Chandragupta Maurya
We take it for granted that some historical figures become heroes, and others do not. Chandragupta Maurya evolved from obscure ruler to contemporary national icon. The key moment in the making of this Indian hero was a meeting by the banks of the River Indus between Chandragupta and Seleucus, founde...
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| Hōputu: | Online |
| Reo: | Ingarihi |
| I whakaputaina: |
UCL Press
2023
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| Ngā marau: | |
| Urunga tuihono: | https://library.oapen.org/handle/20.500.12657/63662 |
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Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
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| _version_ | 1869524252379578368 |
|---|---|
| author | Jansari, Sushma |
| author_browse | Jansari, Sushma |
| author_facet | Jansari, Sushma |
| author_sort | Jansari, Sushma |
| collection | Directory of Open Access Books |
| description | We take it for granted that some historical figures become heroes, and others do not. Chandragupta Maurya evolved from obscure ruler to contemporary national icon. The key moment in the making of this Indian hero was a meeting by the banks of the River Indus between Chandragupta and Seleucus, founder of the Seleucid empire and one of Alexander the Great’s generals, in c.305-3 BC. This significant event was a moment of peace-making at the end of conflict. But no reliable account exists in early sources, and it is not even clear which ruler was victorious in battle. This uncertainty enabled British and Indian historians of the nineteenth and twentieth centuries to interpret the sources in radically different ways. With Chandragupta representing India and Seleucus standing in for Britain, British scholars argued that Seleucus defeated Chandragupta, while Indian academics contended the opposite.
The writing and reception of history fundamentally influences how we engage with the past, and the evolving colonial and post-colonial relationship between Britain and India is crucial here. In India, the image of Chandragupta as an idealised hero who vanquished the foreign invader has prevailed and found expression in contemporary popular culture. In plays, films, television series, comic books and historical novels, Chandragupta is the powerful and virtuous Hindu ruler par excellence. The path to this elevated standing is charted in this book. |
| format | Online |
| id | doab-20.500.12854ir-101598 |
| institution | Directory of Open Access Books |
| language | eng |
| publishDate | 2023 |
| publishDateRange | 2023 |
| publishDateSort | 2023 |
| publisher | UCL Press |
| publisherStr | UCL Press |
| record_format | ojs |
| spelling | doab-20.500.12854ir-1015982025-07-17T10:01:12Z Chandragupta Maurya Jansari, Sushma India;Mauryan empire;Seleucid empire;British Raj;historical interpretation;Indica;Birla Mandirs;Indian films;popular icon;Hindi-language cinema;Bollywood;Tamil-language cinema thema EDItEUR::N History and Archaeology::NH History thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies thema EDItEUR::N History and Archaeology::NH History thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies We take it for granted that some historical figures become heroes, and others do not. Chandragupta Maurya evolved from obscure ruler to contemporary national icon. The key moment in the making of this Indian hero was a meeting by the banks of the River Indus between Chandragupta and Seleucus, founder of the Seleucid empire and one of Alexander the Great’s generals, in c.305-3 BC. This significant event was a moment of peace-making at the end of conflict. But no reliable account exists in early sources, and it is not even clear which ruler was victorious in battle. This uncertainty enabled British and Indian historians of the nineteenth and twentieth centuries to interpret the sources in radically different ways. With Chandragupta representing India and Seleucus standing in for Britain, British scholars argued that Seleucus defeated Chandragupta, while Indian academics contended the opposite. The writing and reception of history fundamentally influences how we engage with the past, and the evolving colonial and post-colonial relationship between Britain and India is crucial here. In India, the image of Chandragupta as an idealised hero who vanquished the foreign invader has prevailed and found expression in contemporary popular culture. In plays, films, television series, comic books and historical novels, Chandragupta is the powerful and virtuous Hindu ruler par excellence. The path to this elevated standing is charted in this book. 2023-07-19T07:31:01Z 2023-07-19T07:31:01Z 2023-06-22T12:55:54Z 2023 book https://library.oapen.org/handle/20.500.12657/63662 9781800083899 9781800083905 9781800083912 https://directory.doabooks.org/handle/20.500.12854/101598 eng open access image/jpeg image/jpeg Attribution-NonCommercial 4.0 International Attribution-NonCommercial 4.0 International https://library.oapen.org/bitstream/20.500.12657/63662/1/9781800083882.pdf https://library.oapen.org/bitstream/20.500.12657/63662/1/9781800083882.pdf UCL Press 10.14324/111.9781800083882 10.14324/111.9781800083882 29b9f0a3-1b0d-4bdd-99d7-b4d3432d7fcc 9781800083899 9781800083905 9781800083912 242 London open access |
| spellingShingle | India;Mauryan empire;Seleucid empire;British Raj;historical interpretation;Indica;Birla Mandirs;Indian films;popular icon;Hindi-language cinema;Bollywood;Tamil-language cinema thema EDItEUR::N History and Archaeology::NH History thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies thema EDItEUR::N History and Archaeology::NH History thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies Jansari, Sushma Chandragupta Maurya |
| title | Chandragupta Maurya |
| title_full | Chandragupta Maurya |
| title_fullStr | Chandragupta Maurya |
| title_full_unstemmed | Chandragupta Maurya |
| title_short | Chandragupta Maurya |
| title_sort | chandragupta maurya |
| topic | India;Mauryan empire;Seleucid empire;British Raj;historical interpretation;Indica;Birla Mandirs;Indian films;popular icon;Hindi-language cinema;Bollywood;Tamil-language cinema thema EDItEUR::N History and Archaeology::NH History thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies thema EDItEUR::N History and Archaeology::NH History thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies |
| topic_facet | India;Mauryan empire;Seleucid empire;British Raj;historical interpretation;Indica;Birla Mandirs;Indian films;popular icon;Hindi-language cinema;Bollywood;Tamil-language cinema thema EDItEUR::N History and Archaeology::NH History thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies thema EDItEUR::N History and Archaeology::NH History thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies |
| url | https://library.oapen.org/handle/20.500.12657/63662 |
| work_keys_str_mv | AT jansarisushma chandraguptamaurya |