Northern Sparks

An “episode of light” in Canada sparked by Expo 67 when new art forms, innovative technologies, and novel institutional and policy frameworks emerged together. Understanding how experimental art catalyzes technological innovation is often prized yet typically reduced to the magic formula of “crea...

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Prif Awdur: Century, Michael
Fformat: Online
Iaith:Saesneg
Cyhoeddwyd: The MIT Press 2022
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Mynediad Ar-lein:https://directory.doabooks.org/handle/20.500.12854/90363
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author Century, Michael
author_browse Century, Michael
author_facet Century, Michael
author_sort Century, Michael
collection Directory of Open Access Books
description An “episode of light” in Canada sparked by Expo 67 when new art forms, innovative technologies, and novel institutional and policy frameworks emerged together. Understanding how experimental art catalyzes technological innovation is often prized yet typically reduced to the magic formula of “creativity.” In Northern Sparks, Michael Century emphasizes the role of policy and institutions by showing how novel art forms and media technologies in Canada emerged during a period of political and social reinvention, starting in the 1960s with the energies unleashed by Expo 67. Debunking conventional wisdom, Century reclaims innovation from both its present-day devotees and detractors by revealing how experimental artists critically challenge as well as discover and extend the capacities of new technologies. Century offers a series of detailed cross-media case studies that illustrate the cross-fertilization of art, technology, and policy. These cases span animation, music, sound art and acoustic ecology, cybernetic cinema, interactive installation art, virtual reality, telecommunications art, software applications, and the emergent metadiscipline of human-computer interaction. They include Norman McLaren's “proto-computational” film animations; projects in which the computer itself became an agent, as in computer-aided musical composition and choreography; an ill-fated government foray into interactive networking, the videotext system Telidon; and the beginnings of virtual reality at the Banff Centre. Century shows how Canadian artists approached new media technologies as malleable creative materials, while Canada undertook a political reinvention alongside its centennial celebrations. Northern Sparks offers a uniquely nuanced account of innovation in art and technology illuminated by critical policy analysis.
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spelling doab-20.500.12854ir-903632024-04-11T15:10:42Z Northern Sparks Century, Michael Canada;Canadian culture;media arts;innovation policy;human-computer interaction;cultural networking;virtual reality;computer animation;electronic music;acoustic ecology;improvisation studies. thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBX History of engineering and technology thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art thema EDItEUR::6 Style qualifiers::6P Styles (P)::6PD Postmodernism An “episode of light” in Canada sparked by Expo 67 when new art forms, innovative technologies, and novel institutional and policy frameworks emerged together. Understanding how experimental art catalyzes technological innovation is often prized yet typically reduced to the magic formula of “creativity.” In Northern Sparks, Michael Century emphasizes the role of policy and institutions by showing how novel art forms and media technologies in Canada emerged during a period of political and social reinvention, starting in the 1960s with the energies unleashed by Expo 67. Debunking conventional wisdom, Century reclaims innovation from both its present-day devotees and detractors by revealing how experimental artists critically challenge as well as discover and extend the capacities of new technologies. Century offers a series of detailed cross-media case studies that illustrate the cross-fertilization of art, technology, and policy. These cases span animation, music, sound art and acoustic ecology, cybernetic cinema, interactive installation art, virtual reality, telecommunications art, software applications, and the emergent metadiscipline of human-computer interaction. They include Norman McLaren's “proto-computational” film animations; projects in which the computer itself became an agent, as in computer-aided musical composition and choreography; an ill-fated government foray into interactive networking, the videotext system Telidon; and the beginnings of virtual reality at the Banff Centre. Century shows how Canadian artists approached new media technologies as malleable creative materials, while Canada undertook a political reinvention alongside its centennial celebrations. Northern Sparks offers a uniquely nuanced account of innovation in art and technology illuminated by critical policy analysis. 2022-07-27T09:55:33Z 2022-07-27T09:55:33Z 2022 book 9780262045001 https://directory.doabooks.org/handle/20.500.12854/90363 eng Leonardo image/jpeg Attribution-NonCommercial-NoDerivatives 4.0 International https://doi.org/10.7551/mitpress/10818.001.0001 The MIT Press The MIT Press 10.7551/mitpress/10818.001.0001 10.7551/mitpress/10818.001.0001 ae0cf962-f685-4933-93d1-916defa5123d 9780262045001 The MIT Press 280 Cambridge open access
spellingShingle Canada;Canadian culture;media arts;innovation policy;human-computer interaction;cultural networking;virtual reality;computer animation;electronic music;acoustic ecology;improvisation studies.
thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBX History of engineering and technology
thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art
thema EDItEUR::6 Style qualifiers::6P Styles (P)::6PD Postmodernism
Century, Michael
Northern Sparks
title Northern Sparks
title_full Northern Sparks
title_fullStr Northern Sparks
title_full_unstemmed Northern Sparks
title_short Northern Sparks
title_sort northern sparks
topic Canada;Canadian culture;media arts;innovation policy;human-computer interaction;cultural networking;virtual reality;computer animation;electronic music;acoustic ecology;improvisation studies.
thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBX History of engineering and technology
thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art
thema EDItEUR::6 Style qualifiers::6P Styles (P)::6PD Postmodernism
topic_facet Canada;Canadian culture;media arts;innovation policy;human-computer interaction;cultural networking;virtual reality;computer animation;electronic music;acoustic ecology;improvisation studies.
thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBX History of engineering and technology
thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art
thema EDItEUR::6 Style qualifiers::6P Styles (P)::6PD Postmodernism
url https://directory.doabooks.org/handle/20.500.12854/90363
work_keys_str_mv AT centurymichael northernsparks