Chapter 8 Zofia Ameisenowa, William S. Heckscher and ‘The Genesis of Iconology’ (Bonn 1964)

This volume explores a basic question in the historiography of art: the extent to which iconology was a homogenous research method in its own immutable right. By contributing to the rejection of the universalizing narrative, these case studies argue that there were many strands of iconology. Method...

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Dades bibliogràfiques

Autor principal:	Kunińska, Magdalena
Format:	Online
Idioma:	anglès
Publicat:	Taylor & Francis 2024
Matèries:	art history,iconology,center,centre,periphery,Poland,methodology,politics,Warburg Institute,communism,Europe,Marxism,Soviet Union,Soviet bloc,social realism,Estonia,Czechoslovakia,German Democratic Republic,Germany,Romania,Western Europe,Eastern Europe,art historian,intellectual history,oppression,Central Europe,architecture,Godefridus Johannes Hoogewerff,Ernst H. Kantorowicz,Hans Sedlmayr,Jan Białostocki,Zofia Ameisenowa,Lech Kalinowski,Erwin Panofsky,Mikhail Liebmann,Mikhail Sokolov,Prague,Helga Sciurie,Jena,Friedrich Mobius
Accés en línia:	https://library.oapen.org/handle/20.500.12657/88244
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