Decomposing Figures

Originally published in 1986. The ghastly fate of a drowned man brought to a lake's surface in Wordsworth's "Prelude" typifies a fundamental pattern in Romantic writing, argues Cynthia Chase. Disfiguration involves not only a departure from representation but a disruption of the logic of figure or f...

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Váldodahkki: Chase, Cynthia
Materiálatiipa: Online
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Almmustuhtton: Johns Hopkins University Press 2022
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Liŋkkat:ONIX_20220715_9781421434117_663
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author Chase, Cynthia
author_browse Chase, Cynthia
author_facet Chase, Cynthia
author_sort Chase, Cynthia
collection Directory of Open Access Books
description Originally published in 1986. The ghastly fate of a drowned man brought to a lake's surface in Wordsworth's "Prelude" typifies a fundamental pattern in Romantic writing, argues Cynthia Chase. Disfiguration involves not only a departure from representation but a disruption of the logic of figure or form, a decomposition of the figures composing the text. Ultimately it manifests the conflict between a work's meaning and its mode of performance. By means of an intense engagement with texts in the romantic tradition, Decomposing Figures rearticulates and recasts crucial concepts in recent literary theory, including the notion of the self-referential or self-reflexive nature of the literary work. Chase's readings show that, far from implying a privileged status, the work's self-reflexive structure entails its opacity, its inability to read itself, and the necessity of its decomposition.
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spelling doab-20.500.12854ir-889162024-03-26T22:56:48Z Decomposing Figures Chase, Cynthia Literary theory thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSA Literary theory Originally published in 1986. The ghastly fate of a drowned man brought to a lake's surface in Wordsworth's "Prelude" typifies a fundamental pattern in Romantic writing, argues Cynthia Chase. Disfiguration involves not only a departure from representation but a disruption of the logic of figure or form, a decomposition of the figures composing the text. Ultimately it manifests the conflict between a work's meaning and its mode of performance. By means of an intense engagement with texts in the romantic tradition, Decomposing Figures rearticulates and recasts crucial concepts in recent literary theory, including the notion of the self-referential or self-reflexive nature of the literary work. Chase's readings show that, far from implying a privileged status, the work's self-reflexive structure entails its opacity, its inability to read itself, and the necessity of its decomposition. 2022-07-15T15:16:25Z 2022-07-15T15:16:25Z 2019 book ONIX_20220715_9781421434117_663 9781421434117 https://directory.doabooks.org/handle/20.500.12854/88916 eng image/jpeg Attribution-NonCommercial-NoDerivatives 4.0 International https://muse.jhu.edu/book/68474 Johns Hopkins University Press 10.1353/book.68474 10.1353/book.68474 1f9b1002-ec35-4fcf-94be-32cfd0a1dfd3 9781421434117 250 open access
spellingShingle Literary theory
thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSA Literary theory
Chase, Cynthia
Decomposing Figures
title Decomposing Figures
title_full Decomposing Figures
title_fullStr Decomposing Figures
title_full_unstemmed Decomposing Figures
title_short Decomposing Figures
title_sort decomposing figures
topic Literary theory
thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSA Literary theory
topic_facet Literary theory
thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSA Literary theory
url ONIX_20220715_9781421434117_663
work_keys_str_mv AT chasecynthia decomposingfigures