all except you
Roland Barthes's consideration of the drawings of New York artist Saul Steinberg — originally an artist book posthumously published in France in 1983 — is historically important as one of the last remaining books in Barthes's oeuvre to be translated into English. all except you continues Barthes'...
Αποθηκεύτηκε σε:
| Κύριος συγγραφέας: | |
|---|---|
| Μορφή: | Online |
| Γλώσσα: | Αγγλικά Γαλλικά |
| Έκδοση: |
punctum books
2023
|
| Θέματα: | |
| Διαθέσιμο Online: | https://library.oapen.org/handle/20.500.12657/62557 |
| Ετικέτες: |
Δεν υπάρχουν, Καταχωρήστε ετικέτα πρώτοι!
|
| _version_ | 1869531271894401024 |
|---|---|
| author | Barthes, Roland |
| author_browse | Barthes, Roland |
| author_facet | Barthes, Roland |
| author_sort | Barthes, Roland |
| collection | Directory of Open Access Books |
| description | Roland Barthes's consideration of the drawings of New York artist Saul Steinberg — originally an artist book posthumously published in France in 1983 — is historically important as one of the last remaining books in Barthes's oeuvre to be translated into English.
all except you continues Barthes's inquiries into image–text relations, specifically the indiscernible horizon where writing meets drawing, one becoming the other. In his attempt to blur these registers, he produces less a critique than a translation, an attempt to merge author and artist, to see himself and his desire in the work of Steinberg, using the resources of structural linguistics and psychoanalysis. The impertinence of his critique mimics the deformations of Steinberg's drawings that are ""sassy, deformed by the look on high, stretched, excessively crunched."" We become suspicious that Barthes is writing more into Steinberg than Steinberg holds, or even that Steinberg is an alibi for some other aim that is withheld.
Joe Milutis's translation takes the opportunity of a running commentary, in the form of translator's notes, to amplify Barthes's impertinent reading and authorial one-upmanship by speculating on the presumed failures and detoured transferences of the text. Since Barthes is less concerned with writing about art than writing through it, Milutis's "double session" perhaps provides the most faithful translation of the Barthesian eros in his write-through of the write-through. |
| format | Online |
| id | doab-20.500.12854ir-99537 |
| institution | Directory of Open Access Books |
| language | eng fre |
| publishDate | 2023 |
| publishDateRange | 2023 |
| publishDateSort | 2023 |
| publisher | punctum books |
| publisherStr | punctum books |
| record_format | ojs |
| spelling | doab-20.500.12854ir-995372025-07-17T12:15:29Z all except you Barthes, Roland Milutis, Joe art criticism;literary theory;Saul Steinberg;semiotics;poetics;image-text;poststructuralism thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGB Individual artists, art monographs thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GT Interdisciplinary studies::GTD Semiotics / semiology thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGB Individual artists, art monographs thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GT Interdisciplinary studies::GTD Semiotics / semiology Roland Barthes's consideration of the drawings of New York artist Saul Steinberg — originally an artist book posthumously published in France in 1983 — is historically important as one of the last remaining books in Barthes's oeuvre to be translated into English. all except you continues Barthes's inquiries into image–text relations, specifically the indiscernible horizon where writing meets drawing, one becoming the other. In his attempt to blur these registers, he produces less a critique than a translation, an attempt to merge author and artist, to see himself and his desire in the work of Steinberg, using the resources of structural linguistics and psychoanalysis. The impertinence of his critique mimics the deformations of Steinberg's drawings that are ""sassy, deformed by the look on high, stretched, excessively crunched."" We become suspicious that Barthes is writing more into Steinberg than Steinberg holds, or even that Steinberg is an alibi for some other aim that is withheld. Joe Milutis's translation takes the opportunity of a running commentary, in the form of translator's notes, to amplify Barthes's impertinent reading and authorial one-upmanship by speculating on the presumed failures and detoured transferences of the text. Since Barthes is less concerned with writing about art than writing through it, Milutis's "double session" perhaps provides the most faithful translation of the Barthesian eros in his write-through of the write-through. 2023-04-26T04:02:50Z 2023-04-26T04:02:50Z 2023-04-25T08:58:25Z 2023 book https://library.oapen.org/handle/20.500.12657/62557 9781685711047 https://directory.doabooks.org/handle/20.500.12854/99537 eng fre open access image/jpeg image/jpeg image/jpeg Attribution-NonCommercial-ShareAlike 4.0 International Attribution-NonCommercial-ShareAlike 4.0 International Attribution-NonCommercial-ShareAlike 4.0 International https://library.oapen.org/bitstream/20.500.12657/62557/1/0444.1.00.pdf https://library.oapen.org/bitstream/20.500.12657/62557/12/0444.1.00.pdf https://library.oapen.org/bitstream/20.500.12657/62557/12/0444.1.00.pdf punctum books Dead Letter Office 10.53288/0444.1.00 10.53288/0444.1.00 12970da4-0116-4486-b8be-fc9756703ab1 9781685711047 ScholarLed Dead Letter Office 116 Brooklyn, NY open access |
| spellingShingle | art criticism;literary theory;Saul Steinberg;semiotics;poetics;image-text;poststructuralism thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGB Individual artists, art monographs thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GT Interdisciplinary studies::GTD Semiotics / semiology thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGB Individual artists, art monographs thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GT Interdisciplinary studies::GTD Semiotics / semiology Barthes, Roland all except you |
| title | all except you |
| title_full | all except you |
| title_fullStr | all except you |
| title_full_unstemmed | all except you |
| title_short | all except you |
| title_sort | all except you |
| topic | art criticism;literary theory;Saul Steinberg;semiotics;poetics;image-text;poststructuralism thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGB Individual artists, art monographs thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GT Interdisciplinary studies::GTD Semiotics / semiology thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGB Individual artists, art monographs thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GT Interdisciplinary studies::GTD Semiotics / semiology |
| topic_facet | art criticism;literary theory;Saul Steinberg;semiotics;poetics;image-text;poststructuralism thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGB Individual artists, art monographs thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GT Interdisciplinary studies::GTD Semiotics / semiology thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGB Individual artists, art monographs thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GT Interdisciplinary studies::GTD Semiotics / semiology |
| url | https://library.oapen.org/handle/20.500.12657/62557 |
| work_keys_str_mv | AT barthesroland allexceptyou |