Fragmentos de lo invisible, una mirada artística al daño cerebral adquirido
Catalogue of the collective exhibition Fragments of the Invisible, an artistic look at acquired brain damage, curated by Pablo Mercado and featuring works by artists Gloria Arranz, María Bermejo, Alejandra Durán, Emilio García, Ani Jiménez, Carmen Liria, Carmen Ripoll, Victoria O. Téllez and María V...
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| Format: | Online |
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| Sprache: | Spanisch |
| Veröffentlicht: |
UMA Editorial (Universidad de Málaga)
2025
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| Schlagworte: | |
| Online-Zugang: | https://directory.doabooks.org/handle/20.500.12854/163066 |
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| Zusammenfassung: | Catalogue of the collective exhibition Fragments of the Invisible, an artistic look at acquired brain damage, curated by Pablo Mercado and featuring works by artists Gloria Arranz, María Bermejo, Alejandra Durán, Emilio García, Ani Jiménez, Carmen Liria, Carmen Ripoll, Victoria O. Téllez and María Valverde. The exhibition was on display at Espacio Cero, the exhibition hall of the Contenedor Cultural, coordinated by the Vice-Rectorate for Culture of the University of Malaga, from 28 November 2024 to 31 January 2025. It is also part of the Neuropsicoartes educational innovation project (2nd edition), directed by Professor Estela Castilla within the framework of the Key-Project call for proposals by the Vice-Rectorate for Students, Employability and Entrepreneurship at the University of Malaga, with the collaboration of ADACEMA (Association for Acquired Brain Injury in Malaga).
In this exhibition, Fine Arts students, with the advice of a team made up of students from Psychology, Communication Sciences and Occupational Therapy, have used their creativity to give voice and shape to the experiences of people living with acquired brain injury. This type of condition alters not only the physiology of the brain, but also the way people perceive and relate to the world.
Through art, students have managed to capture the essence of these experiences, showing both the cognitive and emotional challenges faced by patients and presenting an aesthetic interpretation of what is often approached from a medical perspective.
Art, in this context, becomes not only a means of personal expression, but also a therapeutic and educational tool. It invites us to reconsider our perception of illness, the body, and the mind, and encourages us to reflect on the intersection between human fragility and resilience. Each work in this exhibition is the result of a deep interaction between the artists and the patients, creating a space where art not only represents but also transforms and heals. |
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