Les aveux imaginaires
This book examines the proliferation of self-disclosures that has occurred in European fiction since the end of the 18th century. Its object is the novelistic scene of confession as we find it represented by six authors from England, France and Russia: Ann Radcliffe, George Sand, Charlotte Brontë, F...
Gardado en:
| Autor Principal: | |
|---|---|
| Formato: | Online |
| Idioma: | francés |
| Publicado: |
ENS Éditions
2022
|
| Subjects: | |
| Acceso en liña: | ONIX_20221215_9791036205828_74 |
| Tags: |
Sen Etiquetas, Sexa o primeiro en etiquetar este rexistro!
|
| _version_ | 1869518074558808064 |
|---|---|
| author | Aude, Nicolas |
| author_browse | Aude, Nicolas |
| author_facet | Aude, Nicolas |
| author_sort | Aude, Nicolas |
| collection | Directory of Open Access Books |
| description | This book examines the proliferation of self-disclosures that has occurred in European fiction since the end of the 18th century. Its object is the novelistic scene of confession as we find it represented by six authors from England, France and Russia: Ann Radcliffe, George Sand, Charlotte Brontë, Fedor Dostoyevsky, Maxime Gorki and Georges Bernanos. The comparison invites us to distance ourselves from the traditional categories of literary history. By fitting into the narrative dynamic of romantic mysteries, this scenography reveals a fundamental fragility of the division between public and private in the context of post-Romantic creation. Viewed through the prism of a cultural history of confession, such a mosaic of texts can finally resonate with the hypermodern proliferation of self-expression. The paradoxes of their imaginary confessions thus become our paradoxes. |
| format | Online |
| id | doab-20.500.12854ir-95077 |
| institution | Directory of Open Access Books |
| language | fre |
| publishDate | 2022 |
| publishDateRange | 2022 |
| publishDateSort | 2022 |
| publisher | ENS Éditions |
| publisherStr | ENS Éditions |
| record_format | ojs |
| spelling | doab-20.500.12854ir-950772024-03-26T22:57:14Z Les aveux imaginaires Aude, Nicolas confession mystery public space intimacy scenography thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general This book examines the proliferation of self-disclosures that has occurred in European fiction since the end of the 18th century. Its object is the novelistic scene of confession as we find it represented by six authors from England, France and Russia: Ann Radcliffe, George Sand, Charlotte Brontë, Fedor Dostoyevsky, Maxime Gorki and Georges Bernanos. The comparison invites us to distance ourselves from the traditional categories of literary history. By fitting into the narrative dynamic of romantic mysteries, this scenography reveals a fundamental fragility of the division between public and private in the context of post-Romantic creation. Viewed through the prism of a cultural history of confession, such a mosaic of texts can finally resonate with the hypermodern proliferation of self-expression. The paradoxes of their imaginary confessions thus become our paradoxes. 2022-12-15T09:02:49Z 2022-12-15T09:02:49Z 2022 book ONIX_20221215_9791036205828_74 2679-0378 9791036205828 9791036205804 https://directory.doabooks.org/handle/20.500.12854/95077 fre Signes image/png n/a https://www.7switch.com/fr/ebook/9791036205828/from/openedition https://books.openedition.org/enseditions/42659 ENS Éditions 10.4000/books.enseditions.42659 This book examines the proliferation of self-disclosures that has occurred in European fiction since the end of the 18th century. Its object is the novelistic scene of confession as we find it represented by six authors from England, France and Russia: Ann Radcliffe, George Sand, Charlotte Brontë, Fedor Dostoyevsky, Maxime Gorki and Georges Bernanos. The comparison invites us to distance ourselves from the traditional categories of literary history. By fitting into the narrative dynamic of romantic mysteries, this scenography reveals a fundamental fragility of the division between public and private in the context of post-Romantic creation. Viewed through the prism of a cultural history of confession, such a mosaic of texts can finally resonate with the hypermodern proliferation of self-expression. The paradoxes of their imaginary confessions thus become our paradoxes. 10.4000/books.enseditions.42659 2ef10e66-6d3e-4b6d-9799-bf76360dd3e6 9791036205828 9791036205804 358 Lyon open access |
| spellingShingle | confession mystery public space intimacy scenography thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general Aude, Nicolas Les aveux imaginaires |
| title | Les aveux imaginaires |
| title_full | Les aveux imaginaires |
| title_fullStr | Les aveux imaginaires |
| title_full_unstemmed | Les aveux imaginaires |
| title_short | Les aveux imaginaires |
| title_sort | les aveux imaginaires |
| topic | confession mystery public space intimacy scenography thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general |
| topic_facet | confession mystery public space intimacy scenography thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general |
| url | ONIX_20221215_9791036205828_74 |
| work_keys_str_mv | AT audenicolas lesaveuximaginaires |