Anthropology, Film Industries, Modularity

From Bangladesh and Hong Kong to Iran and South Africa, film industries around the world are rapidly growing at a time when new digital technologies are fundamentally changing how films are made and viewed. Larger film industries like Bollywood and Nollywood aim to attain Hollywood's audience and pr...

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Format: Online
Langue:anglais
Publié: Duke University Press 2022
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Accès en ligne:OCN: 1264412765
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collection Directory of Open Access Books
description From Bangladesh and Hong Kong to Iran and South Africa, film industries around the world are rapidly growing at a time when new digital technologies are fundamentally changing how films are made and viewed. Larger film industries like Bollywood and Nollywood aim to attain Hollywood's audience and profitability, while smaller, less commercial, and often state-funded enterprises support various cultural and political projects. The contributors to Anthropology, Film Industries, Modularity take an ethnographic and comparative approach to capturing the diversity and growth of global film industries. They outline how modularity—the specialized filmmaking tasks that collectively produce a film—operates as a key feature in every film industry, independent of local context. Whether they are examining the process of dubbing Hollywood films into Hindi, virtual reality filmmaking in South Africa, or on-location shooting in Yemen, the contributors' anthropological methodology brings into relief the universal practices and the local contingencies and deeper cultural realities of film production. Contributors. Steven C. Caton, Jessica Dickson, Kevin Dwyer, Tejaswini Ganti, Lotte Hoek, Amrita Ibrahim, Sylvia J. Martin, Ramyar D. Rossoukh
format Online
id doab-20.500.12854ir-93317
institution Directory of Open Access Books
language eng
publishDate 2022
publishDateRange 2022
publishDateSort 2022
publisher Duke University Press
publisherStr Duke University Press
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spelling doab-20.500.12854ir-933172025-07-30T20:46:05Z Anthropology, Film Industries, Modularity Rossoukh, Ramyar D. Caton, Steven C. Performing Arts Film History & Criticism Social Science Anthropology Cultural & Social thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism thema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology::JHM Anthropology::JHMC Social and cultural anthropology From Bangladesh and Hong Kong to Iran and South Africa, film industries around the world are rapidly growing at a time when new digital technologies are fundamentally changing how films are made and viewed. Larger film industries like Bollywood and Nollywood aim to attain Hollywood's audience and profitability, while smaller, less commercial, and often state-funded enterprises support various cultural and political projects. The contributors to Anthropology, Film Industries, Modularity take an ethnographic and comparative approach to capturing the diversity and growth of global film industries. They outline how modularity—the specialized filmmaking tasks that collectively produce a film—operates as a key feature in every film industry, independent of local context. Whether they are examining the process of dubbing Hollywood films into Hindi, virtual reality filmmaking in South Africa, or on-location shooting in Yemen, the contributors' anthropological methodology brings into relief the universal practices and the local contingencies and deeper cultural realities of film production. Contributors. Steven C. Caton, Jessica Dickson, Kevin Dwyer, Tejaswini Ganti, Lotte Hoek, Amrita Ibrahim, Sylvia J. Martin, Ramyar D. Rossoukh 2022-10-26T04:03:24Z 2022-10-26T04:03:24Z 2022-10-25T05:31:56Z 2021 book OCN: 1264412765 https://library.oapen.org/handle/20.500.12657/59038 9781478092339 https://directory.doabooks.org/handle/20.500.12854/93317 eng open access image/jpeg image/jpeg image/jpeg image/jpeg image/jpeg n/a n/a n/a n/a n/a https://library.oapen.org/bitstream/20.500.12657/59038/1/external_content.pdf https://library.oapen.org/bitstream/20.500.12657/59038/1/external_content.pdf https://library.oapen.org/bitstream/20.500.12657/59038/1/external_content.pdf https://library.oapen.org/bitstream/20.500.12657/59038/1/external_content.pdf https://library.oapen.org/bitstream/20.500.12657/59038/1/external_content.pdf Duke University Press Duke University Press 8b9381d6-252e-4bed-8478-ee620c861aac Knowledge Unlatched 9781478092339 Knowledge Unlatched (KU) KU Select 2022: HSS Frontlist Books Duke University Press open access
spellingShingle Performing Arts
Film
History & Criticism
Social Science
Anthropology
Cultural & Social
thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism
thema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology::JHM Anthropology::JHMC Social and cultural anthropology
Anthropology, Film Industries, Modularity
title Anthropology, Film Industries, Modularity
title_full Anthropology, Film Industries, Modularity
title_fullStr Anthropology, Film Industries, Modularity
title_full_unstemmed Anthropology, Film Industries, Modularity
title_short Anthropology, Film Industries, Modularity
title_sort anthropology film industries modularity
topic Performing Arts
Film
History & Criticism
Social Science
Anthropology
Cultural & Social
thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism
thema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology::JHM Anthropology::JHMC Social and cultural anthropology
topic_facet Performing Arts
Film
History & Criticism
Social Science
Anthropology
Cultural & Social
thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism
thema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology::JHM Anthropology::JHMC Social and cultural anthropology
url OCN: 1264412765