Disruption in the Arts
The volume examines aesthetic disruptions within the various arts in contemporary culture. It assumes that the political potential of art is not solely derived from presenting its audiences with openly political content. Rather, it creates a space of perception and interaction using formal means, th...
Wedi'i Gadw mewn:
| Fformat: | Online |
|---|---|
| Iaith: | Saesneg |
| Cyhoeddwyd: |
De Gruyter
2022
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| Pynciau: | |
| Mynediad Ar-lein: | ONIX_20221121_9783110580082_4 |
| Tagiau: |
Dim Tagiau, Byddwch y cyntaf i dagio'r cofnod hwn!
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| _version_ | 1869525488660119552 |
|---|---|
| collection | Directory of Open Access Books |
| description | The volume examines aesthetic disruptions within the various arts in contemporary culture. It assumes that the political potential of art is not solely derived from presenting its audiences with openly political content. Rather, it creates a space of perception and interaction using formal means, thus problematizing the self-evidence of hegemonic structures of communication. |
| format | Online |
| id | doab-20.500.12854ir-94121 |
| institution | Directory of Open Access Books |
| language | eng |
| publishDate | 2022 |
| publishDateRange | 2022 |
| publishDateSort | 2022 |
| publisher | De Gruyter |
| publisherStr | De Gruyter |
| record_format | ojs |
| spelling | doab-20.500.12854ir-941212025-05-08T09:49:33Z Disruption in the Arts Koch, Lars Nanz, Tobias Pause, Johannes Disruption arts societal self-description The volume examines aesthetic disruptions within the various arts in contemporary culture. It assumes that the political potential of art is not solely derived from presenting its audiences with openly political content. Rather, it creates a space of perception and interaction using formal means, thus problematizing the self-evidence of hegemonic structures of communication. 2022-11-22T04:06:01Z 2022-11-22T04:06:01Z 2022-11-21T16:32:34Z 2018 book ONIX_20221121_9783110580082_4 OCN: 1056740116 2194-7104 https://library.oapen.org/handle/20.500.12657/59445 9783110580082 9783110565867 9783110579758 https://directory.doabooks.org/handle/20.500.12854/94121 eng Culture & Conflict open access image/jpeg image/jpeg image/jpeg image/jpeg Attribution-NonCommercial-NoDerivatives 4.0 International Attribution-NonCommercial-NoDerivatives 4.0 International Attribution-NonCommercial-NoDerivatives 4.0 International Attribution-NonCommercial-NoDerivatives 4.0 International https://library.oapen.org/bitstream/20.500.12657/59445/1/9783110580082.pdf https://library.oapen.org/bitstream/20.500.12657/59445/1/9783110580082.pdf https://library.oapen.org/bitstream/20.500.12657/59445/1/9783110580082.pdf https://library.oapen.org/bitstream/20.500.12657/59445/1/9783110580082.pdf De Gruyter De Gruyter 10.1515/9783110580082 10.1515/9783110580082 af2fbfcc-ee87-43d8-a035-afb9d7eef6a5 FP7 Ideas: European Research Council 7292b17b-f01a-4016-94d3-d7fb5ef9fb79 9783110580082 9783110565867 9783110579758 European Research Council (ERC) EU collection De Gruyter 381 Berlin/Boston 312454 open access |
| spellingShingle | Disruption arts societal self-description Disruption in the Arts |
| title | Disruption in the Arts |
| title_full | Disruption in the Arts |
| title_fullStr | Disruption in the Arts |
| title_full_unstemmed | Disruption in the Arts |
| title_short | Disruption in the Arts |
| title_sort | disruption in the arts |
| topic | Disruption arts societal self-description |
| topic_facet | Disruption arts societal self-description |
| url | ONIX_20221121_9783110580082_4 |