Chapter 8 Zofia Ameisenowa, William S. Heckscher and ‘The Genesis of Iconology’ (Bonn 1964)
This volume explores a basic question in the historiography of art: the extent to which iconology was a homogenous research method in its own immutable right. By contributing to the rejection of the universalizing narrative, these case studies argue that there were many strands of iconology. Method...
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Taylor & Francis
2024
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| _version_ | 1869530645134311424 |
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| author | Kunińska, Magdalena |
| author_browse | Kunińska, Magdalena |
| author_facet | Kunińska, Magdalena |
| author_sort | Kunińska, Magdalena |
| collection | Directory of Open Access Books |
| description | This volume explores a basic question in the historiography of art: the extent to which iconology was a homogenous research method in its own immutable right. By contributing to the rejection of the universalizing narrative, these case studies argue that there were many strands of iconology.
Methods that differed from the ‘canonised’ approach of Panofsky were proposed by Godefridus Johannes Hoogewerff and Hans Sedlmayr. Researchers affiliated with the Warburg Institute in London also chose to distance themselves from Panofsky’s work. Poland, in turn, was the breeding ground for yet another distinct variety of iconology. In Communist Czechoslovakia there were attempts to develop a ‘Marxist iconology’. This book, written by recognized experts in the field, examines these and other major strands of iconology, telling the tale of iconology’s reception in the countries formerly behind the Iron Curtain. Attitudes there ranged from enthusiastic acceptance in Poland, to critical reception in the Soviet Union, to reinterpretation in Czechoslovakia and the German Democratic Republic, and, finally, to outright rejection in Romania.
The book will be of interest to scholars working in art history, visual studies, and historiography. |
| format | Online |
| id | doab-20.500.12854ir-135452 |
| institution | Directory of Open Access Books |
| language | eng |
| publishDate | 2024 |
| publishDateRange | 2024 |
| publishDateSort | 2024 |
| publisher | Taylor & Francis |
| publisherStr | Taylor & Francis |
| record_format | ojs |
| spelling | doab-20.500.12854ir-1354522025-05-09T10:04:37Z Chapter 8 Zofia Ameisenowa, William S. Heckscher and ‘The Genesis of Iconology’ (Bonn 1964) Kunińska, Magdalena art history,iconology,center,centre,periphery,Poland,methodology,politics,Warburg Institute,communism,Europe,Marxism,Soviet Union,Soviet bloc,social realism,Estonia,Czechoslovakia,German Democratic Republic,Germany,Romania,Western Europe,Eastern Europe,art historian,intellectual history,oppression,Central Europe,architecture,Godefridus Johannes Hoogewerff,Ernst H. Kantorowicz,Hans Sedlmayr,Jan Białostocki,Zofia Ameisenowa,Lech Kalinowski,Erwin Panofsky,Mikhail Liebmann,Mikhail Sokolov,Prague,Helga Sciurie,Jena,Friedrich Mobius This volume explores a basic question in the historiography of art: the extent to which iconology was a homogenous research method in its own immutable right. By contributing to the rejection of the universalizing narrative, these case studies argue that there were many strands of iconology. Methods that differed from the ‘canonised’ approach of Panofsky were proposed by Godefridus Johannes Hoogewerff and Hans Sedlmayr. Researchers affiliated with the Warburg Institute in London also chose to distance themselves from Panofsky’s work. Poland, in turn, was the breeding ground for yet another distinct variety of iconology. In Communist Czechoslovakia there were attempts to develop a ‘Marxist iconology’. This book, written by recognized experts in the field, examines these and other major strands of iconology, telling the tale of iconology’s reception in the countries formerly behind the Iron Curtain. Attitudes there ranged from enthusiastic acceptance in Poland, to critical reception in the Soviet Union, to reinterpretation in Czechoslovakia and the German Democratic Republic, and, finally, to outright rejection in Romania. The book will be of interest to scholars working in art history, visual studies, and historiography. 2024-03-08T04:08:28Z 2024-03-08T04:08:28Z 2024-03-07T14:36:20Z 2024 chapter https://library.oapen.org/handle/20.500.12657/88244 9780367684341 9780367684358 https://directory.doabooks.org/handle/20.500.12854/135452 eng open access image/jpeg image/jpeg image/jpeg image/jpeg Attribution-NonCommercial-NoDerivatives 4.0 International Attribution-NonCommercial-NoDerivatives 4.0 International Attribution-NonCommercial-NoDerivatives 4.0 International Attribution-NonCommercial-NoDerivatives 4.0 International https://library.oapen.org/bitstream/20.500.12657/88244/1/9781003137528_10.4324_9781003137528-10.pdf https://library.oapen.org/bitstream/20.500.12657/88244/1/9781003137528_10.4324_9781003137528-10.pdf https://library.oapen.org/bitstream/20.500.12657/88244/1/9781003137528_10.4324_9781003137528-10.pdf https://library.oapen.org/bitstream/20.500.12657/88244/1/9781003137528_10.4324_9781003137528-10.pdf Taylor & Francis Routledge 10.4324/9781003137528-10 10.4324/9781003137528-10 fa69b019-f4ee-4979-8d42-c6b6c476b5f0 Art Historiography and Iconologies Between West and East European Research Council (ERC) 6a044850-f30f-4ed8-a4a5-8b5b4c45af59 9780367684341 9780367684358 European Research Council (ERC) EU collection Routledge 11 open access |
| spellingShingle | art history,iconology,center,centre,periphery,Poland,methodology,politics,Warburg Institute,communism,Europe,Marxism,Soviet Union,Soviet bloc,social realism,Estonia,Czechoslovakia,German Democratic Republic,Germany,Romania,Western Europe,Eastern Europe,art historian,intellectual history,oppression,Central Europe,architecture,Godefridus Johannes Hoogewerff,Ernst H. Kantorowicz,Hans Sedlmayr,Jan Białostocki,Zofia Ameisenowa,Lech Kalinowski,Erwin Panofsky,Mikhail Liebmann,Mikhail Sokolov,Prague,Helga Sciurie,Jena,Friedrich Mobius Kunińska, Magdalena Chapter 8 Zofia Ameisenowa, William S. Heckscher and ‘The Genesis of Iconology’ (Bonn 1964) |
| title | Chapter 8 Zofia Ameisenowa, William S. Heckscher and ‘The Genesis of Iconology’ (Bonn 1964) |
| title_full | Chapter 8 Zofia Ameisenowa, William S. Heckscher and ‘The Genesis of Iconology’ (Bonn 1964) |
| title_fullStr | Chapter 8 Zofia Ameisenowa, William S. Heckscher and ‘The Genesis of Iconology’ (Bonn 1964) |
| title_full_unstemmed | Chapter 8 Zofia Ameisenowa, William S. Heckscher and ‘The Genesis of Iconology’ (Bonn 1964) |
| title_short | Chapter 8 Zofia Ameisenowa, William S. Heckscher and ‘The Genesis of Iconology’ (Bonn 1964) |
| title_sort | chapter 8 zofia ameisenowa william s heckscher and the genesis of iconology bonn 1964 |
| topic | art history,iconology,center,centre,periphery,Poland,methodology,politics,Warburg Institute,communism,Europe,Marxism,Soviet Union,Soviet bloc,social realism,Estonia,Czechoslovakia,German Democratic Republic,Germany,Romania,Western Europe,Eastern Europe,art historian,intellectual history,oppression,Central Europe,architecture,Godefridus Johannes Hoogewerff,Ernst H. Kantorowicz,Hans Sedlmayr,Jan Białostocki,Zofia Ameisenowa,Lech Kalinowski,Erwin Panofsky,Mikhail Liebmann,Mikhail Sokolov,Prague,Helga Sciurie,Jena,Friedrich Mobius |
| topic_facet | art history,iconology,center,centre,periphery,Poland,methodology,politics,Warburg Institute,communism,Europe,Marxism,Soviet Union,Soviet bloc,social realism,Estonia,Czechoslovakia,German Democratic Republic,Germany,Romania,Western Europe,Eastern Europe,art historian,intellectual history,oppression,Central Europe,architecture,Godefridus Johannes Hoogewerff,Ernst H. Kantorowicz,Hans Sedlmayr,Jan Białostocki,Zofia Ameisenowa,Lech Kalinowski,Erwin Panofsky,Mikhail Liebmann,Mikhail Sokolov,Prague,Helga Sciurie,Jena,Friedrich Mobius |
| url | https://library.oapen.org/handle/20.500.12657/88244 |
| work_keys_str_mv | AT kuninskamagdalena chapter8zofiaameisenowawilliamsheckscherandthegenesisoficonologybonn1964 |