Mumbai hors cadre
Indian contemporary art has become fully integrated into global institutional and commercial dynamics in the decades following India's economic liberalization in the 1990s. Bombay, which has been a commercial capital and cultural crossroads in Asia since the end of the nineteenth century, has become...
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| Format: | Online |
| Language: | French |
| Published: |
ENS Éditions
2022
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| Online Access: | ONIX_20221215_9791036205460_69 |
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| _version_ | 1869523408889315328 |
|---|---|
| author | Ithurbide, Christine |
| author_browse | Ithurbide, Christine |
| author_facet | Ithurbide, Christine |
| author_sort | Ithurbide, Christine |
| collection | Directory of Open Access Books |
| description | Indian contemporary art has become fully integrated into global institutional and commercial dynamics in the decades following India's economic liberalization in the 1990s. Bombay, which has been a commercial capital and cultural crossroads in Asia since the end of the nineteenth century, has become the main metropolis for the Indian contemporary art market. Through this industry, which is more discreet than Bollywood but just as globalized, this book invites us to discover – or rediscover – Bombay/Mumbai. Taking the art gallery and museum district in the south of the city as her starting point, the author draws us into a complex geography of contemporary art that highlights multiple networks of workshops and invisible workers, installed in the industrial districts where the artworks are made. Based on ten years of fieldwork in India, this research opens up a critical analysis of the cultural metropolises of the South, paying attention to the spaces and actors outside the framework, as well as to the power relations linked to local and global socioeconomic contexts. |
| format | Online |
| id | doab-20.500.12854ir-95072 |
| institution | Directory of Open Access Books |
| language | fre |
| publishDate | 2022 |
| publishDateRange | 2022 |
| publishDateSort | 2022 |
| publisher | ENS Éditions |
| publisherStr | ENS Éditions |
| record_format | ojs |
| spelling | doab-20.500.12854ir-950722024-04-09T11:42:45Z Mumbai hors cadre Ithurbide, Christine geography of art globalisation artist art industry thema EDItEUR::R Earth Sciences, Geography, Environment, Planning::RG Geography::RGC Human geography Indian contemporary art has become fully integrated into global institutional and commercial dynamics in the decades following India's economic liberalization in the 1990s. Bombay, which has been a commercial capital and cultural crossroads in Asia since the end of the nineteenth century, has become the main metropolis for the Indian contemporary art market. Through this industry, which is more discreet than Bollywood but just as globalized, this book invites us to discover – or rediscover – Bombay/Mumbai. Taking the art gallery and museum district in the south of the city as her starting point, the author draws us into a complex geography of contemporary art that highlights multiple networks of workshops and invisible workers, installed in the industrial districts where the artworks are made. Based on ten years of fieldwork in India, this research opens up a critical analysis of the cultural metropolises of the South, paying attention to the spaces and actors outside the framework, as well as to the power relations linked to local and global socioeconomic contexts. 2022-12-15T09:02:43Z 2022-12-15T09:02:43Z 2022 book ONIX_20221215_9791036205460_69 2679-0386 9791036205460 9791036205446 https://directory.doabooks.org/handle/20.500.12854/95072 fre De l’Orient à l’Occident image/png n/a https://www.7switch.com/fr/ebook/9791036205460/from/openedition https://books.openedition.org/enseditions/43037 ENS Éditions 10.4000/books.enseditions.43037 Indian contemporary art has become fully integrated into global institutional and commercial dynamics in the decades following India's economic liberalization in the 1990s. Bombay, which has been a commercial capital and cultural crossroads in Asia since the end of the nineteenth century, has become the main metropolis for the Indian contemporary art market. Through this industry, which is more discreet than Bollywood but just as globalized, this book invites us to discover – or rediscover – Bombay/Mumbai. Taking the art gallery and museum district in the south of the city as her starting point, the author draws us into a complex geography of contemporary art that highlights multiple networks of workshops and invisible workers, installed in the industrial districts where the artworks are made. Based on ten years of fieldwork in India, this research opens up a critical analysis of the cultural metropolises of the South, paying attention to the spaces and actors outside the framework, as well as to the power relations linked to local and global socioeconomic contexts. 10.4000/books.enseditions.43037 2ef10e66-6d3e-4b6d-9799-bf76360dd3e6 9791036205460 9791036205446 352 Lyon open access |
| spellingShingle | geography of art globalisation artist art industry thema EDItEUR::R Earth Sciences, Geography, Environment, Planning::RG Geography::RGC Human geography Ithurbide, Christine Mumbai hors cadre |
| title | Mumbai hors cadre |
| title_full | Mumbai hors cadre |
| title_fullStr | Mumbai hors cadre |
| title_full_unstemmed | Mumbai hors cadre |
| title_short | Mumbai hors cadre |
| title_sort | mumbai hors cadre |
| topic | geography of art globalisation artist art industry thema EDItEUR::R Earth Sciences, Geography, Environment, Planning::RG Geography::RGC Human geography |
| topic_facet | geography of art globalisation artist art industry thema EDItEUR::R Earth Sciences, Geography, Environment, Planning::RG Geography::RGC Human geography |
| url | ONIX_20221215_9791036205460_69 |
| work_keys_str_mv | AT ithurbidechristine mumbaihorscadre |