The Drama of Language

Originally published in 1970. For Sigurd Burckhardt, literary interpretation began with the discovery of an "inconsistency" in a text. Minimizing the possibility that the writer has "unconsciously" fallen into an inconsistency in the use of material, the true interpreter, Burckhardt believes, abando...

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主要作者: Burckhardt, Sigurd
格式: Online
語言:英语
出版: Johns Hopkins University Press 2022
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author Burckhardt, Sigurd
author_browse Burckhardt, Sigurd
author_facet Burckhardt, Sigurd
author_sort Burckhardt, Sigurd
collection Directory of Open Access Books
description Originally published in 1970. For Sigurd Burckhardt, literary interpretation began with the discovery of an "inconsistency" in a text. Minimizing the possibility that the writer has "unconsciously" fallen into an inconsistency in the use of material, the true interpreter, Burckhardt believes, abandons a tendency to "correct" the writer and seeks instead a new formulation by which the inconsistency can be seen as a part of a work's essential unity. "Whether I search for the meaning of a word or for the meaning of my life," he wrote, "I am looking for something under which I can subsume the otherwise unrelated and meaningless particular so as to place it in a larger order." That method, so characteristic of Burckhardt's criticism, underlies his studies of Goethe and Kleist and unifies the essays of this volume. Prior to his death in December 1966, Professor Burckhardt had considered the possibility of collecting his writings on Goethe and Kleist. One essay had never been published; others had appeared only in German or were available in scattered sources. The preparation of the essays for publication, a service of professors Bernhard Blume and Roy Harvey Pearce, makes possible this impressive demonstration of their late colleague's interest in German literature. The seven critical studies are introduced by an essay that makes explicit the concern for language implicit throughout the volume. Burckhardt proceeds by close adherence to the text and by analysis of its writer's use of language and structure. He interprets Goethe's Prometheus, Pandora, Iphigenie, Tasso, Die natürliche Tochter, and Egmont and Kleist's Prinz Friedrich von Homburg and Die Hermannsschlacht. He provides original and challenging interpretations, shaping each into a self-contained entity.
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spelling doab-20.500.12854ir-889432024-03-26T22:58:06Z The Drama of Language Burckhardt, Sigurd Literary essays thema EDItEUR::D Biography, Literature and Literary studies::DN Biography and non-fiction prose::DNL Literary essays Originally published in 1970. For Sigurd Burckhardt, literary interpretation began with the discovery of an "inconsistency" in a text. Minimizing the possibility that the writer has "unconsciously" fallen into an inconsistency in the use of material, the true interpreter, Burckhardt believes, abandons a tendency to "correct" the writer and seeks instead a new formulation by which the inconsistency can be seen as a part of a work's essential unity. "Whether I search for the meaning of a word or for the meaning of my life," he wrote, "I am looking for something under which I can subsume the otherwise unrelated and meaningless particular so as to place it in a larger order." That method, so characteristic of Burckhardt's criticism, underlies his studies of Goethe and Kleist and unifies the essays of this volume. Prior to his death in December 1966, Professor Burckhardt had considered the possibility of collecting his writings on Goethe and Kleist. One essay had never been published; others had appeared only in German or were available in scattered sources. The preparation of the essays for publication, a service of professors Bernhard Blume and Roy Harvey Pearce, makes possible this impressive demonstration of their late colleague's interest in German literature. The seven critical studies are introduced by an essay that makes explicit the concern for language implicit throughout the volume. Burckhardt proceeds by close adherence to the text and by analysis of its writer's use of language and structure. He interprets Goethe's Prometheus, Pandora, Iphigenie, Tasso, Die natürliche Tochter, and Egmont and Kleist's Prinz Friedrich von Homburg and Die Hermannsschlacht. He provides original and challenging interpretations, shaping each into a self-contained entity. 2022-07-15T15:16:53Z 2022-07-15T15:16:53Z 2019 book ONIX_20220715_9781421434995_690 9781421434995 https://directory.doabooks.org/handle/20.500.12854/88943 eng image/jpeg Attribution-NonCommercial-NoDerivatives 4.0 International https://muse.jhu.edu/book/70847 Johns Hopkins University Press 10.1353/book.70847 10.1353/book.70847 1f9b1002-ec35-4fcf-94be-32cfd0a1dfd3 9781421434995 188 open access
spellingShingle Literary essays
thema EDItEUR::D Biography, Literature and Literary studies::DN Biography and non-fiction prose::DNL Literary essays
Burckhardt, Sigurd
The Drama of Language
title The Drama of Language
title_full The Drama of Language
title_fullStr The Drama of Language
title_full_unstemmed The Drama of Language
title_short The Drama of Language
title_sort drama of language
topic Literary essays
thema EDItEUR::D Biography, Literature and Literary studies::DN Biography and non-fiction prose::DNL Literary essays
topic_facet Literary essays
thema EDItEUR::D Biography, Literature and Literary studies::DN Biography and non-fiction prose::DNL Literary essays
url ONIX_20220715_9781421434995_690
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