Chapter Other Criteria. Problematic Nudes
In the 1960s and 1970s this formalist version seen in the previous chapter began to show signs of fatigue. Some critics and art historians began to show interest in the personages on stage in Les Demoiselles. Early on John Nash linked the damsel squatting at lower right of the canvas with the myth o...
Guardado en:
| Autor principal: | |
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| Formato: | Online |
| Lenguaje: | inglés |
| Publicado: |
Firenze University Press
2022
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| Materias: | |
| Acceso en línea: | ONIX_20221222_9788855186568_89 |
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Ejemplares similares: Chapter Other Criteria. Problematic Nudes
- Chapter “Naked Problems”. Origin and Reach of the Formalist Interpretations
- Chapter Bodies of Tow and Paraffin
- Chapter “We are all Demoiselles d’Avignon” or the Breaching of the Dominant Gaze
- Chapter After Steinberg: Contextualist Interpretations
- Chapter After Picasso: Reinterpretations and recreations of Les Demoiselles D’Avignon in Contemporary Art
- Chapter Epilogue