Chapter 3 The Cunning Linguist of Agbabi's "The Kiss"

I argue that the protagonist of Lil Nas X’s “Montero (Call Me By Your Name)” assumes the role of a power bottom for the purpose of delivering audiences who identify with the power-bottom role from shame, which is personified by Satan in the music video. Lil Nas X’s texts, the lyrics plus the video,...

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מחבר ראשי: Pavlinich, Elan
פורמט: Online
שפה:אנגלית
יצא לאור: Taylor & Francis 2023
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גישה מקוונת:https://library.oapen.org/handle/20.500.12657/60870
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author Pavlinich, Elan
author_browse Pavlinich, Elan
author_facet Pavlinich, Elan
author_sort Pavlinich, Elan
collection Directory of Open Access Books
description I argue that the protagonist of Lil Nas X’s “Montero (Call Me By Your Name)” assumes the role of a power bottom for the purpose of delivering audiences who identify with the power-bottom role from shame, which is personified by Satan in the music video. Lil Nas X’s texts, the lyrics plus the video, empower power bottoms, and in doing so, Lil Nas X defies a long tradition of shaming the receptive male partner—a shame that is rooted in medieval ideologies. Beginning with a close reading, I analyze sexual power dynamics in the song lyrics, then the music video, before explaining how these two modes complement a narrative about sexual liberation from shame, particularly regarding the receptive male partner in sodomitic relationships. Then, compared to medieval constructions of sodomy in Peter Damian’s Liber Gomorrhianus (The Book of Gomorrah) and the Pearl Poet’s Cleanness, “Montero” is identified as a liberatory text that challenges both sexual norms and pervasive ideologies that limit the spiritual and intellectual freedoms of people of color in Western Christian traditions. “Montero” is a medievalism informed by Black Theology and queer activism to present a queer Black power bottom offering salvation from destructive social structures.
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spelling doab-20.500.12854ir-963042025-07-17T12:15:44Z Chapter 3 The Cunning Linguist of Agbabi's "The Kiss" Pavlinich, Elan Erotic, Sexualities, BDSM,Middle Ages, Beowulf, Chaucer,Santiago García thema EDItEUR::N History and Archaeology thema EDItEUR::3 Time period qualifiers::3K CE period up to c 1500 thema EDItEUR::N History and Archaeology thema EDItEUR::3 Time period qualifiers::3K CE period up to c 1500 I argue that the protagonist of Lil Nas X’s “Montero (Call Me By Your Name)” assumes the role of a power bottom for the purpose of delivering audiences who identify with the power-bottom role from shame, which is personified by Satan in the music video. Lil Nas X’s texts, the lyrics plus the video, empower power bottoms, and in doing so, Lil Nas X defies a long tradition of shaming the receptive male partner—a shame that is rooted in medieval ideologies. Beginning with a close reading, I analyze sexual power dynamics in the song lyrics, then the music video, before explaining how these two modes complement a narrative about sexual liberation from shame, particularly regarding the receptive male partner in sodomitic relationships. Then, compared to medieval constructions of sodomy in Peter Damian’s Liber Gomorrhianus (The Book of Gomorrah) and the Pearl Poet’s Cleanness, “Montero” is identified as a liberatory text that challenges both sexual norms and pervasive ideologies that limit the spiritual and intellectual freedoms of people of color in Western Christian traditions. “Montero” is a medievalism informed by Black Theology and queer activism to present a queer Black power bottom offering salvation from destructive social structures. 2023-01-24T04:03:36Z 2023-01-24T04:03:36Z 2023-01-23T11:11:21Z 2023 chapter https://library.oapen.org/handle/20.500.12657/60870 9781032232058 9781032458748 https://directory.doabooks.org/handle/20.500.12854/96304 eng open access image/jpeg image/jpeg image/jpeg Attribution-NonCommercial-NoDerivatives 4.0 International Attribution-NonCommercial-NoDerivatives 4.0 International Attribution-NonCommercial-NoDerivatives 4.0 International https://library.oapen.org/bitstream/20.500.12657/60870/1/9781003278542_10.4324_9781003278542-4.pdf https://library.oapen.org/bitstream/20.500.12657/60870/1/9781003278542_10.4324_9781003278542-4.pdf https://library.oapen.org/bitstream/20.500.12657/60870/1/9781003278542_10.4324_9781003278542-4.pdf Taylor & Francis Routledge 10.4324/9781003278542-4 10.4324/9781003278542-4 fa69b019-f4ee-4979-8d42-c6b6c476b5f0 Erotic Medievalisms Freie Universität Berlin a6adce6b-3f26-4535-92d8-598288bff431 9781032232058 9781032458748 Routledge 27 open access
spellingShingle Erotic, Sexualities, BDSM,Middle Ages, Beowulf, Chaucer,Santiago García
thema EDItEUR::N History and Archaeology
thema EDItEUR::3 Time period qualifiers::3K CE period up to c 1500
thema EDItEUR::N History and Archaeology
thema EDItEUR::3 Time period qualifiers::3K CE period up to c 1500
Pavlinich, Elan
Chapter 3 The Cunning Linguist of Agbabi's "The Kiss"
title Chapter 3 The Cunning Linguist of Agbabi's "The Kiss"
title_full Chapter 3 The Cunning Linguist of Agbabi's "The Kiss"
title_fullStr Chapter 3 The Cunning Linguist of Agbabi's "The Kiss"
title_full_unstemmed Chapter 3 The Cunning Linguist of Agbabi's "The Kiss"
title_short Chapter 3 The Cunning Linguist of Agbabi's "The Kiss"
title_sort chapter 3 the cunning linguist of agbabi s the kiss
topic Erotic, Sexualities, BDSM,Middle Ages, Beowulf, Chaucer,Santiago García
thema EDItEUR::N History and Archaeology
thema EDItEUR::3 Time period qualifiers::3K CE period up to c 1500
thema EDItEUR::N History and Archaeology
thema EDItEUR::3 Time period qualifiers::3K CE period up to c 1500
topic_facet Erotic, Sexualities, BDSM,Middle Ages, Beowulf, Chaucer,Santiago García
thema EDItEUR::N History and Archaeology
thema EDItEUR::3 Time period qualifiers::3K CE period up to c 1500
thema EDItEUR::N History and Archaeology
thema EDItEUR::3 Time period qualifiers::3K CE period up to c 1500
url https://library.oapen.org/handle/20.500.12657/60870
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