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Religion and Art in the Renaissance

This Special Issue focuses on intersections of religious faith and artistic production during the Renaissance. Its temporal scope is 1300-1700, or the Renaissance period, as it is broadly defined. Its geographical scope is Europe and European colonies that participated in Renaissance artistic trends...

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Format: Online
Sprog:engelsk
Udgivet: MDPI - Multidisciplinary Digital Publishing Institute 2022
Fag:
Devotional Art
Reform of Art
Early Modern and Italian Renaissance Art
Andrea della Robbia
Franciscan
La Verna
altarpiece
Incarnation
inscriptions
colonial art
Indo-Portuguese art
South India
hybridity
Goan art
Saint Agnes of Bohemia
Convent of Saint Agnes
Přemyslid dynasty
Prague
Master Theodoric
the Master of Vyšši Brod
Master of the Třeboň Altarpiece
Medieval and Renaissance Art of Central Europe
Mary Magdalene
Virgin Mary
soul
Transit
Dormition
Catalonia
Crown of Aragon
Bernat Martorell
Jaume Huguet
altarpieces
humility
virtue
virgin
allegory
iconography
Christ
crucifixion nail
biblical bronze serpent
Saint John of God
auto-da-fé
last judgement
Philip IV of Spain
martyrs of Japan
purgatory
Alardo de Pompa
Fosmas
Quart
Abraham
Hagar
Ishmael
iconographic type
Christian iconography
the banishment of Hagar and Ishmael
musical epigraphy
Cristóbal de Morales
Salve Regina
white mensural notation
heritage
Madonna lactans
misogyny
Corbacho
breastfeeding
Bernard of Clairvaux
bic Book Industry Communication::H Humanities::HR Religion & beliefs
thema EDItEUR::Q Philosophy and Religion::QR Religion and beliefs
Online adgang:ONIX_20221117_9783036554501_40
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Summary:This Special Issue focuses on intersections of religious faith and artistic production during the Renaissance. Its temporal scope is 1300-1700, or the Renaissance period, as it is broadly defined. Its geographical scope is Europe and European colonies that participated in Renaissance artistic trends or movements. The Special Issue deepens and broadens our understanding of how images impact faith and in turn faith finds expression in images. It is interdisciplinary in nature, bringing together into one volume some of the most recent work by scholars in iconography, art history and religious studies.

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