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Re-Composing YouTube

YouTube features a wide array of multimodal musical figurations, including fan-made music videos, musical aestheticisations of pre-circulating content, and musical self-performances. Jonas Wolf explores open-ended forms of musical creative relay on YouTube, delving into formal, imitative, affective,...

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Salvato in:
Autore principale: Wolf, Jonas
Natura: Online
Lingua:inglese
Pubblicazione: transcript Verlag 2026
Soggetti:
Remix Culture
Social Media
Musical Aesthetics
Vernacular
Composition
Music
Media
Popular Culture
Media Aesthetics
Musicology
Sound
Digital Media
Media Studies
thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies
thema EDItEUR::A The Arts::AV Music::AVA Theory of music and musicology
Accesso online:https://library.oapen.org/handle/20.500.12657/111339
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Riassunto:YouTube features a wide array of multimodal musical figurations, including fan-made music videos, musical aestheticisations of pre-circulating content, and musical self-performances. Jonas Wolf explores open-ended forms of musical creative relay on YouTube, delving into formal, imitative, affective, and (non-)institutional aspects of networked media remix and (self-)aestheticisation. Beyond creating value for non-musical fields of discourse, this study is directed at filling a gap in a largely ocularcentric domain of study. It provides a concise theory of vernacular composition within our time's total digital archive that accounts for socio-aesthetic phenomena and their relation to systems of knowledge, control, and discourse.

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