Når musikken tek form
Music is created for different purposes, in different spaces, by different actors, and in processes where a variety of methods, materials, technologies, and forms of dissemination are used. Creative practices may involve music as score or writing, music as recorded or live sound, or music as perform...
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| Հիմնական հեղինակներ: | , , , , , , , , , , , , , , , , , , , , |
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| Ձևաչափ: | Online |
| Լեզու: | նորվեգերեն |
| Հրապարակվել է: |
Fagbokforlaget Vigmostad & Bjørke
2026
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| Խորագրեր: | |
| Առցանց հասանելիություն: | https://directory.doabooks.org/handle/20.500.12854/171395 |
| Ցուցիչներ: |
Չկան պիտակներ, Եղեք առաջինը, ով նշում է այս գրառումը!
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| _version_ | 1869515799399497728 |
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| author | Sofia Ahvenniemi, Rebecka Barrett, Natasha Boksasp, Unni Borchgrevink, Hild Brøvig, Ragnhild Grydeland, Ivar Hellqvist, Karin A.S. Holbrook, Ulf Johansson, Mats Kjus, Yngvar Knudsen, Ragnhild Molde, Audun Nystabakk, Solmund Åsmund Omholt, Per Opheim, Berit Osa, Tom Rudi, Jøran J.W. Thelle, Notto Tveit, Anders Wang, Solveig Isak Wærstad, Bernt |
| author_browse | A.S. Holbrook, Ulf Barrett, Natasha Boksasp, Unni Borchgrevink, Hild Brøvig, Ragnhild Grydeland, Ivar Hellqvist, Karin Isak Wærstad, Bernt J.W. Thelle, Notto Johansson, Mats Kjus, Yngvar Knudsen, Ragnhild Molde, Audun Nystabakk, Solmund Opheim, Berit Osa, Tom Rudi, Jøran Sofia Ahvenniemi, Rebecka Tveit, Anders Wang, Solveig Åsmund Omholt, Per |
| author_facet | Sofia Ahvenniemi, Rebecka Barrett, Natasha Boksasp, Unni Borchgrevink, Hild Brøvig, Ragnhild Grydeland, Ivar Hellqvist, Karin A.S. Holbrook, Ulf Johansson, Mats Kjus, Yngvar Knudsen, Ragnhild Molde, Audun Nystabakk, Solmund Åsmund Omholt, Per Opheim, Berit Osa, Tom Rudi, Jøran J.W. Thelle, Notto Tveit, Anders Wang, Solveig Isak Wærstad, Bernt |
| author_sort | Sofia Ahvenniemi, Rebecka |
| collection | Directory of Open Access Books |
| description | Music is created for different purposes, in different spaces, by different actors, and in processes where a variety of methods, materials, technologies, and forms of dissemination are used. Creative practices may involve music as score or writing, music as recorded or live sound, or music as performing, improvised, embodied action. But what actually characterizes the ways music is created in Norway today? In twelve articles, When Music Takes Shape: On Creative Practices in Music investigates how and within what contexts music is composed, created, and produced today. In particular, three themes stand out across the creative music practices addressed: (i) development, expansion, and exploration of understandings and working methods, (ii) co-creation and collective creative processes, and (iii) music-technology practices. The articles study music both within and across different music fields, academic traditions, and genres, including folk music, improvisation, pop music, music technology, contemporary music, early music, score-based music, electroacoustic music, and post-acousmatic music. Detailed descriptions of working methods and compositional strategies are combined with studies and discussions that examine overarching perspectives on conceptual understandings, development trends, traditions, and cultural and societal conditions. When Music Takes Shape: On Creative Practices in Music stems from the research program Creative Practices in Music (2021–2024), initiated by the Norwegian Arts Council. |
| format | Online |
| id | doab-20.500.12854ir-171395 |
| institution | Directory of Open Access Books |
| language | nor |
| publishDate | 2026 |
| publishDateRange | 2026 |
| publishDateSort | 2026 |
| publisher | Fagbokforlaget Vigmostad & Bjørke |
| publisherStr | Fagbokforlaget Vigmostad & Bjørke |
| record_format | ojs |
| spelling | doab-20.500.12854ir-1713952026-02-12T10:03:53Z Når musikken tek form Sofia Ahvenniemi, Rebecka Barrett, Natasha Boksasp, Unni Borchgrevink, Hild Brøvig, Ragnhild Grydeland, Ivar Hellqvist, Karin A.S. Holbrook, Ulf Johansson, Mats Kjus, Yngvar Knudsen, Ragnhild Molde, Audun Nystabakk, Solmund Åsmund Omholt, Per Opheim, Berit Osa, Tom Rudi, Jøran J.W. Thelle, Notto Tveit, Anders Wang, Solveig Isak Wærstad, Bernt Nylund Hagen, Anja Torvanger Solberg, Ragnhild Uberg Nærland, Torgeir Francis Duch, Michael Music studies Composition Creative processes Aesthetics Sound analysis Musical form Artistic research Music pedagogy Performance Cultural expression thema EDItEUR::A The Arts::AV Music thema EDItEUR::A The Arts::AV Music::AVA Theory of music and musicology thema EDItEUR::A The Arts::AB The arts: general topics Music is created for different purposes, in different spaces, by different actors, and in processes where a variety of methods, materials, technologies, and forms of dissemination are used. Creative practices may involve music as score or writing, music as recorded or live sound, or music as performing, improvised, embodied action. But what actually characterizes the ways music is created in Norway today? In twelve articles, When Music Takes Shape: On Creative Practices in Music investigates how and within what contexts music is composed, created, and produced today. In particular, three themes stand out across the creative music practices addressed: (i) development, expansion, and exploration of understandings and working methods, (ii) co-creation and collective creative processes, and (iii) music-technology practices. The articles study music both within and across different music fields, academic traditions, and genres, including folk music, improvisation, pop music, music technology, contemporary music, early music, score-based music, electroacoustic music, and post-acousmatic music. Detailed descriptions of working methods and compositional strategies are combined with studies and discussions that examine overarching perspectives on conceptual understandings, development trends, traditions, and cultural and societal conditions. When Music Takes Shape: On Creative Practices in Music stems from the research program Creative Practices in Music (2021–2024), initiated by the Norwegian Arts Council. 2026-02-12T10:03:44Z 2026-02-12T10:03:44Z 2025 book 9788245047233 9788245047240 https://directory.doabooks.org/handle/20.500.12854/171395 nor application/octet-stream Attribution-NonCommercial-NoDerivatives 4.0 International https://oa.fagbokforlaget.no/index.php/vboa/catalog/book/67 https://oa.fagbokforlaget.no/index.php/vboa/catalog/view/67/91/1028 Fagbokforlaget Vigmostad & Bjørke 10.55669/oa4911 Music is created for different purposes, in different spaces, by different actors, and in processes where a variety of methods, materials, technologies, and forms of dissemination are used. Creative practices may involve music as score or writing, music as recorded or live sound, or music as performing, improvised, embodied action. But what actually characterizes the ways music is created in Norway today? In twelve articles, When Music Takes Shape: On Creative Practices in Music investigates how and within what contexts music is composed, created, and produced today. In particular, three themes stand out across the creative music practices addressed: (i) development, expansion, and exploration of understandings and working methods, (ii) co-creation and collective creative processes, and (iii) music-technology practices. The articles study music both within and across different music fields, academic traditions, and genres, including folk music, improvisation, pop music, music technology, contemporary music, early music, score-based music, electroacoustic music, and post-acousmatic music. Detailed descriptions of working methods and compositional strategies are combined with studies and discussions that examine overarching perspectives on conceptual understandings, development trends, traditions, and cultural and societal conditions. When Music Takes Shape: On Creative Practices in Music stems from the research program Creative Practices in Music (2021–2024), initiated by the Norwegian Arts Council. 10.55669/oa4911 637f2da4-f01b-482d-ac9d-8f3e204f400e 9788245047233 9788245047240 491 Bergen open access |
| spellingShingle | Music studies Composition Creative processes Aesthetics Sound analysis Musical form Artistic research Music pedagogy Performance Cultural expression thema EDItEUR::A The Arts::AV Music thema EDItEUR::A The Arts::AV Music::AVA Theory of music and musicology thema EDItEUR::A The Arts::AB The arts: general topics Sofia Ahvenniemi, Rebecka Barrett, Natasha Boksasp, Unni Borchgrevink, Hild Brøvig, Ragnhild Grydeland, Ivar Hellqvist, Karin A.S. Holbrook, Ulf Johansson, Mats Kjus, Yngvar Knudsen, Ragnhild Molde, Audun Nystabakk, Solmund Åsmund Omholt, Per Opheim, Berit Osa, Tom Rudi, Jøran J.W. Thelle, Notto Tveit, Anders Wang, Solveig Isak Wærstad, Bernt Når musikken tek form |
| title | Når musikken tek form |
| title_full | Når musikken tek form |
| title_fullStr | Når musikken tek form |
| title_full_unstemmed | Når musikken tek form |
| title_short | Når musikken tek form |
| title_sort | nar musikken tek form |
| topic | Music studies Composition Creative processes Aesthetics Sound analysis Musical form Artistic research Music pedagogy Performance Cultural expression thema EDItEUR::A The Arts::AV Music thema EDItEUR::A The Arts::AV Music::AVA Theory of music and musicology thema EDItEUR::A The Arts::AB The arts: general topics |
| topic_facet | Music studies Composition Creative processes Aesthetics Sound analysis Musical form Artistic research Music pedagogy Performance Cultural expression thema EDItEUR::A The Arts::AV Music thema EDItEUR::A The Arts::AV Music::AVA Theory of music and musicology thema EDItEUR::A The Arts::AB The arts: general topics |
| url | https://directory.doabooks.org/handle/20.500.12854/171395 |
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