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A grammar of Komnzo
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Script and Society
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Die Graphematik der Morpheme im Deutschen und Englischen
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Exploring Writing Systems and Practices in the Bronze Age Aegean
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Writing from Invention to Decipherment
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Von der Gebärdensprache zur Schrift
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The Violence of the Letter
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Akkadische Logogramme
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De l’argumentativité à l’argumentation From Argumentativity to Argumentation
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Contacts of Languages - Contacts of Writings
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Les formes verbales surcomposées en français
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Elden är lös! Janghen var!
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Werkzeuge, Techniken und ihre Kränkungen des Menschen
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Il papiro di Vicenza (P.Vic.)
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Predicare alle donne
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Palimpsests and Related Phenomena across Languages and Cultures
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Models of Change in Medieval Textual Culture
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Digital Papyrology III
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Tra i libri di Isacco Argiro
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Understanding Relations Between Scripts II
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Understanding Relations Between Scripts II
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Scribal Worlds
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The Oracle Bone Inscriptions from Huayuanzhuang East
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Manuscript Treasures from Afro-Eurasia
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Beauty in Music
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Chapter Encoded Signatures: Devotion And Artistic Self-Presentation In The Motet Ferre Solet (1373)
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Composers in the Middle Ages
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Musical Culture of Polish Benedictine Nuns in the 17th and 18th Centuries
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Het wonder van Sint-Maarten
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Musiken i Uppsala under stormaktstiden. 2: 1660–1730
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Musiken i Uppsala under stormaktstiden. 2: 1660–1730
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In Search of Perfect Harmony: Tartini’s Music and Music Theory in Local and European Contexts
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Jamming the Classroom
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Creative Research in Music
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Chapter 9 Informing Practice Through Collaboration: Listening to Colonising Histories and Aboriginal Music
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Juventudes e aprendizagens musicais na contemporaneidade
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A educação musical em cursos de pedagogia do estado de São Paulo
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Geselliger Sang
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Logic of Experimentation
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Transpositions
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Virtual Works – Actual Things
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Powers of Divergence
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Sounding Together
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»Ernsthafte Genauigkeit und ehrende Strenge«
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The Popular and the Sacred in Music
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Carillons and Carillon Music in Old Gdańsk
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Views on Early Music as Representation
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Making Light
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Prethodno
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