Koncepcja "sztuki prymitywnej". Odkrywanie, oswajanie i udomowienie Innego w świecie Zachodu
In this book, the author analyzes the history of the concept and notion of “primitive art” against the backdrop of changing political, social, and cultural circumstances over more than five centuries. The starting point is the processes of colonization and their consequences for Europe's perception...
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| Format: | Online |
| Idioma: | polonès |
| Publicat: |
University of Warsaw Press
2025
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| Accés en línia: | https://directory.doabooks.org/handle/20.500.12854/169666 |
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| Sumari: | In this book, the author analyzes the history of the concept and notion of “primitive art” against the backdrop of changing political, social, and cultural circumstances over more than five centuries. The starting point is the processes of colonization and their consequences for Europe's perception of the New World, its inhabitants, culture, and art. After all, as Hans Belting wrote, the history of colonization was also a “war of images.”
On the basis of the theory of collecting, intertwined with issues from the theory of art, museology, aesthetics, anthropology, political science, and history, Hanna Schreiber examines the ways of collecting and methods of exhibiting non-European artifacts, from the first private cabinets of curiosities in the 16th century to selected contemporary collections and museum exhibitions. Through an analysis of the most important theoretical writings and artistic events, she identifies turning points in the formation of the image of “primitive art” in the Western universe of art and museums, dominated by a Eurocentric perspective. |
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