A Oficina de Gil Vicente

Serving the royal court for 35 years, Gil Vicente wrote and staged about fifty plays, covering the different genres of European theater of the late Middle Ages. Despite the diversity that characterizes his work from the thematic and formal point of view, there are coherent lines that allow us to est...

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Main Author: Bernardes, José Augusto Cardoso
Format: Online
Language:Portuguese
Published: Coimbra University Press 2025
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Online Access:https://directory.doabooks.org/handle/20.500.12854/168794
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author Bernardes, José Augusto Cardoso
author_browse Bernardes, José Augusto Cardoso
author_facet Bernardes, José Augusto Cardoso
author_sort Bernardes, José Augusto Cardoso
collection Directory of Open Access Books
description Serving the royal court for 35 years, Gil Vicente wrote and staged about fifty plays, covering the different genres of European theater of the late Middle Ages. Despite the diversity that characterizes his work from the thematic and formal point of view, there are coherent lines that allow us to establish important connections between the plays. This is the case from the Visitation and the Auto Pastoril Castelhano (both performed in 1502) to Floresta de Enganos, performed in 1536, which is the epilogue of an unusually extensive, regular and continuous creation. Throughout the different essays that make up the present volume, an attempt is made to demonstrate the unity and uniqueness of a work that, for various reasons, has never been repeated in the history of Portuguese and Peninsular culture.
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spelling doab-20.500.12854ir-1687942025-11-04T15:45:54Z A Oficina de Gil Vicente Bernardes, José Augusto Cardoso Theater Satire Lyricism Court History of Culture 16th century thema EDItEUR::D Biography, Literature and Literary studies Serving the royal court for 35 years, Gil Vicente wrote and staged about fifty plays, covering the different genres of European theater of the late Middle Ages. Despite the diversity that characterizes his work from the thematic and formal point of view, there are coherent lines that allow us to establish important connections between the plays. This is the case from the Visitation and the Auto Pastoril Castelhano (both performed in 1502) to Floresta de Enganos, performed in 1536, which is the epilogue of an unusually extensive, regular and continuous creation. Throughout the different essays that make up the present volume, an attempt is made to demonstrate the unity and uniqueness of a work that, for various reasons, has never been repeated in the history of Portuguese and Peninsular culture. Published Permanecendo ao serviço da corte régia durante 35 anos, Gil Vicente escreveu e encenou cerca de meia centena de peças, abrangendo os diferentes géneros do teatro europeu de finais da Idade Média. Apesar da diversidade que caracteriza a sua obra do ponto de vista temático e formal, nela sobressaem linhas de coerência que permitem estabelecer importantes ligações entre os autos. Assim sucede desde a Visitação e o Auto Pastoril Castelhano (ambos representados em 1502) até Floresta de Enganos representada em 1536, que constitui o epílogo de uma criação invulgarmente extensa, regular e continuada. Ao longo dos diferentes ensaios que compõem o presente volume, procura demonstrar-se a unidade e a singularidade de uma obra que, por motivos vários, não mais se repetiu na história da cultura portuguesa e peninsular. 2025-11-04T15:45:52Z 2025-11-04T15:45:52Z 2023-06 book 978-989-26-2413-6 978-989-26-2414-3 https://directory.doabooks.org/handle/20.500.12854/168794 por image/jpeg Attribution-NonCommercial-NoDerivatives 4.0 International https://doi.org/10.14195/978-989-26-2414-3 Coimbra University Press Coimbra University Press 10.14195/978-989-26-2414-3 Permanecendo ao serviço da corte régia durante 35 anos, Gil Vicente escreveu e encenou cerca de meia centena de peças, abrangendo os diferentes géneros do teatro europeu de finais da Idade Média. Apesar da diversidade que caracteriza a sua obra do ponto de vista temático e formal, nela sobressaem linhas de coerência que permitem estabelecer importantes ligações entre os autos. Assim sucede desde a Visitação e o Auto Pastoril Castelhano (ambos representados em 1502) até Floresta de Enganos representada em 1536, que constitui o epílogo de uma criação invulgarmente extensa, regular e continuada. Ao longo dos diferentes ensaios que compõem o presente volume, procura demonstrar-se a unidade e a singularidade de uma obra que, por motivos vários, não mais se repetiu na história da cultura portuguesa e peninsular. 10.14195/978-989-26-2414-3 71c193a7-6c08-4e85-ae72-a002208589fd 978-989-26-2413-6 978-989-26-2414-3 Coimbra University Press 354 Coimbra open access
spellingShingle Theater
Satire
Lyricism
Court
History of Culture
16th century
thema EDItEUR::D Biography, Literature and Literary studies
Bernardes, José Augusto Cardoso
A Oficina de Gil Vicente
title A Oficina de Gil Vicente
title_full A Oficina de Gil Vicente
title_fullStr A Oficina de Gil Vicente
title_full_unstemmed A Oficina de Gil Vicente
title_short A Oficina de Gil Vicente
title_sort oficina de gil vicente
topic Theater
Satire
Lyricism
Court
History of Culture
16th century
thema EDItEUR::D Biography, Literature and Literary studies
topic_facet Theater
Satire
Lyricism
Court
History of Culture
16th century
thema EDItEUR::D Biography, Literature and Literary studies
url https://directory.doabooks.org/handle/20.500.12854/168794
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