Ostrannenie. On "Strangeness" and the Moving Image. The History, Reception, and Relevance of a Concept
Ostrannenie (‘making it strange’) has become one of the central concepts of modern artistic practice, ranging over movements including Dada, postmodernism, epic theatre, and science fiction, as well as our response to arts. Coined by the ‘Russian Formalist’ Viktor Shklovsky in 1917, ostrannenie has...
Zapisane w:
| Format: | Online |
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| Język: | angielski |
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Amsterdam University Press
2021
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| Hasła przedmiotowe: | |
| Dostęp online: | 605865 |
| Etykiety: |
Nie ma etykietki, Dołącz pierwszą etykiete!
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| _version_ | 1869525635052863488 |
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| collection | Directory of Open Access Books |
| description | Ostrannenie (‘making it strange’) has become one of the central concepts of modern artistic practice, ranging over movements including Dada, postmodernism, epic theatre, and science fiction, as well as our response to arts. Coined by the ‘Russian Formalist’ Viktor Shklovsky in 1917, ostrannenie has come to resonate deeply in Film Studies, where it entered into dialogue with the Brechtian concept of Verfremdung, the Freudian concept of the uncanny and Derrida's concept of différance. Striking, provocative and incisive, the essays of the distinguished film scholars in this volume recall the range and depth of a concept that since 1917 changed the trajectory of theoretical inquiry.
European Film Studies ‘The Key Debates is a new film series from Amsterdam University Press edited by Annie van den Oever (the founding editor), Ian Christie and Dominique Chateau. The editors’ ambition is to uncover and track the process of appropriation of critical terms in film theory in order to give the European film heritage the attention it deserves.
With contributions from Ian Christie, Yuri Tsivian, Dominique Chateau, Frank Kessler, Laurent Jullier, Miklós Kiss, Annie van den Oever, Emile Poppe, László Tarnay, Barend van Heusden, András Bálint Kovács, and Laura Mulvey, this important study is a wonderful piece of imaginative yet rigorous scholarship. |
| format | Online |
| id | doab-20.500.12854ir-29133 |
| institution | Directory of Open Access Books |
| language | eng |
| publishDate | 2021 |
| publishDateRange | 2021 |
| publishDateSort | 2021 |
| publisher | Amsterdam University Press |
| publisherStr | Amsterdam University Press |
| record_format | ojs |
| spelling | doab-20.500.12854ir-291332025-07-21T15:57:08Z Ostrannenie. On "Strangeness" and the Moving Image. The History, Reception, and Relevance of a Concept van den Oever, Annie ostrannenie defamiliarisation Avant-garde Bertolt Brecht Distancing effect Futurism History of film Russian formalism Viktor Shklovsky thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism Ostrannenie (‘making it strange’) has become one of the central concepts of modern artistic practice, ranging over movements including Dada, postmodernism, epic theatre, and science fiction, as well as our response to arts. Coined by the ‘Russian Formalist’ Viktor Shklovsky in 1917, ostrannenie has come to resonate deeply in Film Studies, where it entered into dialogue with the Brechtian concept of Verfremdung, the Freudian concept of the uncanny and Derrida's concept of différance. Striking, provocative and incisive, the essays of the distinguished film scholars in this volume recall the range and depth of a concept that since 1917 changed the trajectory of theoretical inquiry. European Film Studies ‘The Key Debates is a new film series from Amsterdam University Press edited by Annie van den Oever (the founding editor), Ian Christie and Dominique Chateau. The editors’ ambition is to uncover and track the process of appropriation of critical terms in film theory in order to give the European film heritage the attention it deserves. With contributions from Ian Christie, Yuri Tsivian, Dominique Chateau, Frank Kessler, Laurent Jullier, Miklós Kiss, Annie van den Oever, Emile Poppe, László Tarnay, Barend van Heusden, András Bálint Kovács, and Laura Mulvey, this important study is a wonderful piece of imaginative yet rigorous scholarship. 2021-02-10T12:58:18Z 2016-12-31 23:55:55 2019-12-10 14:46:32 2020-04-01T14:18:22Z 2010 book 605865 OCN: 709606110 http://library.oapen.org/handle/20.500.12657/32758 9789089640796 https://directory.doabooks.org/handle/20.500.12854/29133 eng The Key Debates: Mutations and Appropriations in European Film Studies open access image/jpeg image/jpeg image/jpeg image/jpeg image/jpeg n/a n/a n/a n/a n/a https://library.oapen.org/bitstream/20.500.12657/32758/1/605865.pdf https://library.oapen.org/bitstream/20.500.12657/32758/1/605865.pdf https://library.oapen.org/bitstream/20.500.12657/32758/1/605865.pdf https://library.oapen.org/bitstream/20.500.12657/32758/1/605865.pdf https://library.oapen.org/bitstream/20.500.12657/32758/1/605865.pdf Amsterdam University Press 10.26530/OAPEN_605865 10.26530/OAPEN_605865 de2ecbe7-1037-4e96-8c3a-5a842d921e04 9789089640796 280 open access |
| spellingShingle | ostrannenie defamiliarisation Avant-garde Bertolt Brecht Distancing effect Futurism History of film Russian formalism Viktor Shklovsky thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism Ostrannenie. On "Strangeness" and the Moving Image. The History, Reception, and Relevance of a Concept |
| title | Ostrannenie. On "Strangeness" and the Moving Image. The History, Reception, and Relevance of a Concept |
| title_full | Ostrannenie. On "Strangeness" and the Moving Image. The History, Reception, and Relevance of a Concept |
| title_fullStr | Ostrannenie. On "Strangeness" and the Moving Image. The History, Reception, and Relevance of a Concept |
| title_full_unstemmed | Ostrannenie. On "Strangeness" and the Moving Image. The History, Reception, and Relevance of a Concept |
| title_short | Ostrannenie. On "Strangeness" and the Moving Image. The History, Reception, and Relevance of a Concept |
| title_sort | ostrannenie on strangeness and the moving image the history reception and relevance of a concept |
| topic | ostrannenie defamiliarisation Avant-garde Bertolt Brecht Distancing effect Futurism History of film Russian formalism Viktor Shklovsky thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism |
| topic_facet | ostrannenie defamiliarisation Avant-garde Bertolt Brecht Distancing effect Futurism History of film Russian formalism Viktor Shklovsky thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism |
| url | 605865 |