Seeing the Unseen

How do arts convey the existence of potent knowledge without revealing details of that knowledge? In Seeing the Unseen, art historian Susan Elizabeth Gagliardi examines tensions between the seen and unseen that makers, patrons, and audiences of arts in western West Africa negotiate through objects,...

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Формат: Online
Хэл сонгох:англи
Хэвлэсэн: Indiana University Press 2023
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Онлайн хандалт:ONIX_20230502_9780253064295_4
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collection Directory of Open Access Books
description How do arts convey the existence of potent knowledge without revealing details of that knowledge? In Seeing the Unseen, art historian Susan Elizabeth Gagliardi examines tensions between the seen and unseen that makers, patrons, and audiences of arts in western West Africa negotiate through objects, assemblages, and performances. Gagliardi examines how ambiguity anchors design of the arts, and she shows that attempts to determine exact meanings miss the point. Specialists across western West Africa construct assemblages, installations, and buildings that hint at the possibility of revelation, but full disclosure remains unattainable. Specific activities and contexts integral to the design and use of the works often leave no visible trace. Through attention to many ways of seeing and knowing, Seeing the Unseen opens new possibilities for the study of so-called historical or classical arts of Africa grounded in the specificity of individual works, their making, and their reception. It also prompts us to reflect on how we know and what it means to know in any context.
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institution Directory of Open Access Books
language eng
publishDate 2023
publishDateRange 2023
publishDateSort 2023
publisher Indiana University Press
publisherStr Indiana University Press
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spelling doab-20.500.12854ir-998902024-03-23T14:57:58Z Seeing the Unseen Elizabeth Gagliardi, Susan The arts: general issues thema EDItEUR::A The Arts::AB The arts: general topics How do arts convey the existence of potent knowledge without revealing details of that knowledge? In Seeing the Unseen, art historian Susan Elizabeth Gagliardi examines tensions between the seen and unseen that makers, patrons, and audiences of arts in western West Africa negotiate through objects, assemblages, and performances. Gagliardi examines how ambiguity anchors design of the arts, and she shows that attempts to determine exact meanings miss the point. Specialists across western West Africa construct assemblages, installations, and buildings that hint at the possibility of revelation, but full disclosure remains unattainable. Specific activities and contexts integral to the design and use of the works often leave no visible trace. Through attention to many ways of seeing and knowing, Seeing the Unseen opens new possibilities for the study of so-called historical or classical arts of Africa grounded in the specificity of individual works, their making, and their reception. It also prompts us to reflect on how we know and what it means to know in any context. 2023-05-02T11:46:57Z 2023-05-02T11:46:57Z 2023 book ONIX_20230502_9780253064295_4 9780253064295 https://directory.doabooks.org/handle/20.500.12854/99890 eng image/jpeg n/a https://muse.jhu.edu/book/111380 Indiana University Press 42e56a2e-a320-4b18-ac5f-ed2df49c485f 9780253064295 open access
spellingShingle The arts: general issues
thema EDItEUR::A The Arts::AB The arts: general topics
Seeing the Unseen
title Seeing the Unseen
title_full Seeing the Unseen
title_fullStr Seeing the Unseen
title_full_unstemmed Seeing the Unseen
title_short Seeing the Unseen
title_sort seeing the unseen
topic The arts: general issues
thema EDItEUR::A The Arts::AB The arts: general topics
topic_facet The arts: general issues
thema EDItEUR::A The Arts::AB The arts: general topics
url ONIX_20230502_9780253064295_4