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Cinematic Images

The interplay of physical embodiment and digital images is getting enhanced by new media interfaces. The postmodern condition of media communication turns into a mode of hyper-aesthetics, and immersive image technologies – like cinematic images – enable a completely novel form of image aesthetics an...

詳細記述

保存先:
フォーマット: Online
言語:英語
出版事項: Büchner-Verlag 2025
主題:
image technologies, media technologies, film history, computer-generated aesthetics, film theory, post-cinematic era, digital image, video game technologies, TikTok duet, visual media, diversity, digital art, image science, digital turn, post-cinema, moving images, digital film production, Pixar films, CGI, film aesthetics
thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies::JBCT1 Media studies: internet, digital media and society
thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema
thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies::JBCT2 Media studies: TV and society
thema EDItEUR::U Computing and Information Technology::UD Digital Lifestyle and online world: consumer and user guides::UDB Internet guides and online services::UDBS Social media / social networking
オンライン･アクセス:https://library.oapen.org/handle/20.500.12657/95977
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要約:The interplay of physical embodiment and digital images is getting enhanced by new media interfaces. The postmodern condition of media communication turns into a mode of hyper-aesthetics, and immersive image technologies – like cinematic images – enable a completely novel form of image aesthetics and user interaction with the cinematic image structures. »Cinematic Images« contributes to the wide range of the hyper-aesthetic image discourse to connect the concept of cinematic depiction, digital design and software imagery with the approaches in modern media theory, philosophy, perceptual theory, aesthetics, computer graphics and art theory as well as the complex range of image science. This volume monitors and discusses the relation of images and technological evolution in the context of cinematic images within the perspective of an autonomous image science.

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