The Chamber Musician in the Twenty-First Century
In recent research, there has been growing emphasis on the collaborative, social, and collective nature of musical behaviour and practices. Among the emerging hypotheses in this connection are the idea that listening to music is always listening together and being with the other; that music making i...
保存先:
| フォーマット: | Online |
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| 言語: | 英語 |
| 出版事項: |
MDPI - Multidisciplinary Digital Publishing Institute
2023
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| 主題: | |
| オンライン･アクセス: | ONIX_20230220_9783038975625_92 |
| タグ: |
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| _version_ | 1869520653956153344 |
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| collection | Directory of Open Access Books |
| description | In recent research, there has been growing emphasis on the collaborative, social, and collective nature of musical behaviour and practices. Among the emerging hypotheses in this connection are the idea that listening to music is always listening together and being with the other; that music making is a matter of intercorporeality, mutuality, and emphatic attunement; and that creative agency in musical practices is fundamentally a distributed phenomenon. Chamber music provides an ideal context for the testing and actualization of these notions. This Special Issue on chamber music and the chamber musician aims to explore the psychological, social, cultural, historical, and artistic issues in the practice of classical chamber music in the twenty-first century. Contributions are invited on any of these aspects and issues involved in being a contemporary classical chamber musician. Authors are encouraged to contextualise their research by reference to the recent literature on collaborative musicking, and among the topics they may choose to address are the cultural and musical demands chamber musicians face and the implications of these demands for their artistic practice, the ways the twenty-first-century chamber musicians engage with historical practices, the newly emerging musical identities and artistic roles available to them, and expressivity in current chamber music practices. |
| format | Online |
| id | doab-20.500.12854ir-97489 |
| institution | Directory of Open Access Books |
| language | eng |
| publishDate | 2023 |
| publishDateRange | 2023 |
| publishDateSort | 2023 |
| publisher | MDPI - Multidisciplinary Digital Publishing Institute |
| publisherStr | MDPI - Multidisciplinary Digital Publishing Institute |
| record_format | ojs |
| spelling | doab-20.500.12854ir-974892024-03-23T14:57:59Z The Chamber Musician in the Twenty-First Century Dogantan-Dack, Mine artistic practice creative agency chamber music collaborative musicking distributed creativity expressivity in performance intercorporeality music performance performance practice thema EDItEUR::A The Arts::AB The arts: general topics In recent research, there has been growing emphasis on the collaborative, social, and collective nature of musical behaviour and practices. Among the emerging hypotheses in this connection are the idea that listening to music is always listening together and being with the other; that music making is a matter of intercorporeality, mutuality, and emphatic attunement; and that creative agency in musical practices is fundamentally a distributed phenomenon. Chamber music provides an ideal context for the testing and actualization of these notions. This Special Issue on chamber music and the chamber musician aims to explore the psychological, social, cultural, historical, and artistic issues in the practice of classical chamber music in the twenty-first century. Contributions are invited on any of these aspects and issues involved in being a contemporary classical chamber musician. Authors are encouraged to contextualise their research by reference to the recent literature on collaborative musicking, and among the topics they may choose to address are the cultural and musical demands chamber musicians face and the implications of these demands for their artistic practice, the ways the twenty-first-century chamber musicians engage with historical practices, the newly emerging musical identities and artistic roles available to them, and expressivity in current chamber music practices. 2023-02-20T16:46:48Z 2023-02-20T16:46:48Z 2022 book ONIX_20230220_9783038975625_92 9783038975625 https://directory.doabooks.org/handle/20.500.12854/97489 eng image/jpeg Attribution-NonCommercial-NoDerivatives 4.0 International https://library.oapen.org/bitstream/20.500.12657/59872/1/The%20Chamber%20Musician%20in%20the%20Twenty-First%20Century%20HBK%20%28244x170%29.pdf MDPI - Multidisciplinary Digital Publishing Institute 10.3390/books978-3-03897-563-2 10.3390/books978-3-03897-563-2 46cabcaa-dd94-4bfe-87b4-55023c1b36d0 9783038975625 334 Basel open access |
| spellingShingle | artistic practice creative agency chamber music collaborative musicking distributed creativity expressivity in performance intercorporeality music performance performance practice thema EDItEUR::A The Arts::AB The arts: general topics The Chamber Musician in the Twenty-First Century |
| title | The Chamber Musician in the Twenty-First Century |
| title_full | The Chamber Musician in the Twenty-First Century |
| title_fullStr | The Chamber Musician in the Twenty-First Century |
| title_full_unstemmed | The Chamber Musician in the Twenty-First Century |
| title_short | The Chamber Musician in the Twenty-First Century |
| title_sort | chamber musician in the twenty first century |
| topic | artistic practice creative agency chamber music collaborative musicking distributed creativity expressivity in performance intercorporeality music performance performance practice thema EDItEUR::A The Arts::AB The arts: general topics |
| topic_facet | artistic practice creative agency chamber music collaborative musicking distributed creativity expressivity in performance intercorporeality music performance performance practice thema EDItEUR::A The Arts::AB The arts: general topics |
| url | ONIX_20230220_9783038975625_92 |