Barbarian Currents
Contemporary art and media art do not exist in separate worlds. In 20th century Brazil, technology was a key element of artistic imagination. Oswald de Andrade, the father of Brazilian ‘cannibal’ modernism, envisioned the Americas as a cradle of a new society populated by technicised barbarians. The...
Gespeichert in:
| Format: | Online |
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| Sprache: | Englisch |
| Veröffentlicht: |
Open Humanities Press
2025
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| Schlagworte: | |
| Online-Zugang: | https://library.oapen.org/handle/20.500.12657/103683 |
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