Shelley with Benjamin

Yet what surprises me most of all at this time is that what I have written consists, as it were, almost entirely of quotations. – Compositions so produced are to poetry what mosaic is to painting. – It is the craziest mosaic technique you can imagine – and the very mind which directs the hands in fo...

Descrición completa

Gardado en:
Detalles Bibliográficos
Autor Principal: Nabugodi, Mathelinda
Formato: Online
Idioma:inglés
Publicado: UCL Press 2023
Subjects:
Acceso en liña:OCN: 1359604610
Tags: Engadir etiqueta
Sen Etiquetas, Sexa o primeiro en etiquetar este rexistro!
_version_ 1869517121816363008
author Nabugodi, Mathelinda
author_browse Nabugodi, Mathelinda
author_facet Nabugodi, Mathelinda
author_sort Nabugodi, Mathelinda
collection Directory of Open Access Books
description Yet what surprises me most of all at this time is that what I have written consists, as it were, almost entirely of quotations. – Compositions so produced are to poetry what mosaic is to painting. – It is the craziest mosaic technique you can imagine – and the very mind which directs the hands in formation is incapable of accounting to itself for the origin, the gradations, or the media of the process.Shelley with Benjamin: A critical mosaic is an experiment in comparative reading. Born a century apart, Percy Bysshe Shelley and Walter Benjamin are separated by time, language, temperament and genre – one a Romantic poet known for his revolutionary politics and delicate lyricism, the other a melancholy intellectual who pioneered a dialectical method of thinking in constellations. Yet, as the above montage of citations from their works demonstrates, their ideas are mutually illuminating: the mosaic is but one of several images that both use to describe how literature lives on through practices of citation, translation and critical commentary. In a series of close readings that are by turns playful, erotic and violent, Mathelinda Nabugodi unveils affinities between two writers whose works are simultaneously interventions in literary history and blueprints for an emancipated future. In addition to offering fresh interpretations of both major and minor writings, she elucidates the personal and ethical stakes of literary criticism. Throughout the book, marginal annotations and interlinear interruptions disrupt the faux-objective and colourblind stance of standard academic prose in an attempt to reckon with the barbarism of our past and its legacy in the present. The book will appeal to readers of Shelley and Benjamin as well as those with an interest in comparative literature, literary theory, romantic poetics, and creative critical writing.
format Online
id doab-20.500.12854ir-97661
institution Directory of Open Access Books
language eng
publishDate 2023
publishDateRange 2023
publishDateSort 2023
publisher UCL Press
publisherStr UCL Press
record_format ojs
spelling doab-20.500.12854ir-976612025-07-17T12:15:52Z Shelley with Benjamin Nabugodi, Mathelinda Shelley;Benjamin;comparative reading;romantic poet;Percy Bysshe Shelley;modernism;Walter Benjamin;genre;literary criticism;comparative literature;literary theory;romantic poetics;creative critical writing thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism thema EDItEUR::D Biography, Literature and Literary studies::DC Poetry::DCF Poetry by individual poets thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSC Literary studies: poetry and poets thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism thema EDItEUR::D Biography, Literature and Literary studies::DC Poetry::DCF Poetry by individual poets thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSC Literary studies: poetry and poets Yet what surprises me most of all at this time is that what I have written consists, as it were, almost entirely of quotations. – Compositions so produced are to poetry what mosaic is to painting. – It is the craziest mosaic technique you can imagine – and the very mind which directs the hands in formation is incapable of accounting to itself for the origin, the gradations, or the media of the process.Shelley with Benjamin: A critical mosaic is an experiment in comparative reading. Born a century apart, Percy Bysshe Shelley and Walter Benjamin are separated by time, language, temperament and genre – one a Romantic poet known for his revolutionary politics and delicate lyricism, the other a melancholy intellectual who pioneered a dialectical method of thinking in constellations. Yet, as the above montage of citations from their works demonstrates, their ideas are mutually illuminating: the mosaic is but one of several images that both use to describe how literature lives on through practices of citation, translation and critical commentary. In a series of close readings that are by turns playful, erotic and violent, Mathelinda Nabugodi unveils affinities between two writers whose works are simultaneously interventions in literary history and blueprints for an emancipated future. In addition to offering fresh interpretations of both major and minor writings, she elucidates the personal and ethical stakes of literary criticism. Throughout the book, marginal annotations and interlinear interruptions disrupt the faux-objective and colourblind stance of standard academic prose in an attempt to reckon with the barbarism of our past and its legacy in the present. The book will appeal to readers of Shelley and Benjamin as well as those with an interest in comparative literature, literary theory, romantic poetics, and creative critical writing. 2023-03-03T04:22:11Z 2023-03-03T04:22:11Z 2023-02-06T13:58:57Z 2023 book OCN: 1359604610 https://library.oapen.org/handle/20.500.12657/61178 9781800083240 9781800083257 9781800083264 9781800083271 https://directory.doabooks.org/handle/20.500.12854/97661 eng Comparative Literature and Culture open access image/jpeg image/jpeg image/jpeg Attribution-NonCommercial 4.0 International Attribution-NonCommercial 4.0 International Attribution-NonCommercial 4.0 International https://library.oapen.org/bitstream/20.500.12657/61178/1/9781800083233.pdf https://library.oapen.org/bitstream/20.500.12657/61178/1/9781800083233.pdf https://library.oapen.org/bitstream/20.500.12657/61178/1/9781800083233.pdf UCL Press 10.14324/111.9781800083233 10.14324/111.9781800083233 29b9f0a3-1b0d-4bdd-99d7-b4d3432d7fcc 9781800083240 9781800083257 9781800083264 9781800083271 176 London open access
spellingShingle Shelley;Benjamin;comparative reading;romantic poet;Percy Bysshe Shelley;modernism;Walter Benjamin;genre;literary criticism;comparative literature;literary theory;romantic poetics;creative critical writing
thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism
thema EDItEUR::D Biography, Literature and Literary studies::DC Poetry::DCF Poetry by individual poets
thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSC Literary studies: poetry and poets
thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism
thema EDItEUR::D Biography, Literature and Literary studies::DC Poetry::DCF Poetry by individual poets
thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSC Literary studies: poetry and poets
Nabugodi, Mathelinda
Shelley with Benjamin
title Shelley with Benjamin
title_full Shelley with Benjamin
title_fullStr Shelley with Benjamin
title_full_unstemmed Shelley with Benjamin
title_short Shelley with Benjamin
title_sort shelley with benjamin
topic Shelley;Benjamin;comparative reading;romantic poet;Percy Bysshe Shelley;modernism;Walter Benjamin;genre;literary criticism;comparative literature;literary theory;romantic poetics;creative critical writing
thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism
thema EDItEUR::D Biography, Literature and Literary studies::DC Poetry::DCF Poetry by individual poets
thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSC Literary studies: poetry and poets
thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism
thema EDItEUR::D Biography, Literature and Literary studies::DC Poetry::DCF Poetry by individual poets
thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSC Literary studies: poetry and poets
topic_facet Shelley;Benjamin;comparative reading;romantic poet;Percy Bysshe Shelley;modernism;Walter Benjamin;genre;literary criticism;comparative literature;literary theory;romantic poetics;creative critical writing
thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism
thema EDItEUR::D Biography, Literature and Literary studies::DC Poetry::DCF Poetry by individual poets
thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSC Literary studies: poetry and poets
thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism
thema EDItEUR::D Biography, Literature and Literary studies::DC Poetry::DCF Poetry by individual poets
thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSC Literary studies: poetry and poets
url OCN: 1359604610
work_keys_str_mv AT nabugodimathelinda shelleywithbenjamin