequence reflecting real life, and we must read it as a circular, imitative, mutually implicative mode. |
| format | Online |
| id | doab-20.500.12854ir-88843 |
| institution | Directory of Open Access Books |
| language | eng |
| publishDate | 2022 |
| publishDateRange | 2022 |
| publishDateSort | 2022 |
| publisher | Johns Hopkins University Press |
| publisherStr | Johns Hopkins University Press |
| record_format | ojs |
| spelling | doab-20.500.12854ir-888432024-03-26T22:56:48Z The Theory of Criticism Krieger, Murray Literary theory thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSA Literary theory Originally published in 1976. Representing years of critical reflection, The Theory of Criticism attempts to construct a poetics of "presence." Within a wide range of critical terminology, Murray Krieger has sought to create a new vision. In language that is passionate and often dramatic, he looks at the multidimensionality of the poetic world through the lens of Western poetics. His work clearly addresses itself to post–New Critical questions: how to preserve the literary object as a thing to be perceived, valued, and enjoyed and yet to account for its presence in, and interaction with, our culture as a whole, always in danger of being dissolved into man's language-making and -forming activity in general. Our awareness of the poem as object must be modified by our awareness that it is an "intentional" object. Krieger develops his balanced vision in three parts. Part 1 defines the problem and defends the very activity of theorizing both in its own terms and in terms of the critic's function throughout the history of Western criticism. By asking at the outset whether criticism is vain or valuable, Krieger already confronts the basic tension between system and world and the need to account for both. By creating a heuristic system that examines the possibility of form, the critic serves also the world of history and thought as a whole. Part 2 pursues that history from the classical encounter with mimesis in Greek thought to the Romantic and post-Romantic elevation of consciousness as a main criterion of poetic art. Defining a "humanistic aesthetic" as it has been viewed since Aristotle, the author shows how, during and after the eighteenth century, form was opened up under the impact of a Kantian and post-Kantian view, epitomized finally by Coleridge's imagination and its consequences for recent theorists. Part 3 deals with the image of the world struggling against its enclosure within a poetic context. It expands our view of metaphor as a reflection of the dual nature of poetic language, simultaneously locked into the poem and referring to history and nature outside. Our reading of the poem, Krieger concludes, must be double: we must see the poem as a linear and chronological sequence reflecting real life, and we must read it as a circular, imitative, mutually implicative mode. 2022-07-15T15:15:02Z 2022-07-15T15:15:02Z 2019 book ONIX_20220715_9781421430232_590 9781421430232 https://directory.doabooks.org/handle/20.500.12854/88843 eng image/jpeg Attribution-NonCommercial-NoDerivatives 4.0 International https://muse.jhu.edu/book/67843 Johns Hopkins University Press 10.1353/book.67843 10.1353/book.67843 1f9b1002-ec35-4fcf-94be-32cfd0a1dfd3 9781421430232 274 open access |
| spellingShingle | Literary theory thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSA Literary theory Krieger, Murray The Theory of Criticism |
| title | The Theory of Criticism |
| title_full | The Theory of Criticism |
| title_fullStr | The Theory of Criticism |
| title_full_unstemmed | The Theory of Criticism |
| title_short | The Theory of Criticism |
| title_sort | theory of criticism |
| topic | Literary theory thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSA Literary theory |
| topic_facet | Literary theory thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSA Literary theory |
| url | ONIX_20220715_9781421430232_590 |
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