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Chapter 7 Listening to the talkies

This chapter examines the choices made regarding film sound—music, sound, and noise—for creating a target-oriented image of Japan for the anticipated German audience in Atarashiki tsuchi (New Earth aka Die Tochter des Samurai, 1937). This Japanese-German co-produced film, produced entirely in Japan,...

Ամբողջական նկարագրություն

Պահպանված է:
Հիմնական հեղինակ: Haukamp, Iris
Ձևաչափ: Online
Լեզու:անգլերեն
Հրապարակվել է: Taylor & Francis 2022
Խորագրեր:
Asian; Christin; Cultures; Haukamp; Hoene; Iris; Matyn; Noise; Smith; Sound; Technology; Voice; Ethnomusicology; Performance
thema EDItEUR::A The Arts::AV Music
thema EDItEUR::A The Arts::AV Music::AVA Theory of music and musicology
thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GT Interdisciplinary studies::GTM Regional / International studies
Առցանց հասանելիություն:https://library.oapen.org/handle/20.500.12657/57871
Ցուցիչներ: Ավելացրեք ցուցիչ
Չկան պիտակներ, Եղեք առաջինը, ով նշում է այս գրառումը!
Ամփոփում:This chapter examines the choices made regarding film sound—music, sound, and noise—for creating a target-oriented image of Japan for the anticipated German audience in Atarashiki tsuchi (New Earth aka Die Tochter des Samurai, 1937). This Japanese-German co-produced film, produced entirely in Japan, with a binational cast and crew and in a highly politicised context, was supposed to showcase both contemporary Japan and its film industry to the world. The use of sound for the creation of meaning in this film has been largely overlooked in favour of its strong visuals. However, an analysis of selected sections shows that the major messages are actually encoded on the soundtrack and that a focus on sound provides a potent tool for revealing the underlying imbalance regarding cultural power and authority at work in the project.

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