Paolo Benvenuti

The essay analyzes Paolo Benvenuti’s cinema, revealing his poetics suspended between history, painting, and epic theater. Through in-depth interviews, unpublished and archival materials, it reconstructs the originality of an author who conceives cinema as a pedagogical and maieutic act: a tool to in...

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Huvudupphov: Giusiani, Francesco
Materialtyp: Online
Språk:italienska
Utgiven: Firenze University Press 2025
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Länkar:ONIX_20250801T172941_9791221506105_46
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author Giusiani, Francesco
author_browse Giusiani, Francesco
author_facet Giusiani, Francesco
author_sort Giusiani, Francesco
collection Directory of Open Access Books
description The essay analyzes Paolo Benvenuti’s cinema, revealing his poetics suspended between history, painting, and epic theater. Through in-depth interviews, unpublished and archival materials, it reconstructs the originality of an author who conceives cinema as a pedagogical and maieutic act: a tool to inspire reflection and critical thought. Crucial is the rigor in choosing the point of view: every shot becomes an act of deliberate storytelling, where aesthetics and ethics merge into a profound synthesis. Benvenuti thus emerges as “the painter with the camera”, transforming cinema into a timeless space of visual, ethical, and historical reflection.
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institution Directory of Open Access Books
language ita
publishDate 2025
publishDateRange 2025
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publisher Firenze University Press
publisherStr Firenze University Press
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spelling doab-20.500.12854ir-1633522025-08-02T05:03:55Z Paolo Benvenuti Giusiani, Francesco Paolo Benvenuti Cinema Maieutic Ethic Narrative thema EDItEUR::A The Arts::AT Performing arts::ATD Theatre studies The essay analyzes Paolo Benvenuti’s cinema, revealing his poetics suspended between history, painting, and epic theater. Through in-depth interviews, unpublished and archival materials, it reconstructs the originality of an author who conceives cinema as a pedagogical and maieutic act: a tool to inspire reflection and critical thought. Crucial is the rigor in choosing the point of view: every shot becomes an act of deliberate storytelling, where aesthetics and ethics merge into a profound synthesis. Benvenuti thus emerges as “the painter with the camera”, transforming cinema into a timeless space of visual, ethical, and historical reflection. 2025-08-02T05:03:55Z 2025-08-02T05:03:55Z 2025-08-01T15:36:21Z 2025 book ONIX_20250801T172941_9791221506105_46 2704-5870 https://library.oapen.org/handle/20.500.12657/104537 9791221506105 9791221506037 9791221506099 9791221506112 https://directory.doabooks.org/handle/20.500.12854/163352 ita Strumenti per la didattica e la ricerca open access image/jpeg Attribution 4.0 International https://library.oapen.org/bitstream/20.500.12657/104537/1/44252.pdf Firenze University Press 10.36253/979-12-215-0610-5 10.36253/979-12-215-0610-5 2ec4474d-93b1-4cfa-b313-9c6019b51b1a 9791221506105 9791221506037 9791221506099 9791221506112 216 Florence open access
spellingShingle Paolo Benvenuti
Cinema
Maieutic
Ethic
Narrative
thema EDItEUR::A The Arts::AT Performing arts::ATD Theatre studies
Giusiani, Francesco
Paolo Benvenuti
title Paolo Benvenuti
title_full Paolo Benvenuti
title_fullStr Paolo Benvenuti
title_full_unstemmed Paolo Benvenuti
title_short Paolo Benvenuti
title_sort paolo benvenuti
topic Paolo Benvenuti
Cinema
Maieutic
Ethic
Narrative
thema EDItEUR::A The Arts::AT Performing arts::ATD Theatre studies
topic_facet Paolo Benvenuti
Cinema
Maieutic
Ethic
Narrative
thema EDItEUR::A The Arts::AT Performing arts::ATD Theatre studies
url ONIX_20250801T172941_9791221506105_46
work_keys_str_mv AT giusianifrancesco paolobenvenuti