Ostrannenie. On "Strangeness" and the Moving Image. The History, Reception, and Relevance of a Concept

Ostrannenie (‘making it strange’) has become one of the central concepts of modern artistic practice, ranging over movements including Dada, postmodernism, epic theatre, and science fiction, as well as our response to arts. Coined by the ‘Russian Formalist’ Viktor Shklovsky in 1917, ostrannenie has...

Full description

Bibliographic Details

Format:	Online
Language:	English
Published:	Amsterdam University Press 2021
Subjects:	ostrannenie defamiliarisation Avant-garde Bertolt Brecht Distancing effect Futurism History of film Russian formalism Viktor Shklovsky thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism
Online Access:	605865
Tags:	Add Tag No Tags, Be the first to tag this record!