Barbarian Currents

Contemporary art and media art do not exist in separate worlds. In 20th century Brazil, technology was a key element of artistic imagination. Oswald de Andrade, the father of Brazilian ‘cannibal’ modernism, envisioned the Americas as a cradle of a new society populated by technicised barbarians. The...

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Bibliografske podrobnosti
Format: Online
Jezik:angleščina
Izdano: Open Humanities Press 2025
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Online dostop:https://library.oapen.org/handle/20.500.12657/103683
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