On Reenactment: Concepts, Methodologies, Tools
This book brings together dance and visual arts scholars to investigate the key methodological and theoretical issues concerning reenactment. Along with becoming an effective and widespread contemporary artistic strategy, reenactment is taking shape as a new anti-positivist approach to the history o...
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| Формат: | Online |
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| Язык: | английский |
| Опубликовано: |
Accademia University Press
2023
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| Предметы: | |
| Online-ссылка: | ONIX_20230310_9791255000198_114 |
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| _version_ | 1869524889782714368 |
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| collection | Directory of Open Access Books |
| description | This book brings together dance and visual arts scholars to investigate the key methodological and theoretical issues concerning reenactment. Along with becoming an effective and widespread contemporary artistic strategy, reenactment is taking shape as a new anti-positivist approach to the history of dance and art, undermining the notion of linear time and suggesting new temporal encounters between past, present, and future. As such, reenactment has contributed to a move towards different forms of historical thinking and understanding that embrace cultural studies – especially intertwining gender, postcolonial, and environmental issues – in the redefinition of knowledge, historical discourses, and memory. This approach also involves questioning canons and genealogies by destabilising authorship and challenging both institutional and direct forms of transmission. The structure of the book playfully recalls that of a theatrical performance, with both an overture and prelude, to provide space for a series of theoretical and practice-based insights – the solos – and conversations – the duets – by artists, critics, curators, and theorists who have dealt with reenactment. The main purpose of this book is to demonstrate how reenactment as a strategy of appropriation, circulation, translation, and transmission can contribute to understanding history both in its perpetual becoming and as a process of reinvention, renarration, and resignification from an interdisciplinary perspective. |
| format | Online |
| id | doab-20.500.12854ir-98372 |
| institution | Directory of Open Access Books |
| language | eng |
| publishDate | 2023 |
| publishDateRange | 2023 |
| publishDateSort | 2023 |
| publisher | Accademia University Press |
| publisherStr | Accademia University Press |
| record_format | ojs |
| spelling | doab-20.500.12854ir-983722024-03-23T21:36:47Z On Reenactment: Concepts, Methodologies, Tools Baldacci, Cristina Franco, Susanne Mikou, Ariadne Taylor, Michael Thomas reenactment history of dance and art theatrical performance reenactment as a strategy of appropriation thema EDItEUR::A The Arts::AT Performing arts::ATD Theatre studies This book brings together dance and visual arts scholars to investigate the key methodological and theoretical issues concerning reenactment. Along with becoming an effective and widespread contemporary artistic strategy, reenactment is taking shape as a new anti-positivist approach to the history of dance and art, undermining the notion of linear time and suggesting new temporal encounters between past, present, and future. As such, reenactment has contributed to a move towards different forms of historical thinking and understanding that embrace cultural studies – especially intertwining gender, postcolonial, and environmental issues – in the redefinition of knowledge, historical discourses, and memory. This approach also involves questioning canons and genealogies by destabilising authorship and challenging both institutional and direct forms of transmission. The structure of the book playfully recalls that of a theatrical performance, with both an overture and prelude, to provide space for a series of theoretical and practice-based insights – the solos – and conversations – the duets – by artists, critics, curators, and theorists who have dealt with reenactment. The main purpose of this book is to demonstrate how reenactment as a strategy of appropriation, circulation, translation, and transmission can contribute to understanding history both in its perpetual becoming and as a process of reinvention, renarration, and resignification from an interdisciplinary perspective. 2023-03-10T16:25:36Z 2023-03-10T16:25:36Z 2022 book ONIX_20230310_9791255000198_114 9791255000198 9791255000174 https://directory.doabooks.org/handle/20.500.12854/98372 eng Mimesis Journal Books image/png Attribution-NonCommercial-NoDerivatives 4.0 International https://books.openedition.org/aaccademia/11990 Accademia University Press 10.4000/books.aaccademia.11990 10.4000/books.aaccademia.11990 02a0cfe9-1652-4607-87fa-7164979b9ee0 9791255000198 9791255000174 208 Torino open access |
| spellingShingle | reenactment history of dance and art theatrical performance reenactment as a strategy of appropriation thema EDItEUR::A The Arts::AT Performing arts::ATD Theatre studies On Reenactment: Concepts, Methodologies, Tools |
| title | On Reenactment: Concepts, Methodologies, Tools |
| title_full | On Reenactment: Concepts, Methodologies, Tools |
| title_fullStr | On Reenactment: Concepts, Methodologies, Tools |
| title_full_unstemmed | On Reenactment: Concepts, Methodologies, Tools |
| title_short | On Reenactment: Concepts, Methodologies, Tools |
| title_sort | on reenactment concepts methodologies tools |
| topic | reenactment history of dance and art theatrical performance reenactment as a strategy of appropriation thema EDItEUR::A The Arts::AT Performing arts::ATD Theatre studies |
| topic_facet | reenactment history of dance and art theatrical performance reenactment as a strategy of appropriation thema EDItEUR::A The Arts::AT Performing arts::ATD Theatre studies |
| url | ONIX_20230310_9791255000198_114 |