Song Is Not the Same
This volume of the Casden Institute's The Jewish Role in American Life annual series introduces new scholarship on the long-standing relationship between Jewish-Americans and the worlds of American popular music. Edited by scholar and critic Josh Kun, the essays in the volume blend single-artist inv...
Tallennettuna:
| Aineistotyyppi: | Online |
|---|---|
| Kieli: | englanti |
| Julkaistu: |
Purdue University Press
2022
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| Aiheet: | |
| Linkit: | ONIX_20221114_9781612496757_79 |
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| _version_ | 1869528124263235584 |
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| collection | Directory of Open Access Books |
| description | This volume of the Casden Institute's The Jewish Role in American Life annual series introduces new scholarship on the long-standing relationship between Jewish-Americans and the worlds of American popular music. Edited by scholar and critic Josh Kun, the essays in the volume blend single-artist investigations with looks at the industry of music making as a whole. They range from Jewish sheet music to the risqué musical comedy of Belle Barth and Pearl Williams, from the role of music in the shaping of Henry Ford's anti-Semitism to Bob Dylan's Jewishness, from the hybridity of the contemporary "Radical Jewish Culture" scene to the Yiddish experiments of 1930s African-American artists. Contents: Foreword (Gayle Wald); Introduction (Josh Kun); "Cohen Owes Me Ninety-Seven Dollars, and other Tales from the Jewish Sheet- Music Trade" (Jody Rosen); “'Dances Partake of the Racial Characteristics of the People Who Dance Them' : Nordicism, Antisemitism, and Henry Ford’s Old Time Music and Dance Revival" (Peter La Chapelle); “Ovoutie Slanguage is Absolutely Kosher: Yiddish in Scat- Singing, Jazz Jargon, and Black Music” (Jonathan Z. S. Pollack); "'If I Embarrass You, Tell Your Friends' : Belle Barth, Pearl Williams, and the Space of the Risque" (Josh Kun); "'Here’s a foreign song I learned in Utah' : The Anxiety of Jewish Influence in the Music of Bob Dylan" (David Kaufman); "Jazz Liturgy, Yiddishe Blues, Cantorial Death Metal, and Free Klez: Musical Hybridity in Radical Jewish Culture" (Jeff Janeczco). |
| format | Online |
| id | doab-20.500.12854ir-93637 |
| institution | Directory of Open Access Books |
| language | eng |
| publishDate | 2022 |
| publishDateRange | 2022 |
| publishDateSort | 2022 |
| publisher | Purdue University Press |
| publisherStr | Purdue University Press |
| record_format | ojs |
| spelling | doab-20.500.12854ir-936372024-04-04T14:39:58Z Song Is Not the Same Social & cultural history thema EDItEUR::N History and Archaeology::NH History::NHT History: specific events and topics::NHTB Social and cultural history This volume of the Casden Institute's The Jewish Role in American Life annual series introduces new scholarship on the long-standing relationship between Jewish-Americans and the worlds of American popular music. Edited by scholar and critic Josh Kun, the essays in the volume blend single-artist investigations with looks at the industry of music making as a whole. They range from Jewish sheet music to the risqué musical comedy of Belle Barth and Pearl Williams, from the role of music in the shaping of Henry Ford's anti-Semitism to Bob Dylan's Jewishness, from the hybridity of the contemporary "Radical Jewish Culture" scene to the Yiddish experiments of 1930s African-American artists. Contents: Foreword (Gayle Wald); Introduction (Josh Kun); "Cohen Owes Me Ninety-Seven Dollars, and other Tales from the Jewish Sheet- Music Trade" (Jody Rosen); “'Dances Partake of the Racial Characteristics of the People Who Dance Them' : Nordicism, Antisemitism, and Henry Ford’s Old Time Music and Dance Revival" (Peter La Chapelle); “Ovoutie Slanguage is Absolutely Kosher: Yiddish in Scat- Singing, Jazz Jargon, and Black Music” (Jonathan Z. S. Pollack); "'If I Embarrass You, Tell Your Friends' : Belle Barth, Pearl Williams, and the Space of the Risque" (Josh Kun); "'Here’s a foreign song I learned in Utah' : The Anxiety of Jewish Influence in the Music of Bob Dylan" (David Kaufman); "Jazz Liturgy, Yiddishe Blues, Cantorial Death Metal, and Free Klez: Musical Hybridity in Radical Jewish Culture" (Jeff Janeczco). 2022-11-14T11:08:07Z 2022-11-14T11:08:07Z 2011 book ONIX_20221114_9781612496757_79 9781612496757 https://directory.doabooks.org/handle/20.500.12854/93637 eng image/jpeg Attribution-NonCommercial-NoDerivatives 4.0 International https://muse.jhu.edu/book/103253 Purdue University Press ab0dc43b-863c-4471-84ed-f90e748ed075 9781612496757 182 open access |
| spellingShingle | Social & cultural history thema EDItEUR::N History and Archaeology::NH History::NHT History: specific events and topics::NHTB Social and cultural history Song Is Not the Same |
| title | Song Is Not the Same |
| title_full | Song Is Not the Same |
| title_fullStr | Song Is Not the Same |
| title_full_unstemmed | Song Is Not the Same |
| title_short | Song Is Not the Same |
| title_sort | song is not the same |
| topic | Social & cultural history thema EDItEUR::N History and Archaeology::NH History::NHT History: specific events and topics::NHTB Social and cultural history |
| topic_facet | Social & cultural history thema EDItEUR::N History and Archaeology::NH History::NHT History: specific events and topics::NHTB Social and cultural history |
| url | ONIX_20221114_9781612496757_79 |