A New Vision for Islamic Pasts and Futures

This groundbreaking, born-digital work invites readers to imagine Islam anew. Moving beyond conventional theological, nativist, and orientalist approaches, Shahzad Bashir decenters Islam from a geographical identification with the Middle East, an articulation through men’s authority alone, and the a...

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Главный автор: Bashir, Shahzad
Формат: Online
Язык:английский
Опубликовано: The MIT Press 2022
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Online-ссылка:https://directory.doabooks.org/handle/20.500.12854/93895
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author Bashir, Shahzad
author_browse Bashir, Shahzad
author_facet Bashir, Shahzad
author_sort Bashir, Shahzad
collection Directory of Open Access Books
description This groundbreaking, born-digital work invites readers to imagine Islam anew. Moving beyond conventional theological, nativist, and orientalist approaches, Shahzad Bashir decenters Islam from a geographical identification with the Middle East, an articulation through men’s authority alone, and the assumption that premodern expressions are more authentically Islamic than modern ones. Focusing on time as a human construct, A New Vision for Islamic Pasts and Futures interprets stories and images, paying attention to evidence and methods of interpretation. Islam, in Bashir’s telling, is a vast net of interconnected traces that appear to be different depending on the vantage from which they are seen. Complementing narrative with extensive visual evidence, the multimodal digital form enacts the multiplicity of the project’s analyses and perspectives, conferring a shape-shifting quality that bridges the gap between sensing Islam and understanding it, between feeling it as a powerful presence and analyzing it through intellectual means. This interactive, open-access edition allows readers to enter Islam through a diverse set of doorways, each leading to different time periods across different parts of the world. Bashir discusses Islam as phenomenon and as discourse—observed in the built environment, material objects, paintings, linguistic traces, narratives, and social situations. He draws on literary genres, including epics, devotional poetry and prayers, and modern novels; art and architecture in varied forms; material culture, from luxury objects to cheap trinkets; and such forms of media as photographs, graffiti, and films. The book’s layered digital interface allows for an exploration of and engagement with this rich visual material and multimedia evidence not possible in a printed volume. A collaboration between the MIT Press and the Digital Publications Initiative of Brown University. Supported by the Andrew W. Mellon Foundation, the Carnegie Corporation of New York, the MIT Press, and the Digital Publications Initiative of Brown University. The URL for this project will be islamic-pasts-futures.org
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spelling doab-20.500.12854ir-938952024-03-29T04:25:09Z A New Vision for Islamic Pasts and Futures Bashir, Shahzad Islamic studies; historiography; Islamic history; Islamic art; Islamic culture; post-orientalist; orientalism; decolonization; activism; temporality; visual culture; born digital; Brown University; philosophy; time; ontology thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBS Social groups, communities and identities::JBSR Social groups: religious groups and communities thema EDItEUR::5 Interest qualifiers::5P Relating to specific groups and cultures or social and cultural interests::5PG Relating to religious groups::5PGP Relating to Islamic / Muslim people and groups thema EDItEUR::J Society and Social Sciences::JB Society and culture: general thema EDItEUR::N History and Archaeology::NH History::NHA History: theory and methods::NHAH Historiography This groundbreaking, born-digital work invites readers to imagine Islam anew. Moving beyond conventional theological, nativist, and orientalist approaches, Shahzad Bashir decenters Islam from a geographical identification with the Middle East, an articulation through men’s authority alone, and the assumption that premodern expressions are more authentically Islamic than modern ones. Focusing on time as a human construct, A New Vision for Islamic Pasts and Futures interprets stories and images, paying attention to evidence and methods of interpretation. Islam, in Bashir’s telling, is a vast net of interconnected traces that appear to be different depending on the vantage from which they are seen. Complementing narrative with extensive visual evidence, the multimodal digital form enacts the multiplicity of the project’s analyses and perspectives, conferring a shape-shifting quality that bridges the gap between sensing Islam and understanding it, between feeling it as a powerful presence and analyzing it through intellectual means. This interactive, open-access edition allows readers to enter Islam through a diverse set of doorways, each leading to different time periods across different parts of the world. Bashir discusses Islam as phenomenon and as discourse—observed in the built environment, material objects, paintings, linguistic traces, narratives, and social situations. He draws on literary genres, including epics, devotional poetry and prayers, and modern novels; art and architecture in varied forms; material culture, from luxury objects to cheap trinkets; and such forms of media as photographs, graffiti, and films. The book’s layered digital interface allows for an exploration of and engagement with this rich visual material and multimedia evidence not possible in a printed volume. A collaboration between the MIT Press and the Digital Publications Initiative of Brown University. Supported by the Andrew W. Mellon Foundation, the Carnegie Corporation of New York, the MIT Press, and the Digital Publications Initiative of Brown University. The URL for this project will be islamic-pasts-futures.org 2022-11-18T14:26:59Z 2022-11-18T14:26:59Z 2022 book https://directory.doabooks.org/handle/20.500.12854/93895 eng image/jpeg Attribution-NonCommercial-NoDerivatives 4.0 International https://islamic-pasts-futures.org/ The MIT Press 10.26300/bdp.bashir.ipf 10.26300/bdp.bashir.ipf ae0cf962-f685-4933-93d1-916defa5123d 35165def-7551-4436-9e09-76572227ce2e Cambridge Carnegie Foundation for the Advancement of Teaching Carnegie Foundation 10.13039/100001532 open access
spellingShingle Islamic studies; historiography; Islamic history; Islamic art; Islamic culture; post-orientalist; orientalism; decolonization; activism; temporality; visual culture; born digital; Brown University; philosophy; time; ontology
thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBS Social groups, communities and identities::JBSR Social groups: religious groups and communities
thema EDItEUR::5 Interest qualifiers::5P Relating to specific groups and cultures or social and cultural interests::5PG Relating to religious groups::5PGP Relating to Islamic / Muslim people and groups
thema EDItEUR::J Society and Social Sciences::JB Society and culture: general
thema EDItEUR::N History and Archaeology::NH History::NHA History: theory and methods::NHAH Historiography
Bashir, Shahzad
A New Vision for Islamic Pasts and Futures
title A New Vision for Islamic Pasts and Futures
title_full A New Vision for Islamic Pasts and Futures
title_fullStr A New Vision for Islamic Pasts and Futures
title_full_unstemmed A New Vision for Islamic Pasts and Futures
title_short A New Vision for Islamic Pasts and Futures
title_sort new vision for islamic pasts and futures
topic Islamic studies; historiography; Islamic history; Islamic art; Islamic culture; post-orientalist; orientalism; decolonization; activism; temporality; visual culture; born digital; Brown University; philosophy; time; ontology
thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBS Social groups, communities and identities::JBSR Social groups: religious groups and communities
thema EDItEUR::5 Interest qualifiers::5P Relating to specific groups and cultures or social and cultural interests::5PG Relating to religious groups::5PGP Relating to Islamic / Muslim people and groups
thema EDItEUR::J Society and Social Sciences::JB Society and culture: general
thema EDItEUR::N History and Archaeology::NH History::NHA History: theory and methods::NHAH Historiography
topic_facet Islamic studies; historiography; Islamic history; Islamic art; Islamic culture; post-orientalist; orientalism; decolonization; activism; temporality; visual culture; born digital; Brown University; philosophy; time; ontology
thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBS Social groups, communities and identities::JBSR Social groups: religious groups and communities
thema EDItEUR::5 Interest qualifiers::5P Relating to specific groups and cultures or social and cultural interests::5PG Relating to religious groups::5PGP Relating to Islamic / Muslim people and groups
thema EDItEUR::J Society and Social Sciences::JB Society and culture: general
thema EDItEUR::N History and Archaeology::NH History::NHA History: theory and methods::NHAH Historiography
url https://directory.doabooks.org/handle/20.500.12854/93895
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