Renaissance Futurities

"Open access to this title is possible thanks to the generous support of Arcadia, a charitable fund of Lisbet Rausing and Peter Baldwin. Renaissance Futurities considers the intersections between artistic rebirth, the new science, and European imperialism in the global early modern world. Charlene...

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Almmustuhtton: University of California Press 2020
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collection Directory of Open Access Books
description "Open access to this title is possible thanks to the generous support of Arcadia, a charitable fund of Lisbet Rausing and Peter Baldwin. Renaissance Futurities considers the intersections between artistic rebirth, the new science, and European imperialism in the global early modern world. Charlene Villaseñor Black and Mari-Tere Álvarez reconsider the work of Renaissance genius Leonardo da Vinci (1452–1519), prolific artist and inventor, and other polymaths such as philosopher Giulio “Delminio” Camillo (1480–1544), physician and naturalist Francisco Hernández de Toledo (1514–1587), and writer Miguel de Cervantes (1547–1616). This concern with futurity is inspired by the Renaissance itself, a period defined by visions of the future, as well as by recent theorizing of temporality in Renaissance, queer, and ethnic studies. This transdisciplinary collection is at the cutting edge of the humanities, the sciences, and the arts with contributions in history, art history, literature, media studies, mathematics, and medicine. “A superb provocation, asking us to reimagine the Renaissance in both space and time, resituating it at the crossroads of Europe and its early modern empires; of art, technology, and science; and of alternative pasts and futures.” TARA NUMMEDAL, author of Anna Zieglerin and the Lion’s Blood: Alchemy and End Times in Reformation Germany “This volume approaches the field through the unique lens of futurity, bringing together an eclectic transdisciplinary group of scholars who focus on ingenuity and futuristic thinking in various Renaissance contexts.” PAULA DeVOS, Professor of History, San Diego State University CHARLENE VILLASEÑOR BLACK is Professor of Art History and Chicana/o Studies at the University of California, Los Angeles. MARI-TERE ÁLVAREZ is Associate Director of the University of Southern California’s International Museum Institute."
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spelling doab-20.500.12854ir-364552024-05-11T22:10:46Z Renaissance Futurities Villaseñor Black, Charlene Álvarez, Mari-Tere Art History thema EDItEUR::A The Arts thema EDItEUR::N History and Archaeology::NH History "Open access to this title is possible thanks to the generous support of Arcadia, a charitable fund of Lisbet Rausing and Peter Baldwin. Renaissance Futurities considers the intersections between artistic rebirth, the new science, and European imperialism in the global early modern world. Charlene Villaseñor Black and Mari-Tere Álvarez reconsider the work of Renaissance genius Leonardo da Vinci (1452–1519), prolific artist and inventor, and other polymaths such as philosopher Giulio “Delminio” Camillo (1480–1544), physician and naturalist Francisco Hernández de Toledo (1514–1587), and writer Miguel de Cervantes (1547–1616). This concern with futurity is inspired by the Renaissance itself, a period defined by visions of the future, as well as by recent theorizing of temporality in Renaissance, queer, and ethnic studies. This transdisciplinary collection is at the cutting edge of the humanities, the sciences, and the arts with contributions in history, art history, literature, media studies, mathematics, and medicine. “A superb provocation, asking us to reimagine the Renaissance in both space and time, resituating it at the crossroads of Europe and its early modern empires; of art, technology, and science; and of alternative pasts and futures.” TARA NUMMEDAL, author of Anna Zieglerin and the Lion’s Blood: Alchemy and End Times in Reformation Germany “This volume approaches the field through the unique lens of futurity, bringing together an eclectic transdisciplinary group of scholars who focus on ingenuity and futuristic thinking in various Renaissance contexts.” PAULA DeVOS, Professor of History, San Diego State University CHARLENE VILLASEÑOR BLACK is Professor of Art History and Chicana/o Studies at the University of California, Los Angeles. MARI-TERE ÁLVAREZ is Associate Director of the University of Southern California’s International Museum Institute." 2020-01-06 19:18:38 2020-04-01T09:17:29Z 2019 book 1006659 OCN: 1135855020 http://library.oapen.org/handle/20.500.12657/23493 9780520296985 https://directory.doabooks.org/handle/20.500.12854/36455 eng open access image/jpeg image/jpeg image/jpeg image/jpeg image/jpeg n/a n/a n/a n/a n/a https://library.oapen.org/bitstream/20.500.12657/23493/1/renaissance-futurities.pdf https://library.oapen.org/bitstream/20.500.12657/23493/1/renaissance-futurities.pdf https://library.oapen.org/bitstream/20.500.12657/23493/1/renaissance-futurities.pdf https://library.oapen.org/bitstream/20.500.12657/23493/1/renaissance-futurities.pdf https://library.oapen.org/bitstream/20.500.12657/23493/1/renaissance-futurities.pdf University of California Press 10.1525/luminos.79 10.1525/luminos.79 19856893-4bf2-4e3e-9137-c7692d64e4c1 9780520296985 Toward an Open Monograph Ecosystem (TOME) 253 Oakland open access
spellingShingle Art
History
thema EDItEUR::A The Arts
thema EDItEUR::N History and Archaeology::NH History
Renaissance Futurities
title Renaissance Futurities
title_full Renaissance Futurities
title_fullStr Renaissance Futurities
title_full_unstemmed Renaissance Futurities
title_short Renaissance Futurities
title_sort renaissance futurities
topic Art
History
thema EDItEUR::A The Arts
thema EDItEUR::N History and Archaeology::NH History
topic_facet Art
History
thema EDItEUR::A The Arts
thema EDItEUR::N History and Archaeology::NH History
url 1006659