Paolo Benvenuti
The essay analyzes Paolo Benvenuti’s cinema, revealing his poetics suspended between history, painting, and epic theater. Through in-depth interviews, unpublished and archival materials, it reconstructs the originality of an author who conceives cinema as a pedagogical and maieutic act: a tool to in...
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| Format: | Online |
| Sprog: | italiensk |
| Udgivet: |
Firenze University Press
2025
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| Online adgang: | ONIX_20250801T172941_9791221506105_46 |
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| Summary: | The essay analyzes Paolo Benvenuti’s cinema, revealing his poetics suspended between history, painting, and epic theater. Through in-depth interviews, unpublished and archival materials, it reconstructs the originality of an author who conceives cinema as a pedagogical and maieutic act: a tool to inspire reflection and critical thought. Crucial is the rigor in choosing the point of view: every shot becomes an act of deliberate storytelling, where aesthetics and ethics merge into a profound synthesis. Benvenuti thus emerges as “the painter with the camera”, transforming cinema into a timeless space of visual, ethical, and historical reflection. |
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