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Chapter Introduction

This introduction motivates the objectives of Performance Generating Systems in Dance and provides wayfinding markers for the inquiries, insights, and resources of the book. First, the need to understand, conceptualize, and render accessible the practice of performance generating systems is disc...

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Kaydedildi:
Yazar: Hansen, Pil
Materyal Türü: Online
Dil:İngilizce
Baskı/Yayın Bilgisi: Intellect 2022
Konular:
performing, dance, psychology, dramaturgy, notation, learning, movement therapy, trauma
thema EDItEUR::A The Arts::AT Performing arts::ATQ Dance
thema EDItEUR::A The Arts::AF The Arts: art forms::AFK Non-graphic and electronic art forms::AFKP Performance art
thema EDItEUR::J Society and Social Sciences::JM Psychology
Online Erişim:https://library.oapen.org/handle/20.500.12657/59144
Etiketler: Etiketle
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Özet:This introduction motivates the objectives of Performance Generating Systems in Dance and provides wayfinding markers for the inquiries, insights, and resources of the book. First, the need to understand, conceptualize, and render accessible the practice of performance generating systems is discussed. I then sketch the interdisciplinary and multimethodological journey of research this book is based on and name the established artists and research collaborators that have been involved. The three theoretical frameworks of the book – dramaturgy, psychology, and performativity – are introduced and anchored in key insights about performance generating systems. From this backdrop, I outline how these frameworks are applied to, and further developed through, case examples of the practice by sharing a selection of the topics covered and discoveries offered within the contents of the book.

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